Author |
Title |
Year |
Volume |
Issue |
Pages |
Alpert, J. M. | Kokopelli : a New Look at the Humpback Fluteplayer in Anasazi Rock Art | 1991 | 17 | 1 | 48-57 |
Ames, Tim | The Jump Dance basket of Northwestern California [Le panier de la danse sautée du nord-ouest de la Californie] | 2004 | 29 | 3 | 46-53 |
Ames, Tim | Indian Money and Elk Horn purses [Porte-monnaies en corne d'Ă©lan et monnaies indiennes] | 2010 | 35 | 3 | 68-72 |
Anderson, Bruce A. | Kokopelli: The Humpbacked Flute Player | 1976 | 1 | 2 | 36 |
Anderson, Jeffrey D. | The Sacred Art of Arapaho Quillwork | 2014 | 39 | 2 | 60 |
Anderson, Marcia & Hussey-Arnston, K. | Ojibwe bandolier bags in the collections of the Minnesota Historical Society | 1986 | 11 | 4 | 46-57 |
Anderson, Marcia G. and Herb Dorr | The Bluecloud Dolls of Granite Falls: A Dakota Story | 2015 | 40 | 4 | 42 |
AnsonWarner, J. | New Visions in Canadian Plains Painting | 1985 | 10 | 2 | 46-53 |
Archuleta, M. | The Fourth Biennial Native American Fine Arts Invitational at the Heard Museum | 1989 | 15 | 1 | 54-61 |
Archuleta, M. | Art in 2 Worlds : The Native American Fine Art Invitational 1983-1997 | 1999 | 24 | 2 | 30-35 |
Ash Milby, Kathleen | Off the map : landscape in the Native imagination | 2007 | 32 | 0 | 0 |
Ashton, Robert Jr. | Nampeyo And Lesou | 1976 | 1 | 3 | 24 |
Auger, Emily E. | The cultural and multicultural aesthetics of Baker Lake Inuit artists | 2001 | 26 | 4 | 48-59, 94-95 |
Babcock, B. A. | Clay changes: Helen Cordero and the Pueblo storyteller | 1983 | 8 | 2 | 30-39 |
Babcock, B.A. | "Those, they called them monos" - Cochiti figurative ceramics, 1875-1905 | 1987 | 12 | 4 | 50-57, 67 |
Backhouse, Tara J. | Unconquered History:Â The Ah-Tah-Thi-Ki Museum Collection | 2014 | 39 | 4 | 50 |
Badertscher, Vera Marie & Havens, Charnell | Quincy Tahoma of Santa Fe | 2006 | 31 | 0 | 48-57 |
Bailey, Randy | Turquoise: Real Or Fake? An Interview With Michael L. Parsons | 1977 | 3 | 1 | 76 |
Baker, Joe | A beautiful resistance : American Indian paintings at the heard museum | 2005 | 30 | 3 | 70-77 |
Ball, Gene & Leo A. Platteter | Museum Collections New Plains Indian Museum | 1979 | 4 | 3 | 42 |
Barabas Potter, Bryn and Christa Barleben | Twenty-five Baskets for Twenty-five Years: The Eiteljorgâs Silver Anniversary | 2014 | 39 | 2 | 52 |
Barkin, Jonathan | The Jim and Lauris Phillips Center for the Study of Southwestern Jewelry at the Wheelwright Museum of the American Indian | 2015 | 40 | 3 | 34 |
Bates, C. D. | Feather belts of central California | 1981 | 7 | 1 | 46-53, 86 |
Bates, C. D. | Ethnographic Collections at Yosemite National Park | 1982 | 7 | 3 | 28-35 |
Bates, C. D. | The California collection of I. G. Voznesenski | 1983 | 8 | 3 | 36-41, 79 |
Bates, C. D. & Bibby, B. | Collection among the Chico Maidu: The Stewart Culin Collection at the Brooklyn Museum | 1983 | 8 | 4 | 46-53 |
Bates, C. D. & Bibby, B. | Amanda Wilson: Maidu weaver | 1984 | 9 | 3 | 38-43, 69 |
Bates, C. D. & Hamber, J.A. & Lee, M. J. | The California condor and California Indians | 1993 | 19 | 1 | 40-47 |
Bates, C. D. & Lee, M. J. | Chukchansi Yokuts and Southern Miwok weavers of Yosemite National Park | 1993 | 18 | 3 | 44-51 |
Bates, Craig D. | Miwok-Paiute Basketry 1920-1929: Genesis Of An Art Form | 1979 | 4 | 4 | 54 |
Bates, Craig D. & Brian Bibby | Flicker Quill Bands Of The Maidu: Ceremonial Art Of Central California | 1980 | 5 | 4 | 62 |
Bates, Craig D. & Kahn, Bonnie B. & Lanford, Benson L. | Washee and the Indian scouts of Fort Reno, Cheyenne and Arapaho ledger art at the end of the nineteenth century | 2001 | 27 | 1 | 44-53, 86-87 |
Batkin, J. | Martina Vigil and Florentino Montoya. Master Potters of San Idelfonso and Cochiti Pueblos in Pottery Issue. | 1987 | 12 | 4 | 28-37 |
Batkin, J. | Some early curio dealers of New Mexico | 1998 | 23 | 3 | 68-81 |
Batkin, Jonathan | Mail-order catalogs as artifacts of the early Native American curio trade | 2004 | 29 | 2 | 40-49 |
Baxter, P. A. | Navajo and Pueblo jewelry : 1940-1970 : Three decades of innovative design revisited | 1996 | 21 | 4 | 34-43 |
Bean, L.J. | The Lee Collection of Hopi and Navajo art | 1987 | 12 | 3 | 38-45 |
Beardsley, G. | Design development in Tarahumara and Pueblo sashes | 1985 | 10 | 4 | 30-43 |
Beardsley, G. | Design Development in Tarahumara and Pueblo Sashes | 1985 | 10 | 4 | 30-43 |
Bell, J. | Tohono O'Odhan wire baskets | 1988 | 13 | 2 | 48-57 |
Benton, William | T. C. Cannon: The Masked Dandy | 1978 | 3 | 4 | 34 |
Berlo, J. C. | Plains Indian drawings, 1865-1935 : Pages from a visual history : A traveling exhibition of Lakota, Cheyenne, Kiowa and Arapaho graphic arts | 1996 | 22 | 1 | 56-65 |
Berlo, Jane Catherine | The Szwedzicki Portfolios of American Indian Art, 1929-1952, part 2 : "Sioux Indian painting," "American Indian painters" and "North American Indian costumes" | 2009 | 34 | 0 | 58-67, 90 |
Berlo, Janet Catherine | The Szwedzicki Portfolios of American Indian Art, 1929-1952 : Kiowa Indian Art, Pueblo Indian Painting & Pueblo Indian Pottery [Les Portefeuilles Szwedzicki de l'art amérindien, 1929-1952 : l'art amérindien Kiowa, la peinture et la poterie Pueblo] | 2009 | 34 | 2 | 36-45 |
Berlo, Janet Catherine | THE SZWEDZICKI PORTFOLIOS OF AMERICAN INDIAN ART, 1929â1952, PART 2: SIOUX INDIAN PAINTING, AMERICAN INDIAN PAINTERS & NORTH AMERICAN INDIAN COSTUMES [LES PORTFOLIOS DE SZWEDZICKI SUR L'ART D'INDIEN, 1929â1952, PARTIE 2 : LA PEINTURE D'INDIENS SIOUX, LES PEINTRES AMERINDIENS ET LES COSTUMES INDIENS NORD-AMĂRICAINS] | 2009 | 34 | 3 | 0 |
Berlo, Janet Catherine | Changing hands, shifting paradigms : materiality, craft, and identity in twenty-first-century Native art | 2013 | 38 | 0 | 58-71 |
Berlo, Janet Catherine | Changing Hands, Shifting Paradigms: Materiality, Craft and Identity in Twenty-First-Century Native Art [Changeant de main, changement de paradigmes : matérialité, habileté et identité dans l'art autochtone du vingt-et-uniÚme siÚcle] | 2013 | 38 | 3 | 58-69 |
Berlo, Janet Catherine | Dennis CusickâA Tuscarora Artist at Seneca Mission: Missionary Propaganda and American Vernacular Culture, 1820â1822 | 2015 | 40 | 2 | 38 |
Bernstein  , Bruce | Panamint Shoshone Basketry: A Definition Of Style | 1979 | 4 | 4 | 68 |
Bernstein, Bruce | The National Museum of the American Indian collections | 2004 | 29 | 4 | 52-55 |
Bernstein, Bruce | Acoma, San Ildefonso and Zuni pottery at the National Museum of the American Indian | 2004 | 29 | 4 | 78-85 |
Bird, A. | Jewelry collection at the school of american research | 1993 | 18 | 4 | 56-63 |
Biron, Gerry | A CHERISHED CURIOSITY: THE NIAGARA FLORAL-STYLE BEADED BAG IN THE VICTORIAN ERA [UNE CHERE CURIOSITĂ : LE STYLE FLORAL NIAGARA DES SACS PERLĂS A L'ĂRE VICTORIENNE] | 2010 | 35 | 4 | 0 |
Black, Martha | Out of the mist: HuupuKwanum.tupaat: Treasures of the Nuu-chah-nulth chiefs | 2001 | 26 | 2 | 44-53, 92-94 |
Blackard, D.M. | Patchwork and palmettos - Seminole/Miccosukee folk art since 1820 | 1990 | 15 | 2 | 66-83 |
Blackman, M. B. | Contemporary Northwest coast art for ceremonial use | 1985 | 10 | 3 | 24-37 |
Blackman, M. B. | In their own image : The Anaktuvuk pass skin mask | 1997 | 22 | 4 | 58-67 |
Blackman, M. B. & Hall, E. S. | Contemporary Northwest coast art: tradition and innovation in serigraphy | 1981 | 6 | 3 | 54-61 |
Blackman, M. B. & Hall, E. S. | The afterimage and image after: visual documents and the renaissance in Northwest coast art | 1982 | 7 | 2 | 30-39 |
Blackman, M. B. & Hall, E. S. | Snakes and clowns: Art Thompson and the westcoast heritage | 1986 | 11 | 2 | 30-45 |
Blair, Wink | Lelooska | 1976 | 1 | 2 | 82 |
Blomber, Nancy J. | The Hand and Eye of the Aitis Clebrating the Arts of Native America at the Denver Are Museum [La main et l'oeil de l'Aitis. Célébrer les arts de l'Amérique native au musée d'art de Denver] | 2011 | 36 | 4 | 0 |
Blomberg, Nancy | The hand and eye of the artist : celebrating the arts of Native America at the Denver Art Museum | 2011 | 36 | 0 | 44-53, 96 |
Bolz, P. & Davis, A. L. | From the Kunstkammer to the Museum fĂŒr Volkerkunde : The eventful history of the early North American Indian collection in Berlin | 2000 | 25 | 2 | 34-45 |
Boucher, Diane | "Under the Pavement of Broadway" : The Indian Hall in Hotel Astor ["Sous le Pavement de Broadway " : le Hall indien dans l'HĂŽtel Astor] | 2010 | 35 | 4 | 70-76 |
Bowers, Kendra E. | The Taylor Museum | 1976 | 1 | 4 | 16 |
Brace, M. A. & Parezo, N. J. | The Arizona State Museum | 1984 | 10 | 1 | 24-31 |
Brako, J. | Recognizing ethnographic wear patterns on southwestern textiles | 1993 | 18 | 3 | 64-71 |
Brasser, T. J. | Backrest banners among the Plains Cree and Plains Ojibwa | 1984 | 10 | 1 | 56-63 |
Brasser, T. J. | Notes on a recently discovered Indian shirt from New France | 1999 | 24 | 2 | 46-55 |
Brasser, Ted J. | Pedigree Of Hugging Bear Tipi In The Blackfoot Camp | 1979 | 5 | 1 | 32 |
Brody, J. J. | Mimbres Art: Sidetracked On The Trail Of A Mexican Connection | 1977 | 2 | 4 | 26 |
Brody, J. J. | In Our Own Time : Anasazi and Pueblo Pottery in the 20th Century and Beyond | 1991 | 16 | 2 | 60-67 |
Brody, J. J. | Art on the land: Rock art in the American Southwest | 2002 | 27 | 3 | 58-61 |
Brody/Coe/Feder/Goldwater/Houlihan/Howard/Huldermann | Symposium : The Future Of Indian Art | 1977 | 2 | 2 | 22 |
Brown, I. W. | Soft gold: a Northwest coast exhibition at the Peabody Museum, Harvard University | 1985 | 10 | 4 | 24-29 |
Brown, S. | In the shadow of the Wrangellmaster | 1994 | 19 | 4 | 74-85 |
Brown, S. C. | Formlines changing form : Northwest Coast art as an evolving tradition [Forme changeante des reliefs : l'art de la CĂŽte Nord-Ouest, une tradition en Ă©volution] | 1997 | 22 | 2 | 62-73, 81-83 |
Brown, S. C. | Turning the tables : The influence of nineteenth-century southern design styles on the northern northwest coast | 2000 | 25 | 3 | 48-55 |
Brown, Steven C. | A tale of two carvers : The rain wall screen of the whale house, Klukwan, Alaska | 2005 | 30 | 4 | 48-59 |
Brownstone, Arni | Ancestors: The Deane-Freeman collections from the Bloods | 2002 | 27 | 3 | 38-49 |
Brownstone, Arni | Reverend John Maclean and the Bloods | 2008 | 33 | 0 | 0 |
Brownstone, Arni | Mysteries of the Sculptural Narrative Pipes from Manitoulin Island [Les mystÚres des récits des pipes sculptées de l'ßle de Manitoulin] | 2011 | 36 | 3 | 0 |
Brownstone, Arni | European influence in the Mandan-Hidatsa graphic works collected by Prince Maximilian of Wied | 2014 | 39 | 3 | 58 |
Brugge, David M. & Taylor, Tobi | Navajo ring bits | 2001 | 26 | 4 | 78-87 |
Brydon, S. | Ingenuity in art: the early 19th century works of David and Dennis Cusick | 1995 | 20 | 2 | 60-85 |
Brydon, S. | The Indians of Canada pavilion at Expo 67 | 1997 | 22 | 3 | 54-63 |
Brydon, Sherry | "Beautiful in Its Materials and Finish" Early-Nineteenth-Century Iroquois Moccasins [" Ils sont beaux dans leur matiÚre et leur finition ". Les Mocassins Iroquois au début du XIXe siÚcle] | 2011 | 36 | 4 | 64-75 |
Brydon, Sherry | "Gifted in All Ways": The Art of Chief James Beaver [Doué de toutes les façons ": l'art du chef James Beaver] | 2013 | 38 | 2 | 36-45 |
Brydon, Sherry | Anishinaabe and Haudenosaunee Exhibitors at Nineteenth-Century Upper Canadian Provincial Exhibitions | 2014 | 39 | 4 | 58 |
Bunn-marcuse, K. | Northwest coast silver bracelets and the use of Euro-American designs | 2000 | 25 | 4 | 66-73 |
Burke, Christina E. | Collecting Lakota histories: Winter count pictographs and texts in the National Anthropological Archives | 2000 | 26 | 1 | 82-89, 102-103 |
Burke, Christina E. | Jewelry and silverwork in the Eugene B Adkins Collection | 2009 | 34 | 0 | 40-49, 82 |
Burke, Christina E. | Jewebry and Silverwork in the Engeneî îB.î îAdkinsî îCollection [Joaillerie et travail de l'argent dans la collection d'Engene B. Adkins] | 2009 | 34 | 4 | 0 |
Burns, Barney T. | Mayo Weaving: A Continuing Sonoran Art Form | 1979 | 4 | 2 | 54 |
Capture, G. H. | The J. R. Simplot Collection at the Buffalo Bill Historical Center | 1989 | 14 | 4 | 70-75 |
Carlson, R. L. | Eighteenth Century Pottery From The Gobernador District Of New Mexico | 1977 | 2 | 4 | 38 |
Carlson, Roy L. | Images of precontact northwest coast masks | 2005 | 30 | 2 | 48-57 |
Carocci, Max | Contemporary Native North American art in the British Museum | 2013 | 38 | 0 | 42-47 |
Cerny, C. | The Girard collection at the Museum of International Folk Art | 1983 | 8 | 2 | 40-45 |
Cerny, Charlene | Navajo Pictorial Weaving | 1976 | 2 | 1 | 46 |
Christman, Ernest H. | Casas Grandes effigy vessels: Charles C. Di Peso's premise revisited | 2004 | 29 | 2 | 60-65 |
Cirillo, D. | Back to the past - tradition and change in contemporary Pueblo jewelry | 1988 | 13 | 2 | 46-63 |
Cleland, Charles F. | Yuma Dolls | 1980 | 5 | 3 | 36 |
Cohodas, M. | Sarah Mayo and her contemporaries: representational designs in Washoe basketry | 1981 | 6 | 4 | 52-59, 80 |
Cohodas, M. | The Breitholle collection of Washoe basketry | 1984 | 9 | 4 | 38-49 |
Cohodas, Marvin | Dot So La Lee | 1976 | 1 | 4 | 22 |
Cohodas, Marvin | Lena Frank Dick: Washoe Basket Weaver | 1979 | 4 | 4 | 32 |
Cole Will, Rebecca | "Delicate sweet dishes too they make" : birchbark art in the Abbe Museum's collection | 2006 | 31 | 0 | 0 |
Cole-will, Rebecca | The Frank T. Siebert Collection of Native Amerindian Art [La collection Frank T. Siebert d'art amérindien] | 2004 | 29 | 3 | 64-71 |
Collings, Jerold | The Yokuts Gambling Tray | 1975 | 1 | 1 | 10 |
Collings, Jerold L. | Profile Of A Checmehuevi Weaver | 1979 | 4 | 4 | 60 |
Conn, Richard | The Denver Art Museum | 1977 | 3 | 1 | 20 |
Cook, Stephen | 400 years of Native American art at the Mashantucket Pequot Museum and Research Center | 2001 | 26 | 4 | 60-67 |
Cosgrove-smith, P. | Smoky-Top: The Art and Times of Willie Seaweed | 1983 | 8 | 4 | 64-69 |
Cowdrey, Mike | Horse masks of the plateau | 2007 | 33 | 0 | 0 |
Cowdrey, Mike | Horse masks of the Plateau [Les masques pour chevaux des Indiens des Plateaux] | 2007 | 33 | 1 | 52-59 |
Cowles, D. C. | White Swan: Crow Artist at the Little Big Horn | 1982 | 7 | 4 | 52-61 |
Culley, LouAnn F. | Helen Hardin: A Retrospective | 1979 | 4 | 3 | 68 |
D'alleva, A. | The art of playing games. The Stewart Culin collection at the Brooklyn Museum | 1992 | 17 | 3 | 46-53 |
Dalrymple, Larry | Southern Paiute baskets : collected by Isabel T. Kelly | 2008 | 33 | 0 | 46-55, 92 |
Dalrymple, Larry | SOUTHERN PAIUTE BASKETS: COLLECTED BY ISABEL T. KELLY [Corbeilles paiutes du sud : recueillies par Isabel T. Kelly] | 2008 | 33 | 4 | 0 |
Davies, Cindy | Silver Jewelry In The Fred Harvey Fine Arts Collection | 1979 | 4 | 2 | 74 |
Decker, Julie | Guarded secrets : The art of Sonya Kelliher-Combs [Secrets guardés : l'art de Sonya Kelliher-Combs] | 2007 | 33 | 1 | 60-65 |
Di Peso, C. C. | The Amerind Foundation | 1981 | 6 | 2 | 46-51 |
Di Peso, Charles C. | Amerind Foundation | 1975 | 1 | 1 | 7 |
Dillingham, Rick | The Pottery Of Acoma Pueblo | 1977 | 2 | 4 | 44 |
DiPeso, Charles C. | Casas Grandes Effigy Vessels | 1977 | 2 | 4 | 32 |
Dittemore, D. D. | Pima Beaded Baskets in the Arizona State Museum | 1986 | 12 | 1 | 46-53 |
Dittemore, D. D. & Odegaard, N. | Eccentric marks on Western Apache coiled basketry [Marques originales sur la vannerie tressée des Apaches de l'Ouest] | 1998 | 23 | 2 | 34-43 |
Dittemore, D.& Notarnicola, C. | Anonymous was a weaver : In search of turn-of-the-century western Apache/Yavapai basketry artists | 1999 | 24 | 3 | 54-65 |
Dittemore, D.D. | Among the Western Apaches - the Guenther and Goodwin collections of the Arizona State Museum | 1988 | 13 | 3 | 48-53 |
Dittemore, Diane & Higgins, Andrew | John A. Logan's Plains and Southwestern Collection at the Arizona State Museum | 2007 | 32 | 0 | 0 |
Dittemore, Diane & Higgins, Andrew | Plains and southwester collection at the Arizona state meuseum | 2007 | 32 | 3 | 0 |
Dittemore, Diane & Jacobs, Mike & Lyons, Patrick | The Southwestern pottery collection at the Arizona State Museum | 2008 | 33 | 0 | 69-77 |
Dittemore, Diane & Jacobs, Mike & Lyons, Patrick | THE SOUTHWESTERN POTTERY COLLECTION AT THE ARIZONA STATE MUSEUM : AN AMERICAN TREASURE [La collection de poterie du sud-ouest au musée de l'Etat d'Arizona : un trésor américain] | 2008 | 33 | 4 | 68-77 |
Dobbins, Ed & Russell, Scott C. | The navajo pottery of silas and bertha claw | 2007 | 32 | 2 | 56-65 |
Dobkins, R. J. | The work and influence of Maidu painter Frank Day | 1998 | 23 | 4 | 54-67 |
Dobkins, R. J. | Honoring the past, embracing the future : Native American art at the Hallie Ford Museum of art, Willamette University | 2000 | 25 | 2 | 46-53 |
Dockstader, F. J. | The Revolt of Trader Boy: Oscar Howe and Indian Art | 1983 | 8 | 3 | 42-51 |
Downs, D. | Contemporary Florida Indian Patchwork and Baskets | 1990 | 15 | 4 | 56-63 |
Downs, Dorothy | The Alfred I. Barton Collection Of Southwestern Textiles | 1978 | 4 | 1 | 14 |
Downs, Dorothy | Patchwork Clothing Of The Florida Indians | 1979 | 4 | 3 | 32 |
Dubin, Lois S. and Paige Bardolph | Floral Journey: The Hidden Language of Flowers in Native North American Beadwork | 2014 | 39 | 4 | 70 |
Dubin, Lois Sherr | The storytelling jewelry of demise and samuel wallace | 2006 | 31 | 2 | 56-65 |
Duncan, K. C. | Images and objects from Father DeSmet and the Indians of the Rocky Mountain West | 1993 | 18 | 3 | 52-63 |
Duncan, Kate C. | American Indian Lace Making | 1980 | 5 | 3 | 28 |
Dyck, Paul | The Plains Shield | 1975 | 1 | 1 | 34 |
Eaton, L. B. | The Only One who Knows : A Separate Vision | 1989 | 14 | 3 | 46-53 |
Eaton, L. B. | Heart of the region: the anthropology collections of the Museum of Northern Arizona | 1991 | 16 | 3 | 46-53 |
Einhorn, A. & Abler, T. S. | Bonnets, plumes, and headbands in West's painting of Penn's treaty | 1996 | 21 | 3 | 44-53 |
Einhorn, A. & Abler, T. S. | Tattooed bodies & severed auricles : Images of native American body modification in the art of Benjamin West | 1998 | 23 | 4 | 42-53, 116-117 |
Ellison, Rosemary | The Artistry And Genius Of Julius Caesar | 1978 | 3 | 4 | 56 |
Ellsberg, Helen | Ketohs | 1977 | 2 | 3 | 66 |
Ellsburg, Helen | Coral | 1976 | 1 | 3 | 40 |
Erickson, Jon. T. | âI Wear The Morning Starâ: The Ghost Dance Exhibition At The Minneapolis Institute Of Arts | 1976 | 1 | 4 | 18 |
Ewers, J. C. | The emergence of the named Indian artist in the American West | 1981 | 6 | 2 | 52-61, 77 |
Ewers, J. C. | Pipes for the presidents | 1981 | 6 | 3 | 62-70 |
Ewers, J. C. | Water monsters in Plains Indian art | 1981 | 6 | 4 | 38-45 |
Ewers, J. C. | The awesome bear in Plains Indian art | 1982 | 7 | 3 | 36-45 |
Ewers, J. C. | Assiniboin Antelope-Horn Headdresses | 1982 | 7 | 4 | 44-51 |
Ewers, J. C. | Plains Indian artists and anthropologists: a fruitful collaboration | 1983 | 9 | 1 | 36-49 |
Ewers, J. C. | A century and a half of Blackfeet picture-writing | 1983 | 8 | 3 | 52-61 |
Ewers, J. C. | William Standing (1904-1951): Versatile Assiniboin Artist | 1983 | 8 | 4 | 54-63 |
Ewers, John C. | Three Effigy Pipes By An Eastern Dakota Master Carver | 1978 | 3 | 4 | 51 |
Fair, Susan | Charles Loloma | 1975 | 1 | 1 | 59 |
Fair, Susan W. | Shishmaref: Whalebone carving in an Inupiaq village | 2002 | 27 | 2 | 54-65, 80-81 |
Falkenstien-doyle, C. | Cochiti ceramic figurines 1880-1915: Possible sources of inspiration [Des figurines Cochiti en céramique 1880-1915 : Sources possibles d'inspiration] | 1999 | 24 | 4 | 38-47 |
Falkenstien-Doyle, Cheri | Southwestern Native American jewelry at the Wheelwright Museum of the American Indian | 2009 | 34 | 0 | 70-78 |
Falkenstien-doyle, Cheri | Southwestern Native American Jewelry at the Wheelwright Museum of American Indian [La joaillerie native américaine du sud-ouest des Etats-Unis au Musée amérindien Wheelwright] | 2009 | 34 | 4 | 70-78 |
Fane, D. | Curator's Choice : Indian Pottery of the American Southwest | 1986 | 11 | 2 | 46-53 |
Faulkner, G. F. & Prince, N. T. , Neptune, J.S. | Beautifully beaded : Northeastern Native American Beadwork | 1998 | 24 | 1 | 32-41 |
Faulstich, P. E. | Spirits on the rock: symbol and structure in north Queensland, Australia rock paintings | 1986 | 10 | 0 | 1-28 |
Fearon Faulkner, Gretchen | Tree Tradition: Maine Indian Brown Ash Basketry [Tradition d'arbre : vannerie de cendre marron d'indiens du maine] | 2010 | 35 | 2 | 36-45 |
Feder, N. | Incised relief carving of the Halkomelem and Straits Salish | 1983 | 8 | 2 | 46-55 |
Feder, N. | The side fold dress | 1984 | 10 | 1 | 48-55, 75, 77 |
Feder, N. | The Jasper Grant Collection | 1985 | 10 | 3 | 46-51 |
Feder, N. | Bird quillwork | 1987 | 12 | 3 | 46-57 |
Feder, Norman | Exhibition: The Malaspina Collection | 1977 | 2 | 3 | 40 |
Feder, Norman | George Catlin: Sometimes Accurate | 1977 | 2 | 3 | 72 |
Feder, Norman | The American Indian Collection In The Berne Historical Museum | 1978 | 4 | 1 | 48 |
Feder, Norman | Pawnee Cradleboards | 1978 | 3 | 4 | 40 |
Feder, Norman | Introduction: Crow Indian Artâ The Problem | 1980 | 6 | 1 | 30 |
Feder, Norman | Crow Blanket Strip Rosettes | 1980 | 6 | 1 | 40 |
Feder, Norman | Plains Pictographic Painting And Quilled Rosettes: A Clue To Tribal Identification | 1980 | 5 | 2 | 54 |
Feest, C. F. | Tab pouches of Northeastern America | 1997 | 22 | 4 | 34-47 |
Feest, Christian F. | Slit pouches of Eastern North America | 2006 | 31 | 0 | 0 |
Feest, Christian F. | First nations--royal collections | 2007 | 32 | 0 | 0 |
Feest, Christian F. | Wampum from Early European Collections, Part 2: Cuffs, Bags and More | 2014 | 40 | 1 | 70 |
Feest, Christian F. | Wampum from Early European Collections, Part 1: Strings, Belts and Bracelets | 2014 | 39 | 3 | 32 |
Feldman, R. D. | The Golden Hill totem pole of Indianapolis : the missing pole from the Brady collection of Sitka national historical park | 1996 | 21 | 2 | 58-71 |
Ferg, A. | Amos Gustina: Apache fiddle maker | 1981 | 6 | 3 | 28-35 |
Ferg, A. | Cross-and-crescent motifs among the Western Apache. Part I: DaagodighĂĄ [Les motifs de la croix et du croissant chez les Apaches de l'Ouest. PremiĂšre partie : DaagogighĂĄ] | 1998 | 23 | 2 | 70-83 |
Ferg, A. | Cross-and-crescent motifs among the Western Apache. Part 2: Antecedents and descendants | 1998 | 23 | 3 | 58-67 |
Ferg, Alan | David Longstreet: White Mountain Apache Scout and Master Tailor | 2015 | 40 | 4 | 64 |
Ferg, Alan | Yoo-Nteele: Western Apache T-Necklaces | 2014 | 39 | 4 | 38 |
Ferg, Alan & Wayland, Virginia & Wayland, Harold | The Tonto Naipero : a 19th-century Apache playing card artist | 2006 | 31 | 0 | 0 |
Ferg, Alan & Wayland, Virginia & Wayland, Harold | The Tonto Naipero : A nineteeth-century apache playing card artist | 2006 | 31 | 4 | 52-61 |
Fienup-riordan, Ann | Inuguat, Iinrut, Uyat-Llu: Yup'ik dolls, amulets and human figures | 2002 | 27 | 2 | 40-47 |
Finger, Judith | Twined basketry caps of eastern California and the Great Basin | 2003 | 28 | 2 | 64-73 |
Finger, Judith | Fancy coiled caps of Central California | 2003 | 28 | 3 | 56-63 |
Finger, Judith W. | Woven Identities: The Aesthetics of Native American Basketrv [Identités tissées : l'esthétique de la vannerie amérindienne] | 2012 | 37 | 4 | 66-77 |
Flynt, Suzanne | Early native American collections in Deerfield | 2004 | 30 | 1 | 0 |
Fognell, Eva | Art of the American Indians : the Thaw Collection | 2011 | 36 | 0 | 76-83 |
Fontana, Bernard L. | Tarahumara Pottery | 1979 | 4 | 2 | 38 |
Force, R. W. | Arctic art: Eskimo ivory | 1981 | 6 | 2 | 41-45 |
Fowler, Catherine S. & Finger, Judith W. | Southern Paiute Fine Coiled Baskets of Southern Nevada: History & Style [Les paniers enroulés paiutes du Sud du Nevada : histoire et style] | 2011 | 37 | 1 | 44-53 |
Fowler, Catherine S. , Delorme, Norman R. | Bound by tradition: Contemporary Northern Paiute/Washoe beaded baskets | 2004 | 29 | 2 | 32-39 |
Fox, N. | Collections of the Laboratory of Anthropology, Museum of Mexico | 1983 | 8 | 2 | 56-63 |
Fox, N. | Hopi kachina mantas | 1988 | 14 | 1 | 60-67 |
Fox, N. | The Museum of Indian Arts and Culture | 1988 | 13 | 4 | 42-47 |
Fox, Nancy | Rose Gonzales | 1977 | 2 | 4 | 52 |
Fraser, David W. | VERTICALLY TWINED PLATEAU BAGS [SACS PLATEAUX JUMELES VERTICALEMENT] | 2009 | 35 | 1 | 48-55 |
Freed, Stanley A, | Museum Collection: American Museum Of Natural History, Department Of Anthropology | 1980 | 5 | 4 | 68 |
Galante, Gary | Crow Lance Cases Or Sword Scabbards | 1980 | 6 | 1 | 64 |
Gallagher, M. V. | An Exhibition at the Joslyn Art Museum: "Views of a Vanishing Frontier" | 1984 | 9 | 2 | 54-61 |
Ganteaume, C. R. | Western Apache tailored deer hide shirts [Les chemises taillées dans des peaux de cerf des Apaches de l'Ouest] | 1998 | 23 | 2 | 44-55 |
Ganteaume, CĂ©cile R. | Naiche's deer hide painting: A consideration | 2002 | 28 | 1 | 44-55 |
Ganteaume, CĂ©cile R. | Infinity of nations : art and history in the collections of the National Museum of the American Indian | 2010 | 35 | 0 | 60-69 |
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Gibbs, P. | The Duke Paul Wilhelm Collection in the British Museum | 1982 | 7 | 3 | 52-61 |
Gidmark, D. | Birchbark canoes of the Algonquin | 1995 | 20 | 3 | 54-63 |
Gilman, C. | The Way to Independence : An Exhibition at the Minnesota Historical Society | 1988 | 13 | 2 | 24-31 |
Gilmore, R. | The northern Arapaho cradle | 1990 | 16 | 1 | 64-71 |
Golsh/Hoover/Kabotie/King/Lelooska/Nighthorse/Scholder/Woodring | Symposium: The Future Of Indian Art | 1977 | 3 | 1 | 25 |
Graburn, N. H. H. | The Alaska Commercial Company collection : at the Phoebe Hearst Museum of Anthropology | 1996 | 22 | 1 | 66-75 |
Grafe, S. L. | Still they look handsome | 1997 | 22 | 3 | 34-43 |
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Grant, C. | The bighorn sheep: pre-eminent motif in the rock art of western North America | 1982 | 41858 | 0 | 11-25 |
Greci Green, Adriana & Phillips, Ruth B. | "Many Gifted Workers": Odawa Quill Artists Participating in the Works Progress Administration ["Beaucoup de travailleurs DouĂ©s" : des artistes Odawa crĂ©ant des boĂźtes en plume qui participent au progrĂšs des Ćuvres] | 2012 | 37 | 3 | 48-59 |
Greene, C. | Stovall Museum of Science and History: University of Oklahoma | 1981 | 6 | 4 | 46-51 |
Greene, C. S. | Southern plains graphic art before the reservation | 1997 | 22 | 3 | 44-53 |
Greene, Candace | The artwork collection of the National Anthropological Archives : An American treasure | 2000 | 26 | 1 | 54-65 |
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Greene, Candace S. | Arikara drawings : new sources of visual history | 2006 | 31 | 0 | 0 |
Greene, Candace S. | Buffalo and longhorn : a medicine complex revealed | 2013 | 38 | 0 | 42-53 |
Greene, Candace S. | The Use of Plant Fibers in Plains Indian Embroidery | 2015 | 40 | 2 | 58 |
Greene, Candace S. & Richard, Bonnie & Thompson, Kirsten | Treaty councils and Indian delegations : the War Department Museum Collection | 2007 | 33 | 0 | 0 |
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Gregg, D. W. & Hail, B. A. | Passionate hobby : Rudolf F. Haffenreffer and the King Philip Museum | 1996 | 21 | 4 | 52-63 |
Griffin-pierce, T. | Navajo ceremonial sandpaintings: sacred, living entities | 1991 | 17 | 1 | 58-67 |
Grimes, John R. & Curran, Mary Lou & Haukaas, Thomas | Uncommon Legacies | 2002 | 28 | 1 | 56-63 |
Grimes, John R. & Haukoos, Thomas & Curran, Mary Lou & Kramer, Karen | Power and beauty: A new Native American art gallery at the Peabody Essex Museum | 2003 | 29 | 1 | 48-57 |
Grossman, Mary Louise | The Wheelwright Museum | 1977 | 2 | 3 | 14 |
Grumet, R. S. & Weber, R. L. | "Maritime Peoples of the Arctic and Northwest Coast" at the Field Museum | 1982 | 8 | 1 | 66-71 |
Gustafson, P. & Oakes, J. | Coats of eider from the ungava inuit of the belcher islands | 1991 | 17 | 1 | 68-72 |
Guy, Hubert | The Rattlesnake Basket | 1976 | 1 | 3 | 66 |
Haberland, Wolfgang | Museum Exhibition: Thunderbird And Killer Whale Northwest Coast Indian Art | 1980 | 5 | 2 | 36 |
Hail, B. A. | Out of the North : Subarctic Arts at the Haffenreffer Museum of Anthropology | 1991 | 16 | 2 | 68-79 |
Hail, B. A. | Gifts of pride and love : Kiowa and Comanche Cradles | 1999 | 25 | 1 | 42-55 |
Hail, B.A. | Beaded bibles and victory pouches - twentieth century Lakota honoring gifts. The Thorburn collection of the South Dakota Art Museum | 1988 | 13 | 3 | 40-47 |
Hall, J. | Canadian ethnology service: National Museum of Man, National Museum of Canada | 1983 | 9 | 1 | 50-90 |
Hall, J. | Geologists whalers and anthropologists: the building of a museum collection of inuit clothing | 1991 | 16 | 4 | 38-47 |
Hall, Judy | "The greatest individual hunter of material in the north" : Collecting in Alaska, Canada and chukotka with captain Joseph-FidĂšle Bernard | 2005 | 30 | 4 | 68-77 |
Hall, Judy | Nineteenth-Century Irish Soldiers and Adventurers in North America [Soldats irlandais du XIXe siÚcle et aventuriers en Amérique du Nord] | 2012 | 37 | 2 | 66-75 |
Hall, Judyy | The Earls of Caledon : nineteenth-century Irish Soldiers and adventurers in North America | 2012 | 37 | 0 | 66-75 |
Hammack, Nancy S. | Prehistoric Jewelry | 1976 | 2 | 1 | 22 |
Hancock, Gael | Native views : Influences of modern culture aboard Artrain USA | 2005 | 30 | 4 | 0 |
Harlow, Francis H. | Glazed Pottery Of The Southwest Indians | 1976 | 2 | 1 | 64 |
Harlow, Francis H. & Lanmon, Dwight P. | Pueblo Indian Storage Jars of the 1700s [Jarres d'entreposage des Indiens Pueblo des années 1700] | 2010 | 35 | 4 | 52-59 |
Harlow, Francis H. , Lanmon, Dwight P. & Anderson, Duane | Santa Ana Pueblo pottery | 2005 | 31 | 1 | 42-53 |
Harrison, J. D. | Metis: a Glenbow Museum exhibition | 1986 | 11 | 2 | 54-59 |
Harrison, J.D. | The spirit sings - artistic traditions of Canada's first peoples | 1988 | 13 | 3 | 32-39 |
Harsant, W. J. | The Otago Museum Dunedin, New Zealand : The North American Indian Collection | 1988 | 13 | 2 | 38-45 |
Hartley, Robert | The Indian art world of Jeanne Snodgrass King | 2013 | 38 | 0 | 34-41 |
Hartman, Hedy | Indianapolis Museum Of Art | 1977 | 2 | 2 | 14 |
Hartman, R. P. | The Navajo Tribal Museum: Bridging the Past and the Present | 1983 | 9 | 1 | 30-35 |
Hawker, Ronald | Charlie James : bringing Kwakwakawakw art to the outside world | 2008 | 33 | 0 | 78-87 |
Hawley, C. T. | A New School of Iroquois Sculpture | 1990 | 15 | 2 | 48-57 |
Hays, J. S. | The Arthur R. Lawrence collection in the Museum of the Great Plains | 1995 | 20 | 2 | 38-49 |
Hays, K.A. & Dittemore, D.D. | Seven centuries of Hopi pottery - yellow ware from Arizona State Museum collections | 1990 | 15 | 3 | 56-65 |
Hedges, K. | Phosphenes in the context of native American rock art | 1982 | 41858 | 0 | 1-10 |
Hedlund, A. L. & Stiver, L. I. | Wedge weave textiles of the Navajo | 1991 | 16 | 3 | 54-65 |
Hedlund, Ann Lane | Commercial materials in modern Navajo rugs | 2003 | 28 | 3 | 44-55 |
Hedlund, Ann Lane | Wool yarns in late classic Navajo blankets | 2003 | 28 | 4 | 78-85, 92-93 |
Hedlund, Ann Lane | Aventures in Modern Tapestry: Gloria Ross, Kenneth Noland and Native American Weavers [Des aventures dans la tapisserie moderne : Gloria Ross, Kenneth Noland moderne et les tisserands de tapisserie amérindiens] | 2011 | 37 | 1 | 0 |
Hedlund, Ann Lane | A Turning Point: Viewing Modern Navajo Weaving as Art [Un tournant : voir le tissage navajo moderne comme un art] | 2011 | 36 | 2 | 68-76 |
Hedlund, Ann Lane & Dittemore, Diane | Arizona State Museum's textiles and the "southwest-northwest" continuum | 2004 | 30 | 1 | 0 |
Henrikson, S. | «Terrifying visages»: war helmets of the Tlingit Indians | 1993 | 19 | 1 | 48-59 |
Hensel, Chase | Alaska native doll makers | 2002 | 27 | 2 | 66-73 |
Heorig, Karl A. | The Cibecue school scrapbook : returning Apache art and history to an Apache community | 2007 | 32 | 0 | 66-73 |
Herem, B. | A historic Tlingit artist - the trail of his work and its modern re-creation | 1990 | 15 | 3 | 48-55 |
Herem, B. | Bill Reid : Making the northwest coast famous | 1998 | 24 | 1 | 42-51 |
Hering, M. J. | Zia Matte-Paint Pottery. A 300-Year History in Pottery Issue. | 1987 | 12 | 4 | 38-45 |
Hering, M.J. | Zia matte-paint pottery - a 300-year history | 1987 | 12 | 4 | 38-45 |
Herold, J. | Basket weaver individualists in the Southwest today | 1984 | 9 | 2 | 46-53, 63 |
Herold, J. | Jicarilla Apache artist-realists, 1932-1997 [Les artistes réalistes Apaches Jicarilla, 1932-1997] | 1998 | 23 | 2 | 56-69 |
Herold, J. | Showing the sun : Mythological-ceremonial foundations of Jicarilla Apache basketry | 1999 | 24 | 3 | 66-79 |
Herold, Joyce | Chumash Baskets From The Malaspina Collection | 1977 | 3 | 1 | 68 |
Herold, Joyce | Tanzanita Pesata | 1978 | 3 | 2 | 26 |
Herold, Joyce | The Denver Museum Of Natural History: Crane Hall | 1978 | 3 | 3 | 74 |
Herold, Joyce | Havasupai Basketry: Theme And Variation | 1979 | 4 | 4 | 42 |
Herold, Joyce | The Jicarilla Apache Woman's Ceremonial Cape: A Cultural Icon [La pÚlerine cérémonielle des femmes Apache jicarilla : une icÎne culturelle] | 2012 | 38 | 1 | 46-55 |
Herold, Joyce | In the Golden Decade of American Indian Basket Collecting: Catherine Marshall Gardiner and Her Baskets | 2015 | 40 | 3 | 60 |
Hieb, Louis A. | BEN WITTICK AND THE KEAM POTTERY COLLECTION [BEN WITTICK ET LA COLLECTION DE POTERIE DE KEAM] | 2009 | 34 | 3 | 38-49 |
Higgins, Andrew T | Five Collectors & 500 Baskets at the Arizona State Museum | 2013 | 39 | 1 | 34-43 |
Hill, Rick & Jim Wake | Museum Collection: Native American Center For The Living Arts | 1980 | 5 | 3 | 22 |
Hills, Jim | The Finishers | 1977 | 2 | 2 | 32 |
Holler, Deborah R | Fashion, Nationhood and Identity: The Textile Artistry of Caroline G. Parker [Mode, nationalité et identité : l'art textile de Caroline G. Parker] | 2012 | 37 | 4 | 58-65 |
Holloman, Michael | Living legacy : the American Indian collection | 2009 | 34 | 0 | 46-51 |
Holm, B. | The Crow-Nez Perce otterskin bowcase-quiver | 1981 | 6 | 4 | 60-70 |
Holm, B. | A wooling mantle neatly wrought: the early historic record of Northwest coast pattern-twined textiles: 1774-1850 | 1982 | 8 | 1 | 34-47 |
Holm, B. | Old Photos Might Not Lie, But They Fib A Lot About Color | 1985 | 10 | 4 | 44-49 |
Holm, B. | Variations on a theme : Northern Northwest Coast painted boxes [Variations sur un thĂšme : boĂźtes peintes de la CĂŽte Nord-Ouest septentrionale] | 1997 | 22 | 2 | 52-61 |
Hood, Mary | Map(ping) : Multiple Artists Printing (indigenous and native | 2013 | 38 | 0 | 54-59 |
Hood, Mary | Map (ing): Multiple Artists Printing: (Indigenous and Native Georaphies) [Des impressions d'artistes multiple : géographies indigÚne et autochtone] | 2013 | 38 | 4 | 54-59 |
Hoover, A. L. | Charles Edensaw and the Creation of Human Beings | 1983 | 8 | 3 | 62-67 |
Hoover, A. L. | Bill Reid and Robert Davidson: innovations in contemporary Haida art | 1993 | 18 | 4 | 48-55 |
Hoover, A. L. | Charles Edenshaw: his art and audience | 1995 | 20 | 3 | 44-53 |
Hoover, Alan L. | Northern Northwest Coast Stone Clubs [Clubs de pierre de la cĂŽte nord-ouest] | 2010 | 35 | 3 | 46-51 |
Houlihan, Patrick T. | Prints And The Indian Artist At The Heard Museum | 1979 | 4 | 2 | 44 |
Houlihan, Patrick T. & Barbara Cortwright | The Heard Museum | 1979 | 4 | 2 | 32 |
Houser, Allan & Namingua, Dan | American Indian art | 1983 | 0 | 0 | 42 |
Hovens, Pieter | Moccasins and wooden shoes : the North American collection at the Rijksmuseum voor Volkenkunde, the Netherlands | 2011 | 36 | 0 | 64-74 |
Howard, James H. | Birch Bark And Paper Cutouts From The Northern Woodlands And Prairie Border | 1980 | 5 | 4 | 54 |
Howard, R. M. | How Old is that Acoma Pot? in Pottery Issue. | 1987 | 12 | 4 | 46-49 |
Howard, R.M. | How old is that Acoma pot? | 1987 | 12 | 4 | 46- 49 |
Howard, Richard M. | The Mesa Verde Mug | 1975 | 1 | 1 | 20 |
Howard, Richard M. | A Magnificent Acoma Pot | 1976 | 1 | 2 | 16 |
Howard, Richard M. | Ha-So-De | 1976 | 1 | 3 | 34 |
Howatt-krahn, A. | Conservation : Wood | 1986 | 12 | 1 | 38-45 |
Howatt-Krahn, A. | Beadwork | 1986 | 11 | 4 | 24-29 |
Howatt-Krahn, A. | Stone conservation in museums | 1987 | 13 | 1 | 40-45 |
Howatt-krahn, A. | Conservation : Stone | 1987 | 13 | 1 | 40-45 |
Howatt-krahn, A. | Conservation : Skin and Native-Tanned Leather | 1987 | 12 | 2 | 44-51 |
Hudson, T. | Early Russian-Collected California Ethnographic Objects in European Museums | 1984 | 9 | 4 | 30-37 |
Hultgren, M. L. | American Indian Collections of the Hampton University Museum | 1987 | 13 | 1 | 32-39 |
Hunter Whiteford, A. & Brown Mcgreevy, S. | Translating Tradition: Basketry Arts of the San Paiutes | 1985 | 11 | 1 | 30-37 |
Hunter Whiteford, A. & Rogers, N. | Woven mats of the western Great Lakes | 1994 | 19 | 4 | 58-65 |
Hunter Whiteford, Andrew | Fiber Bags Of The Great Lakes Indians, Part Ii | 1977 | 3 | 1 | 40 |
Hunter Whiteford, Andrew | Fiber Bags Of The Great Lakes Indians | 1977 | 2 | 3 | 52 |
Hunter Whiteford, Andrew | Tapestry-Twined Bags | 1978 | 3 | 2 | 32 |
Idiens, D. | Northwest coast artifacts in the Perth Museum & Art Gallery - the Colin Robertson collection | 1987 | 13 | 1 | 46-53 |
Jacka, J. D. | Innovations in Southwestern Indian Jewelry: Fine Art in the 1980s | 1984 | 9 | 2 | 28-37 |
Jacknis, I. | The carver's art of the Indians of Northwestern California : an exhibition at the Phoebe Hearst Museum of Anthropology | 1995 | 20 | 4 | 44-55 |
Jackson, J. B. | Dressing for the dance : Yuchi ceremonial clothing | 1998 | 23 | 3 | 32-41 |
Jackson, J. B. | Southeastern Indian basketry in the Gilcrease Museum Collection | 2000 | 25 | 4 | 46-55 |
Jackson, Jason Baird | Picturing traditional culture : heritage as subject and motivation in the work of three Muscogee (Creek) painters | 2011 | 37 | 0 | 64-73, 76 |
Jackson, Jason Baird | Picturing Traditional Culture: Heritage as Subject and Motivation in the Work of Three Muscogee (Creek) Painters [Images de la culture traditionnelle : l'héritage comme sujet et motivation dans le travail de trois peintres Muscogee (Creek)] | 2011 | 37 | 1 | 64-73 |
Jacobs, Peter | The Native American collection at the Bradford Brinton Memorial and Museum | 2006 | 31 | 0 | 62-69 |
Jonaitis, Aldona | Land Otters And Shamans: Some Interpretations Of Tlingit Charms | 1978 | 4 | 1 | 62 |
Jonaitis, Aldona | The Devilfish In Tlingit Sacred Art | 1980 | 5 | 3 | 42 |
Jonaitis, Aldona | A GENERATION OF INNOVATORS IN SOUTHEAST ALASKA : NICHOLAS GALANIN, STEPHEN JACKSON, DA-KA-XEEN MEHNER AND DONALDVARNELL [Une génération d'innovateurs dans le sud-est del'Alaska : Nicholas Galanin, Stephen Jackson, Da-Ka-Xeen Mehner et Donaldvarnell] | 2008 | 33 | 4 | 56-67 |
Jones, Rex L. & Catherine Whitmore-Ostlund | Museum Exhibition: Cradles Of Life: Infant Carriers Of Native North America | 1980 | 5 | 4 | 36 |
Kahe Charley, Karen & Mcchesney, Lea S. | Form and meaning in indigenous aesthetics : A hopi pottery perspective | 2007 | 32 | 4 | 84-91 |
Kan, Michael & William Wierzbowski | Roit Institute Of Arts | 1979 | 4 | 3 | DE |
Kandarian, Sally M. & Helen Hardin | Santa Fe Indian Market | 1976 | 1 | 4 | 32 |
Kania, John J. | Chemehuevi coiled baskets : origins and stylistic trends | 2006 | 31 | 0 | 0 |
Kania, John J. | Bread for baskets : the Anmann Collection of Chemehuevi baskets | 2007 | 33 | 0 | 42-51 |
Kant, J. | South Dakota Indian Dolls' Dresses | 1989 | 14 | 2 | 64-71 |
Kasprycki, S. S. | Quilled drawstring pouches of the northeastern Woodlands | 1997 | 22 | 3 | 64-75 |
Kasprycki, Sylvia S. | Quilled Trapezoidal Pouches from the Western Great Lakes Region | 2015 | 40 | 4 | 48 |
Kastner, Carolyn | The trade in Navajo textiles and culture at the Hubbell trading post | 2001 | 26 | 2 | 54-61 |
Kastner, Carolyn & Tunis, Roslyn | Fusing traditions: Transformations in glass by Native American artists | 2003 | 28 | 2 | 56-63 |
Kenagy, S. G. | Contemporary Indian Art at the Southwest Museum | 1987 | 13 | 1 | 54-61 |
Kenagy, S. G. | Bob Haozous | 1990 | 15 | 3 | 66-73 |
Kent, K. P. | Pueblo weaving | 1981 | 7 | 1 | 32-45 |
Keryaer, James D. | The warrior as wolf : War symbolism in prehistoric montana rock art | 2007 | 32 | 3 | 0 |
Keyser, James D. | Prehistoric antecedents of the Plains bow-spear | 2008 | 33 | 0 | 0 |
Keyser, James D. | Prehistoric antecedents of the plains bow-spear [Antécédents préhistoriques de la lance et de la flÚche des plaines] | 2008 | 33 | 2 | 0 |
Keyser, James D. | These Brave Deeds I Have Done: The Earliest Blackfeet War Record [Ces actes braves que j'ai accopmlis : les premiers témoignages blackfeet de guerre] | 2011 | 36 | 2 | 48-55 |
Kind, Charles | Pueblo pottery : Folk art to fine art | 2005 | 31 | 1 | 64-71 |
King, J. C. H. | Eighteenth century Pacific collections in the British Museum | 1981 | 6 | 2 | 32-39 |
King, J. C. H. | Woodlands artifacts from the studio of benjamin west, 1738-1820 | 1991 | 17 | 1 | 34-47 |
King, J. C. H. | Woodlands art:as depiected by Sarah Stone in the collection of Sir Ashton lever | 1993 | 18 | 2 | 32-45 |
King, J. C. H. | Native Art as depicted by Charles Hamilton Smith 1816-1817 | 1994 | 19 | 2 | 58-67 |
King, J. C. H. | The Eugene & Clare Thaw collection of American Indian art | 1996 | 21 | 3 | 36-43 |
King, J. C. H. | Writing biographies: A northern Plains war record robe at the British Museum | 2001 | 26 | 3 | 72-77 |
King, J. C. H. | Art, ambiguity and the Haida Collection at the British Museum | 2012 | 38 | 0 | 56-65 |
King, J. C. H. | Masterpieces of the Mind: Dorset Miniatures from Igloolik, Nunavut | 2014 | 40 | 1 | 46 |
Kline, Cindra | A stirring story: Navajo and Pueblo spoons | 2003 | 28 | 4 | 60-69 |
Kolaz, T. M. | Yaqui pascola masks from the Tucson area | 1985 | 11 | 1 | 38-45 |
Kolaz, T. M. | Faces of change : Tarahumara chapeĂłn masks in the collections of the Arizona State Museum | 1996 | 21 | 2 | 36-47 |
Kolaz, Thomas M. | Yoeme pascola masks from the tucson communities a look back | 2007 | 32 | 3 | 0 |
Kramer, B. | Nampeyo, Hopi House, and the Chicago Land Show | 1988 | 14 | 1 | 46-53 |
Kramer, Karen | Our land : Contemporary art from the Arctic | 2006 | 31 | 4 | 84-93 |
Kramer, Karen | Intersections : Native American art in a new light | 2007 | 32 | 4 | 74-83 |
Krech, S. III | The Yellow Earl at the Museum of Mankind | 1990 | 15 | 4 | 64-75 |
Lane Hedlund, Ann | Beyond Beauty: Exploring the Ethnoaesthetics of Navajo Weaving | 2015 | 40 | 3 | 44 |
Lanford, B. L. | Winnebago bandolier bags | 1984 | 9 | 3 | 30-37 |
Lanford, B. L. | The Southwest Museum | 1986 | 12 | 1 | 30-37 |
Lanford, B. L. | Great Lakes woven beadwork: an introduction | 1986 | 11 | 3 | 62-67 |
Lanford, B. L. | Historic plains Indian jewelry | 1993 | 18 | 4 | 64-72 |
Lanford, B. L. & Miller, P. W. | Late prehistoirc painted rawhide and leather artifacts from Utah | 2000 | 25 | 3 | 38-47 |
Lanford, B.L. | Origins of central Plains beadwork | 1990 | 16 | 1 | 72-79 |
Lanford, Benson L. | Parfleche And Crow Beadwork Designs | 1980 | 6 | 1 | 32 |
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Lanmon, Dwight P | The Pottery of Acoma Pueblo, Part One: Glazewares, Ako Polychrome and Acomita Polychrome (1300-1860) [Les poteries des Indiens pueblos-Acomas, 1Ăšre partie : vernis, polychrome Ako et polychrome Acomita (1300-1860)] | 2012 | 37 | 4 | 50-57 |
Lanmon, Dwight P | Some Newly Identified Potters Working: at Acoma Pueblo around 1900 [Des travaux de potiers nouvellement identifiés : à Acoma Pueblo autour de 1900] | 2013 | 38 | 2 | 30-35 |
Lanmon, Dwight P. | Pueblo man-woman potters and the pottery made by the laguna man-woman, arroh-A-OCH | 2005 | 31 | 1 | 72-85 |
Lanmon, Dwight P. | Identifying laguna pueblo pottery, circa 1900 | 2007 | 32 | 3 | 0 |
Lanmon, Dwight P. & Harlow, Francis H. | Zuni Pueblo pottery : an overview | 2008 | 33 | 0 | 40-51 |
Lanmon, Dwight P. & Harlow, Francis H. | The potters of Zuni Pueblo of the 1920s and 1930s | 2008 | 33 | 0 | 58-67 |
Lanmon, Dwight P. & Harlow, Francis H. | The pottery of Acoma Pueblo, part one : glazewares, Ako Polychrome and Acomita Polychrome (1300-1860) | 2012 | 37 | 0 | 50-57 |
Lanmon, Dwight P. & Harlow, Francis H. | The pottery of Acoma pueblo, part two : Acoma Polychrome (c.1840-present) | 2012 | 38 | 0 | 66-74 |
Lanmon, Dwight P. & Lanmon, Lorraine Welling | Waterproofing pueblo pottery: The work of Josephine Foard at Laguna Pueblo | 2002 | 27 | 4 | 46-55 |
Lanmon, Dwight P. , Harlow, Francis H. | Reyes Galvan: A master Zia potter | 2003 | 28 | 4 | 48-59 |
Lee, G. | Rock art of Easter island: the 1982-1983 field seasons | 1986 | 10 | 0 | 174-194 |
Lee, G. & Bock, A. J. | Schematization and symbolism in American Indian rock art | 1982 | 41858 | 0 | 26-32 |
Lee, M. | Pacific Eskimo spruce root baskets | 1981 | 6 | 2 | 66-73 |
Lee, M. | Siberian sources of Alaskan Eskimo coiled basketry | 1995 | 20 | 4 | 56-69 |
Lee, M. | Looking North : The ethnology collection of the University of Alaska Museum | 1998 | 23 | 4 | 68-79 |
Lee, M. & Graburn, N.H.H. | The living Arctic - hunters of the Canadian North | 1988 | 14 | 1 | 54-59 |
Lee, Molly | Nushagak baskets: A case study in artistic fusion | 2002 | 27 | 2 | 48-53 |
Lee, Molly | Hybrid Vigor: The Transmission of Indigenous Inuit Art Forms in the Age of Globalization | 2015 | 40 | 2 | 72 |
Lentis, Marinella | Art for assimilation's sake : Indian-school drawings in the Estelle Reel Papers | 2013 | 39 | 1 | 44-51 |
Lenz, Mary Jane | No tourist | 2004 | 29 | 4 | 86-105 |
Leslie, M. & Gentry, T. | The Eiteljorg Museum of American Indian and Western Art | 1990 | 15 | 2 | 58-65 |
Lessard, E. D. | E. O. Who? | 1987 | 12 | 2 | 52-61 |
Lessard, F. D. | Instruments of prayer: the Peyote art of the Sioux | 1984 | 9 | 2 | 24-27 |
Lessard, F. D. | Great Lakes Indian `loom' beadwork | 1986 | 11 | 3 | 68-69 |
Lessard, F. D. | Defining the Central Plains Art Area | 1990 | 16 | 1 | 36-43 |
Lessard, F. D. | Pictographic Art in Beadwork from the Cheyenne River Sioux | 1990 | 16 | 1 | 54-63 |
Lessard, F. D. | Pictographic sioux beadwork, a re-examination | 1991 | 16 | 4 | 70-74 |
Lessard, F. D. | Plains pictographic art: a source of ethnographic information | 1992 | 17 | 2 | 62-69 |
Lessard, F. Dennis | Crow Indian Art: The Nez Perce Connection | 1980 | 6 | 1 | 54 |
Lessard, R. | Lakota Cradles | 1990 | 16 | 1 | 44-53 |
Libhart, M. | To Dress with Great Care : Contemporary American Indian and Eskimo Doll Artists of the United States | 1989 | 14 | 2 | 38-51 |
Linn, A. J. & Lee, M. | Modern Alaska Dolls and Doll makers: 1950 to 1990 | 1999 | 25 | 1 | 34-41 |
Linn, A. J. & Lee, M. | Not just a pretty face [Pas uniquement un joli visage] | 1999 | 24 | 4 | 72-84 |
Loeb, B. | Arthur Amiotte's Banners | 1985 | 10 | 2 | 54-59 |
Loeb, Barbara | Mirror Bags And Bandoleer Bags: A Comparision | 1980 | 6 | 1 | 46 |
Lopez Taylor, Tobi | âA Certain Prestigeâ: The Heyday of Horse Gear among Navajos and Apaches | 2015 | 40 | 3 | 70 |
Loring, Stephen | Hunters of the hunter's world: Some reflections on Innu and Inuit drawings in the National Anthropological Archives | 2000 | 26 | 1 | 74-81 |
Loscher, Tricia | The Volz collection of Hopi Katsina dolls at the Heard Museum | 2005 | 30 | 3 | 0 |
Loscher, Tricia & Pardue, Diana F | Humor in American Indian Jewelry [L'humour dans la joaillerie amérindienne] | 2009 | 34 | 4 | 0 |
Lucic, Karen & Bernstein, Bruce | Sacred illusions: A unique collection of Zuni pots comes to light | 2002 | 27 | 3 | 50-57 |
Lukavic, John | Teaching a Nation: Transmitting Knowledge through Southern Cheyenne Art [L'enseignement d'une Nation : transmission des connaissances par l'art ches les Cheyennes du sud] | 2013 | 38 | 3 | 48-57 |
Lukavik, John | Teaching a Nation : transmitting knowledge through Southern Cheyenne art | 2013 | 38 | 0 | 48-57 |
Lyon, Dennis | Polychrome Plates Of Maria & Popovi | 1976 | 1 | 2 | 76 |
MacCallum, Spencer H. | A Ceramic Arts Revival In Northern Mexico | 1977 | 3 | 1 | 34 |
Mace, M. | Native American saddle blankets : A study of shape and tribal attribution | 1998 | 24 | 1 | 60-67 |
Mace, M. | 150 years of Plateau horsegear | 1999 | 24 | 2 | 56-62 |
Maclean, Hope | The origins of Huichol Indian yarn painting | 2001 | 26 | 3 | 42-53 |
Maclean, Hope | The origins of Huichol Indian yarn paintings, Part II: Styles, themes and artists | 2001 | 26 | 4 | 68-77, 98-99 |
Mahaney, N. | Nowike' BĂĄgowa : House of our footprints . White Mountain Apache Cultural Center [Nowike' BĂĄgowa : la maison de nos empreintes de pieds. Le Centre Culturel Apache de White Mountain] | 1998 | 23 | 2 | 84-85 |
Malloy, M. | Souvenirs of the fur trade, 1799-1832: the Northwest coast Indian collection of the Salem East India Marine Society | 1986 | 11 | 4 | 30-35; 74 |
Marr, C. J. | Salish baskets from the Wilkes expedition | 1984 | 9 | 3 | 44-51, 71 |
Marr, C. J. | Basketry Regions of Washington State | 1991 | 16 | 2 | 40-49 |
Marr, C.J. | Wrapped twined baskets of the southern northwest coast - a new form with an ancient past | 1988 | 13 | 2 | 54-63 |
Marshall, Ann E. | A small building to put things in | 2005 | 30 | 3 | 50-61 |
Mathews, Z. P. | On dreams and journeys: Iroquoian boat pipes | 1982 | 7 | 3 | 46-51 |
Mauger, J. E. | Ozette Kerfed-Corner Boxes | 1982 | 8 | 1 | 72-79 |
Maurer, E. M. | Native American Exhibition at the Metropolitan Museum of Art | 1982 | 7 | 4 | 34-43 |
Maurer, E. M. | Visions of the people | 1993 | 18 | 2 | 56-63 |
Maurer, Sherry C. & Olson, Kent R. | Puebloan plates : innovation becomes tradition | 2014 | 39 | 3 | 42 |
Mc Coy, Ron | Sitting Bull: A Hunkpapa Lakota Warrior Chronicles His Life of Dauntless Courage | 2014 | 40 | 1 | 34 |
McCane-OâConnor, Mallory | Prehistoric Ceramics: The Weeden Island Tradition | 1980 | 5 | 2 | 48 |
McCoy, R. | Apache rawhide playing cards | 1984 | 9 | 3 | 52-59 |
McCoy, R. | Gan: mountain spirit masks of the Apaches | 1985 | 10 | 3 | 52-58 |
Mccoy, R. | Hopi Artist Fred Kabotie (1900-1986) | 1990 | 15 | 4 | 40-49 |
Mccoy, R. | Hopi-Zuni procupine quill. Dance anklets | 1994 | 19 | 2 | 36-42 |
Mccoy, R. | Swift Dog: Hunkpapa warrior, artist and historian | 1994 | 19 | 3 | 68-75 |
Mccoy, R. | James Mooney's fieldwork among the Kiowa and Kiowa-Apache | 1995 | 20 | 3 | 64-71 |
Mccoy, R. | Searching for clues in Kiowa ledger drawings : Combining James Mooney's fieldwork and the Barber collection of the Cincinnati Art Museum | 1996 | 21 | 3 | 54-61 |
Mccoy, Ron | Of forests and trees : John C. Ewers's early white influence upon plains indian painting re-examined | 2001 | 27 | 1 | 62-71 |
Mccoy, Ron | I have a mysterious way: Kiowa shield designs and origin stories collected by James Mooney, 1891-1906 | 2003 | 29 | 1 | 64-75 |
Mccoy, Ron | A shield to help you through life: Kiowa shield designs and origin stories collected by James Mooney, 1891-1906 | 2003 | 28 | 3 | 70-81 |
Mccoy, Ron | The art of history: Lakota winter counts | 2004 | 30 | 1 | 0 |
McCoy, Ron | When the spirits came : the dragonfly in Cheyenne and Lakota belief and art | 2007 | 32 | 0 | 54-65 |
Mccoy, Ron | "SPIDERS ARE MYSTERIOUS" : THE SPIRIT OF THE SPIDER IN LAKOTA ART AND LORE ["LES ARAIGNĂES SONT MYSTĂRIEUSES" : L'ESPRIT DE L'ARAIGNĂE DANS L'ART ET LES TRADITIONS LAKOTA] | 2009 | 34 | 2 | 60-71 |
McCoy, Ron | Legal briefs : NAGPRA updates | 2011 | 36 | 0 | 82-83 |
McCoy, Ron | Legal briefs : NAGPRA updates and a controversial NAGPRA review committee decision | 2011 | 36 | 0 | 94-95 |
Mccoy, Ron | COMING TO TERMS WITH NAGPRA: OBJECTS OF CULTURAL PATRIMONY, SACRED OBJECTS AND TRADITIONAL NATIVE AMERICAN RELIGION: PART 2 [PARVENIR Ă UN ACCORD AVEC LE NAGPRA : LES OBJETS DU PATRIMOINE CULTUREL, OBJETS SACRĂS ET RELIGION TRADITIONNELLE DES INDIENS D'AMĂRIQUE : LA PARTIE 2] | 2012 | 38 | 1 | 80-82 |
Mccoy, Ron | "An Elk Am I" The Elk in Lakota Art and Lore ["je suis un Ă©lan". L'Ă©lan dans l'art et la tradition Lakota] | 2012 | 37 | 2 | 44-53 |
McCoy, Ron | "I was taught that the sun was a great mystery" : the sky in Lakota art and lore | 2013 | 38 | 0 | 0 |
Mccoy, Ron | "I Was Taught That the Sun Was a Great Mystery": The Sky in Lakota Art and Lore ["On m'a enseigné que le soleil était un grand mystÚre" : le ciel dans l'art et la connaissance lakota et] | 2013 | 38 | 2 | 46-53 |
McCoy, Ron | Four Horns : a Hunkpapa Lakota warrior : artist commemorates his relatives' valor | 2014 | 39 | 2 | 42-51 |
McCoy, Ron | The Pandoraâs Box Known as NAGPRA | 2015 | 40 | 3 | 86 |
McCoy, Ron | Closing the Circle | 2015 | 40 | 4 | 4 |
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Mcgreevy, S. B. | American Indian Art Magazine | 1989 | 15 | 1 | 83-84 |
Mcgreevy, S. B. | What Makes Sally Weave? Survival and Innovation in Navajo Basketry Trays | 1989 | 14 | 3 | 38-45 |
Mcgreevy, S. B. | American Indian Art Magazine | 1989 | 14 | 4 | 0 |
Mcgreevy, S. B. | The image weavers contemporary Navajo pictorial textiles | 1994 | 19 | 4 | 48-57 |
Mcgreevy, S. B. | I never saw a purple cow : Navajo contemporary animal art | 1997 | 22 | 4 | 48-57 |
Mcgreevy, S. B. | Embellishing the spiral : Design development in Navajo baskets | 1999 | 24 | 3 | 44-53 |
McGreevy, Susan Brown | The Dyer Collection In The Kansas City Museum | 1978 | 3 | 4 | 68 |
McGreevy, Susan Brown | The world according to Charlie Willeto | 2010 | 35 | 0 | 62-70 |
McGreevy, Susan Brown | The World According to Charlie Willeto [Le monde selon Charlie Willeto] | 2010 | 35 | 2 | 62-71 |
McGreevy, Susan Brown and Harry Walters | Honoring the Bird People: Three Hundred Years of Navajo Bird Art | 2015 | 40 | 2 | 52 |
Mclain, Brenda & Taylor, Tobi | Nature's mirror : Images and artifacts from the edward S. Curtis collection | 2006 | 31 | 3 | 80-85 |
Mclaughlin, Castle | Objects and identities: Another look at Lewis and Clark's side-fold dresses | 2003 | 29 | 1 | 76-85 |
Mclerran, Jennifer | Woven chantways: The Red Rock revival | 2002 | 28 | 1 | 64-73 |
Mclerran, Jennifer | Textile as cultural text: contemporary Navajo weaving | 2006 | 32 | 1 | 0 |
McLerran, Jennifer | Clubwomen, curators and traders | 2011 | 36 | 0 | 54-63, 92 |
Mclerran, Jennifer | CLUBWOMEN, CURATORS AND TRADERS: EARLY-TO MID-TWENTIETH-CENTURY NAVAJO WEAVING IMPROVEMENT PROJECTS [CLUB DE FEMMES, CONSERVATEURS ET COMMERĂANTS : LES PROJETS D'AMĂLIORATION DU TISSAGE NAVAJO DU DEBUT AU MILIEU DU XXe SIĂCLE] | 2011 | 36 | 4 | 0 |
McLerran, Jennifer | "The history and progress of the Navajo people" : dual signification in Gerald Nailor's Navajo nation council chambers murals | 2012 | 37 | 0 | 40-49 |
Mclerran, Jennifer | The History and Progress of the Navajo People: Dual Signification in Gerald Nailor's Navajo Nation Council Chambers Murals [Histoire et progrĂšs du peuple navajo : double signification dans les peintures murales de Gerald Nailor dans les salles du conseil municipal de la nation navajo] | 2012 | 37 | 4 | 40-49 |
McLerran, Jennifer | The spectacle of Navajo weaving : monumental Navajo rugs | 2014 | 39 | 2 | 32-41 |
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Mcmullen, Ann | Wonders of the East: Woodlands art and artifacts at the National Museum of the American Indian | 2004 | 29 | 4 | 56-63 |
Mead, J. | Artifact as Art. The Denver Art Museum's New Gallery of American Indian Art | 1988 | 13 | 4 | 58-65 |
Medford, Claude Jr. | Chitimacha Split Cane Basketry: Weaves And Designs | 1977 | 3 | 1 | 56 |
Mercer, Bill | Native American art at the Portland Art Museum | 2001 | 26 | 2 | 74-81 |
Miles, R. & Lovett, J. R. | The pictorial autobiography of Moses Old Bull | 1994 | 19 | 3 | 48-57 |
Miles, R. & Lovett, J. R. | «Deeds that put a man among the famous»: the pictographs of Joseph White Bull | 1995 | 20 | 2 | 50-59 |
Miller, S. F. | Hopi Basketry : Traditional Social Currency and Contemporary Source of Cash | 1989 | 15 | 1 | 62-71 |
Miller, S. F. | Life in the balance: a current exhibition at the Southwest Museum | 1992 | 17 | 2 | 52-61 |
Miller, S. F. | Katsina: Designs on Hopi baskets | 1999 | 25 | 1 | 56-65 |
Mills, J. C. | The Meares Island Controversy and Joe David Art in Support of a Cause | 1989 | 14 | 4 | 60-69 |
Monthan, Guy and Doris | New Program At The Museum Of Northern Arizona | 1976 | 2 | 1 | 52 |
Monthan, Guy and Doris | Larry Golsh | 1976 | 1 | 2 | 22 |
Monthan, Guy and Doris | Marvin Oliver: A Northwest Coast Artist | 1977 | 3 | 1 | 62 |
Monthan, Guy and Doris | Dextra Quotskuyva Nampeyo | 1977 | 2 | 4 | 58 |
Monthan, Guy and Doris | Helen Cordero | 1977 | 2 | 4 | 72 |
Monthan, Guy and Doris | John Hoover: Aleut Sculptor | 1978 | 4 | 1 | 50 |
Monthan, Guy and Doris | Daybreak Star Center, Seattle, Washington | 1978 | 3 | 3 | 28 |
Monthan, Guy and Doris | Multiple Pattern Germantown Rugs | 1978 | 3 | 3 | 44 |
Monthan, Guy and Doris | The Unpreditable R. C. Gorman | 1978 | 3 | 3 | 50 |
Monthan, Guy and Doris | Lawney Reyes | 1979 | 5 | 1 | 54 |
Moore, E. | Human perceptual behavior and its implications for rock art research | 1986 | 10 | 0 | 130-144 |
Moore, E. K. | Designing with light: Navajo beadwork today | 1995 | 20 | 4 | 70-79 |
Morgan, B. & Brako, J. | Navajo textiles | 1987 | 12 | 3 | 58-65 |
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Myers, T. P. | The cook collection: a turn-of-the-century collection from the Nebraska frontier | 1993 | 19 | 1 | 60-67 |
Nagy, I. | Cheyenne shields and their cosmological background | 1994 | 19 | 3 | 38-47 |
Nagy, I. | Lame Bull : The Cheyenne medicine man | 1997 | 23 | 1 | 70-83 |
Nelson, C. | Indian art in Washington: native American murals in the Department of the Interior building | 1995 | 20 | 2 | 70-83 |
Nelson, Mary Carroll | Pablita Velarde | 1978 | 3 | 2 | 50 |
Neumann, David L. | Navajo Silver Bridles | 1977 | 2 | 2 | 70 |
Nicks, Trudy | The war of 1812 as remembered in the Oronhyatekha historical collection | 2012 | 37 | 0 | 60-69 |
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Norman, Jane | Conserving Southwestern Pottery | 1978 | 3 | 3 | 70 |
Norris, John | Carl Beam : the art of peaceful protest [Carl Beam : l'art de protestation pacifique] | 2008 | 33 | 2 | 52-59 |
Notarnicola, Cathy | Navajo chief blankets at the National Museum of the American Indian | 2004 | 29 | 4 | 64-71 |
Oberholtzer, Cath | Cree Dolls: Miniature Ambassadors of the North [Poupées Cree : ambassadrices miniatures du nord] | 2009 | 35 | 1 | 36-47 |
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Odegaard, N. | Basketry : An introduction to materials, techniques and conservation | 1999 | 24 | 3 | 36-43 |
Ojiig Corbiere, Alan & Phillips, Ruth B. | Anishinaabe Headgear: Symbolic, Cultural and Linguistic Meanings [Couvre-chefs Anishinaabe : significations symboliques, culturelles et linguistique] | 2012 | 37 | 3 | 38-47 |
Ortel, Jo | Exhibition review of Continuum: 12 artists at the George Gustav Heye Center, Part 2 | 2005 | 30 | 2 | 58-65 |
Ortel, Jo | EXHIBITION REVIEW OF FRITZ SCHOLDER: INDIAN/NOT INDIAN [RETOUR SUR L'EXPOSITION de FRITZ SCHOLDER : INDIEN/ NON-INDIEN] | 2009 | 34 | 3 | 50-57 |
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Ostler, J. & Rodee, M. E. | Zuni Beaded Dolls : From Curio to Folk Art | 1989 | 14 | 2 | 32-37 |
Ostrowitz, Judith | Dancing as clan, nation and world system at Celebration | 2001 | 26 | 2 | 62-73 |
Ozimec, Barbara & Smith, Robin Yvonne & Prendergast, Hew D V | The Canadian ethnographic collections of the Royal Botanic Gardens, Kew | 2004 | 29 | 2 | 50-59 |
Pardue, Diana F. | Native America silversmiths in the southwest | 2005 | 30 | 3 | 62-69 |
Pardue, Diana F. | MOTHERS AND DAUGHTERS: STORIES IN CLAY [MĂRES ET FILLES : HISTOIRES DE GLAISE] | 2009 | 34 | 3 | 68-75 |
Parezo, N. J. & Blomberg, N. J. | Indian chic : The Denver Art Museum's Indian style show | 1997 | 23 | 1 | 44-55 |
Pasco, K. | The critical Chilkat: understanding and appreciating Chilkat weaving | 1994 | 19 | 3 | 58-67 |
Pasco, K. | The Tsimshian connection in weaving the painted formline | 1997 | 22 | 2 | 44-51 |
Passalacqua, Veronica | "Our people, our land, our images" : international indigenous photography | 2006 | 32 | 0 | 50-57, 90 |
Patt, O. JR | The Museum at Warm Springs. The story of Three Tribes | 1994 | 19 | 2 | 42-49 |
Pearlstone, Z. | Native American images in advertising | 1995 | 20 | 3 | 36-43 |
Pearlstone, Zena | Ancestral reunion: The Hopi/Celtic collaboration of Michael Kabotie (Lomawywesa) and Jack Dauben | 2003 | 28 | 2 | 74-83 |
Pearlstone, Zena | Kemo Sabe: The Tonto paintings of Jaune Quick-to-See Smith [Kemo Sabe : Les peintures Tonto de Jaune Quick-to-See Smith] | 2004 | 29 | 3 | 72-79 |
Pearlstone, Zena | Tsakurshovi : The litte shop that did | 2006 | 32 | 1 | 0 |
Pearlstone, Zena | Ukjese van Kampen : Indianizing "Western art" | 2008 | 34 | 0 | 71-81 |
Peers, L. & Pettipas, K. | Reverend John West's collection : Red River, 1820-1823 | 1996 | 21 | 3 | 62-73 |
Penney, David W. | New Native American art galleries at the Detroit Institute of Arts | 2008 | 33 | 0 | 68-77 |
Peterson, Jack | The Making Of A Series: PbsâS âAmerican Indian Artistâ | 1976 | 1 | 4 | 60 |
Pettipas, Katherine | The Hudson's Bay Company Collection in The Manitoba Museum [La collection de la Compagnie de Baie d'Hudson au Musée du Manitoba] | 2009 | 35 | 1 | 56-67 |
Pettipas, Katherine | The Paul Kane artifact collection at the Manitoba Museum | 2013 | 38 | 0 | 0 |
Phillips, R. B. | Souvenirs from North America : The Miniature as Image of Woodlands Indian Life | 1989 | 14 | 2 | 52-63 |
Phillips, Ruth B | Special Great Lakes Issue | 2012 | 37 | 3 | 47 |
Phillips, Ruth B. and Janet M. Davidson | Early Northeastern Collections at the Museum of New Zealand Te Papa Tongarewa | 2015 | 40 | 4 | 75 |
Pinion Wells, Helen | C. G. Wallace Collection | 1975 | 1 | 1 | 17 |
Pinion Wells, Helen | The Fred Harvey Collection | 1976 | 1 | 2 | 32 |
Pinion Wells, Helen | The Heard Museum | 1976 | 1 | 3 | 20 |
Pohrt, R. A. | Nineteenth century Michigan Chippewa costume: the photographs of David Shoppenagons | 1986 | 11 | 3 | 44-53 |
Pohrt, R. A. | Tribal Identification of Northern Plains Beadwork | 1989 | 15 | 1 | 72-79 |
Pohrt, Richard | The Indian And The American Flag | 1976 | 1 | 2 | 42 |
Pohrt, Richard A. | Plains Indian Moccasins With Decorated Soles | 1977 | 2 | 3 | 32 |
Pohrt, Richard A. | Plains Indian Riding Quirts With Elk Antler Handles | 1978 | 3 | 4 | 62 |
Potter, Bryn Barabas & Focht, Brenda Buller & Wood, Margaret | FROM TRADITIONAL CRAFTS TO ART BEYOND CRAFT: AMERICAN INDIAN ART AT THE RIVERSIDE METROPOLITAN MUSEUM [DES ARTISANATS TRADITIONNELS Ă L'ART AU-DELĂ DE L'ARTISANAT : L'ART AMERINDIEN AU MUSĂE MĂTROPOLITAIN RIVERSIDE] | 2011 | 36 | 3 | 36-45 |
Powell, Faith | Head to Toe: The Language of Plateau Indian Clothing [De la tĂȘte aux pieds : le langage des vĂȘtements des Indiens des plateaux] | 2013 | 38 | 4 | 60-67 |
Powell, Father Peter J- | Artists And Fighting Men | 1975 | 1 | 1 | 44 |
Powell, Father Peter J. | Bearers of the sacred thunder bow. Part 2 | 2002 | 27 | 4 | 56-65 |
Powell, Peter J. | Bearers of the sacred thunder bow: Part I | 2002 | 27 | 3 | 62-71 |
Powers, W. K. | Innovation in Lakota powwow costumes | 1994 | 19 | 4 | 66-73 |
Powers, William K. | The Art Of Courtship Among The Oglala | 1980 | 5 | 2 | 40 |
Rabineau, P. | North American anthropology at Field Museum of Natural History | 1981 | 6 | 4 | 30-37; 79 |
Raczka, P. M. | Sacred robes of the blackfoot and other northern plains tribes | 1992 | 17 | 3 | 66-73 |
Raczka, Paul | Minipokas â Children Of Plenty | 1979 | 4 | 3 | 62 |
Raczka, Paul M. | Blackfoot Artists: Rights And Power | 1980 | 5 | 2 | 30 |
Ray, D. J. | Mortuary art of the Alaskan Eskimos | 1982 | 7 | 2 | 50-57 |
Ray, D. J. | Happy Jack: king of the Eskimo ivory carvers | 1984 | 10 | 1 | 32-47, 77 |
Ray, D. J. | Happy Jack and His Artistry | 1989 | 15 | 1 | 40-53 |
Richards, Tally | Indian In Paris | 1977 | 2 | 2 | 48 |
Richards, Tally | The Millicent A. Rogers Memorial Museum, Taos, New Mexico | 1978 | 3 | 3 | 24 |
Ritt, Leonard G. | The Curious Looking Curio: American Indian Beaded Watch Pouches with Fobs [La curiosité du regard curieux : les poches de montre perlées avec goussets des Apaches] | 2011 | 37 | 1 | 0 |
Ritter, E. W. & Rector, C. H. & Payen, L. A. | Marine, terrestrial and geometric representations within the rock art of the Concepcion peninsula, Baja California, Mexico | 1982 | 41858 | 0 | 38-56 |
Ritzenthaler, Robert E. | Woodland Sculpture | 1976 | 1 | 4 | 34 |
Ritzenthaler, Robert E. & Leo Johnson | Artistry Of Sumner W. Matteson | 1979 | 5 | 1 | 60 |
Robbins, David | The American Indian And The American Flag Exhibition Review | 1976 | 2 | 1 | 28 |
Rodeck, Hugo G. | Mimbres Pottery | 1976 | 1 | 4 | 44 |
Rodee, M. E. | Modern Eye Dazzlers : Weaving of the Alamo Navajo | 1989 | 14 | 3 | 54-61 |
Rogers, E. S. | Museum collection: Royal Ontario Museum: Department of Ethnology | 1981 | 6 | 3 | 36-41; 76 |
Rose, Carolyn L. | Conservation | 1977 | 3 | 1 | 30 |
Rose, R. | The Morgan Collection at the Rochester Museum and Science Center | 1987 | 12 | 3 | 32-37 |
Ross, Annie | L'hen Awtxw A Squamish Weaving House [L 'hen Awtxw : la maison de tissage squamish] | 2010 | 35 | 2 | 54-61 |
Rushing, W Jackson, III | Of this continent | 2006 | 32 | 1 | 66-76 |
Rushing, W Jackson, III | Manifest Sovereignty : "Diversity and Dialogue" at the Eiteljorg Museum | 2008 | 33 | 3 | 78-88 |
Rushing, W. Jackson, III. | Native authorship in Edward Curtis's master prints | 2003 | 29 | 1 | 58-63 |
Ryan, Allan J. | RIEL BENN'S "BEST MAN": AN UNLIKELY SUCCESSOR TO IKTOMI'S TRICKSTER LEGACY ["LE GARĂON D'HONNEUR " DE RIEL BENN : UN SUCCESSEUR IMPROBABLE AU LEGS DU FRAUDEUR IKTOMI] | 2010 | 35 | 2 | 0 |
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Sager, D. | An unusual eastern Grasslands Ojibway shirt type | 1996 | 22 | 1 | 36-47, 79-81 |
Sager, D. | The dual side seam : An overlooked moccassin | 1996 | 21 | 2 | 72-81 |
Sager, D. | The vamp and false vamp mocassin decorations in the West: One example of Eastern material culture influencing Western native peoples | 2000 | 25 | 2 | 68-75 |
Sager, David | Tracking some characteristics of Assiniboin quillwork and beadwork | 2002 | 28 | 1 | 74-83 |
Salmon, E. & Adams, K. R. | For Beauty and for prayer : Artistic expressions in RarĂĄmuri necklaces | 1996 | 22 | 1 | 48-55 |
Sayers, R. | Symbol and meaning in Hopi ritual textile design | 1981 | 7 | 1 | 70-75 |
Schlick, M. D. & Duncan, K. C. | Wasco-style woven beadwork, merging artistic traditions | 1991 | 16 | 3 | 36-45 |
Schmidt, S. | Circles of the World Exhibition: Denver Art Museum | 1982 | 7 | 4 | 62-67 |
Scholder, Fritz | Indian Kitsch | 1979 | 4 | 2 | 64 |
Schramm, David S | Righting the Record: Attributing a "Unique" Pottery Vessel to Nampeyo [Correction du rapport : attribution d'un récipient de poterie "unique" à Nampeyo] | 2013 | 38 | 4 | 68-81 |
Schramm, David S. | Hopi dance wands. Part 1: History, use and construction | 2003 | 28 | 2 | 48-55 |
Schramm, David S. | Hopi dance wands. Part 2: Imagery | 2003 | 28 | 3 | 64-69 |
Schramm, David S. | The Pots that Launched a Revolution (or at Least a Revival) | 2014 | 40 | 1 | 56 |
Schulze-Thulin, Axel | Den-Museum Stuttgart | 1979 | 4 | 3 | LI |
Scudiere, P. J. | The Iroquois collection of the New York State Museum | 1981 | 6 | 2 | 62-65 |
Shalkop, R. L. | Contemporary Alaskan Eskimo Art | 1978 | 4 | 1 | 38 |
Simeone, W. E. | The Alaskan Athapaskan chief's coat | 1983 | 8 | 2 | 64-69 |
Skoda, J. R. | Image & self in contemporary native American photoart : An exhibition at the Hood Museum of Art | 1996 | 21 | 2 | 48-57 |
Slaney, D. | Zuni figurative carving from the C. G. Wallace collection | 1993 | 19 | 1 | 68-75 |
Slater, Eva | Panamint Shoshone basketry, 1920-1940 | 1985 | 11 | 1 | 58-63, 75 |
Sliva, R Jane | Masterful Craftsmanship: Hohokam Arrowpoints in the Norton Allen Collection | 2013 | 39 | 1 | 0 |
Smetzer, Megan A. | Tinglit dance collars and octopus bags : embodying power and resistance | 2008 | 34 | 0 | 64-73 |
Smith, L. | Three Inscribed Chumash Baskets with Designs from Spanish Colonial Coins | 1982 | 7 | 3 | 62-68 |
Smith, Laura E. | Picturing Zuni in the New Deal Era: The Clara Brignac Gonzales Collection of Zuni Day School Drawings and Paintings, 1925-1945 | 2005 | 30 | 2 | 76-85 |
Snodgrass-King, J. | In the name of progress, is history being repeated? | 1985 | 10 | 2 | 26-35 |
Spriggs, L. E. | Art of the American Indian frontier: the Chandler-Pohrt collection | 1993 | 18 | 2 | 64-73 |
Starr, Sandra | The Pearsall Collection of American Indian Art: Fortieth Anniversary Selections | 2003 | 28 | 4 | 70-77 |
Strickland, R. | Where Have All the Blue Deer Gone? Depth and Diversity in Post War Indian Painting | 1985 | 10 | 2 | 36-45 |
Sturtevant, William C. | David and Dennis Cusick, early Iroquois realist artists | 2006 | 31 | 0 | 0 |
Suttles, W. | The Halkomelem Sxwayxwey | 1982 | 8 | 1 | 56-65 |
Swan, D. C. | Peyote arts in the collections of Gilcrease Museum | 1999 | 24 | 2 | 36-45 |
Swan, Daniel C. | CONTEMPORARY NAVAJO PEYOTE ARTS | 2008 | 34 | 1 | 0 |
Szabo, J. M. | Medicine Lodge Treaty Remembered | 1989 | 14 | 4 | 52-59 |
Szabo, J. M. | Chief Killer and a new reality. Narration and description in Fort Marion Art | 1994 | 19 | 2 | 50-57 |
Szabo, J. M. | Mapped battles and visual narratives : The arrest and killing of Sitting Bull | 1996 | 21 | 4 | 64-75 |
Szabo, J. M. | Individuality and cultural history : The question of artistic representation imagery | 1998 | 23 | 4 | 80-90 |
Tanner, Clara Lee | The Squash Blossom | 1978 | 3 | 3 | 36 |
Tarver, J. & Nunez, Cristin J. | From New Mexico to New York to New Orleans : the George Hubbard Pepper Collection of Native American Art | 2010 | 35 | 0 | 38-45 |
Tarver, J. & Nunez, Cristin J. | THE GEORGE HUBBARD PEPPER COLLECTIION OF NATIVE AMERICAN ART [LA COLLECTIION D'ART AMĂRINDIEN DE GEORGE HUBBARD] | 2010 | 35 | 3 | 38-45 |
Tarver, Paul | Blue Winds Dancing : The Whitecloud Collection of Native American Art [La danse des vents bleus : la Collection Whitecloud d'art américan autochtone] | 2008 | 33 | 2 | 74-81 |
Taylor, C. | Costume decorated with quill-wrapped hair: Nez Perce or Crow ? | 1981 | 6 | 3 | 42-53 |
Taylor, T. | Navajo woven saddle cinches | 2000 | 25 | 3 | 70-77 |
Teiwes, H. | Contemporary Development in Hopi Kachina Doll Carving | 1989 | 14 | 4 | 40-51 |
Thomas, J. J. | Rock art and the religion of the sky | 1982 | 41858 | 0 | 33-37 |
Thompson, J. | Turn-of-the-century MĂ©tis decorative art from the Frederick Bell collection | 1983 | 8 | 4 | 36-45 |
Thompson, J. | Turn-of-the-Century Metis Decorative Art from the Frederick Bell Collection. "She Sets the Fashion for the Whole North" | 1983 | 8 | 4 | 36-45 |
Thompson, J. | Some curious dresses of the natives, a reexamination of some early garments from the alaskan coast | 1991 | 16 | 3 | 66-76 |
Thompson, J. | Marketing tradition : Late nineteenth-century Gwich'in clothing ensembles [Commercialisation de la tradition : Des ensembles vestimentaires Gwich'in de la fin du dix-neuviĂšme siĂšcle] | 1999 | 24 | 4 | 48-59 |
Timbrook, Jan | Plains Indian beadwork and regalia at the Santa Barbara Museum of Natural History | 2013 | 39 | 1 | 58-71 |
Timbrook, Jan | Six Chumash Presentation Baskets | 2014 | 39 | 3 | 50 |
Tisdale, Shelby J. | Woven worlds: Basketry from the Clark Field collection | 2001 | 26 | 3 | 54-63 |
Tisdale, Shelby J. | Maria Poveka Martinez : her life, her pottery, her legacy at the Millicent Rogers Museum | 2005 | 31 | 0 | 0 |
Touchette, Charleen | George Morrison (1919-2000) : Standing on the edge of the world | 2001 | 27 | 1 | 72-83 |
Trimble, S. | Brown Earth and Laughter. The Clay People of Nora Naranjo-Morse in Pottery Issue. | 1987 | 12 | 4 | 58-67 |
Ulrich, Kenneth G. | The Dorothy Dunn Collection Of The Museum Of New Mexico | 1979 | 5 | 1 | 48 |
Valette, J.-P. | The life and work of Clitso Dedman, Navajo Woodcarver (1879?-1953) | 2000 | 25 | 2 | 54-57, 60-67 |
Valette, J.-P. & Valette, R. M. | In search of Yah-nah-pah : The early Gallegos yei blankets and their weavers | 1997 | 23 | 1 | 56-69 |
Valette, Rebecca M | Early Navajo Sandpainting Blankets: A Reassessment [Les couvertures et peintures de sabble Navajo : une réévaluation] | 2012 | 37 | 2 | 0 |
Valette, Rebecca M & Brydon, Sherry | The Representation of Inuit Art at Expo 67 [La Représentation l'art Inuit à l'Expo 67] | 2012 | 37 | 2 | 0 |
Valette, Rebecca M. | Early Navajo sandpainting blankets : a reassessment | 2012 | 37 | 0 | 54-65 |
Vitali, Samuel & Faietti, Marzia & Marzia , Goldenbaum, Laura & Wolf, Gerhard & Lenmon, Dwight P. | L'impotenza delle corde : la perditĂ di Euridice e la morte di Orfeo | 2012 | 38 | 0 | 117-123 |
Wade, Edwin L. | Salish Power Dances | 1976 | 1 | 4 | 64 |
Wade, Edwin L. | The Thomas Keam Collection: Hopi Pottery: A New Typology | 1980 | 5 | 3 | 54 |
Wade, Edwin L. | Searching the source: Origins of Indian painting in the National Anthropological Archives | 2000 | 26 | 1 | 66-73 |
Wade, Edwin L. & Lorraine Laurel | Voices Of The Supernaturals: Rattles Of The Northwest Coast | 1976 | 2 | 1 | 32 |
Walsh, B. | Kikmongwi as artist: The Katsina Dolls of Wilson Tawaquaptewa | 1998 | 24 | 1 | 52-59 |
Walsh, Barry | The Katsina carvings of Otto Pentewa | 2001 | 26 | 3 | 64-71 |
Wardwell, A. | Toward a Better Understanding of Old Bering Sea Art | 1987 | 12 | 2 | 36-43 |
Wardwell, A. | Some discoveries in northwest coast Indian art | 1993 | 18 | 2 | 46-55 |
Wardwell, A. & Messina-d'haiti, F. & Merritt, J. & Perry, P.E. & Hostetler, L. & Fedders, K. | Princeton's collections of Northwest Coast Indian art | 1997 | 22 | 2 | 34-43 |
Wardwell, Allen | Exhibition : Objects Of Bright Pride: Art Of The Northwest Coast Indians | 1979 | 4 | 3 | 60 |
Warner, J. A. | Nature and Spirit in Contemporary Native Manitoba Painting | 1990 | 15 | 2 | 38-47 |
Warner, J.A. | Continuity and change in modern Plains Cree moccasins | 1990 | 15 | 3 | 36-47 |
Warner, John Anson | Allen Sapp, Cree Painter | 1976 | 2 | 1 | 40 |
Warner, John Anson | Contemporary Algonkian Legend Painting | 1978 | 3 | 3 | 58 |
Washburn, Dorothy K. | Museum Exhibition: Hopi Kachina: Spirit Of Life | 1980 | 5 | 3 | 48 |
Wayland, Virginia &Wayland, Harold & Ferg, Alan | The Indians also have a game somewhat similar to cards : Native American cards of French and English derivation [Les Indiens ont également un jeu à peu prÚs similaire aux cartes : Les cartes amérindiennes de dérivation française et anglaise] | 2004 | 29 | 3 | 54-63, 98-99 |
Webber, A. P. | Ceremonial robes of the Montagnais-Naskapi | 1983 | 9 | 1 | 60-69, 75, 77 |
Webber, Alika | Wigwamatew: Old Birch Bark Containers | 1978 | 4 | 1 | 56 |
Weisman, Alan | PaladinâS Modern Vision | 1977 | 2 | 2 | 40 |
Wellmann, K. F. | Shades of Dr. Jekyll and Mr. Hyde: conceptual dichotomy as expressed in North American Indian rock painting | 1981 | 6 | 0 | 1-10 |
Welton, Jessica & Pearlstone, Zena | Recontextualizing the Art of Fred and Michael Kabotie [Recontextualiser l'art de Fred et de Michael Kabotie] | 2011 | 36 | 2 | 36-47 |
West, Ian M. | Horse Sticks | 1978 | 3 | 2 | 58 |
West, P. | Glade Cross mission: an influence on Florida Seminole arts and crafts | 1984 | 9 | 4 | 58-67 |
Wheat, Joe Ben | The Navajo Chief Blanket | 1976 | 1 | 3 | 44 |
Whitaker, K. | The Navajo chief blanket: a trade item among non-Navajo groups | 1981 | 7 | 1 | 63-69 |
Whitaker, K. | George Wharton James: The controversial author of Indian blankets and their makers | 1999 | 25 | 1 | 66-77 |
Whitaker, Kathleen & Parker, Shannon Glydon | Bound to its origins : The past and present of the indian arts research center at the school of american research | 2007 | 32 | 2 | 72-85 |
White, M. A. | Oscar Howe and the transformation of Native American art | 1997 | 23 | 1 | 36-43 |
White, Mark Andrew | The James T. Bialac Native American Art Collection at the Fred Jones Jr. Museum of Art | 2012 | 38 | 0 | 34-45 |
White, Mark Andrew | The James T.Bialac Native American Art Collection at the Fred Jones Jr. Museum of Art [La collection de tableaux d'Indiens d'Amérique de James T.Bialac au Musée d'Art Fred Jones Jr.] | 2012 | 38 | 1 | 34-45 |
Whiteford, A. H. | The origins of Great Lakes beaded bandolier bags | 1986 | 11 | 3 | 32-43 |
Whiteford, A. H. & McGreevy, S. B. | Translating tradition: basketry arts of the San Juan Paiutes | 1985 | 11 | 1 | 30-37 |
Whiteman, A. | The San Carlos Apache Cultural Center [Le Centre Culturel Apache de San Carlos] | 1998 | 23 | 2 | 32-33 |
Whiterford, A. H. | Floral beadwork of the Western Great Lakes | 1997 | 22 | 4 | 68-79 |
Wiedman, D. | Staff, fan, rattle and drum: spiritual and artistic expressions of Oklahoma peyotists | 1985 | 10 | 3 | 38-45 |
Wiedman, D. & Greene, C. | Early Kiowa Peyote Ritual and Symbolism. The 1891 Drawing Books of Silverhorn (Haungooah) | 1988 | 13 | 4 | 32-41 |
Wilcox, U. Vincent | The Museum Of The American Indian | 1978 | 3 | 2 | 40 |
Williams, L. F. | The Southwest Collections of the University Museum of Archaeology and Anthropology of the University of Pennsylvania | 1991 | 16 | 2 | 50-59 |
Willmott, Cory & Phillips, Ruth B. | Anishinaabe Regalia of the Reservation Era, 1870s-1930s [L'apparat Anishinaabe à l'Úre des réserves, les années 1870-1930] | 2012 | 37 | 3 | 70-81 |
Wilson, L. A. | Southern cult images of composite human and animal figures | 1985 | 11 | 1 | 46-57 |
Winter, B. | Pomo Banded Baskets and their Dan Marks | 1985 | 10 | 4 | 50-57 |
Winther, B. | Pomo banded baskets and their dau marks | 1985 | 10 | 4 | 50-57 |
Winther, B. | More about Dau Marks : Visiting four Pomo basket makers | 1996 | 21 | 4 | 44-51 |
Winther, B. | Yuki and Yuki-style basketry | 2000 | 25 | 3 | 56-69, 86-87 |
Winther, Barbara | Pacific Northwest Onion-Domed Whalers' Hats [Les chapeaux de baleiniers en-forme-de-dĂŽme-oignon de la cĂŽte nord-ouest du Pacifique] | 2011 | 36 | 3 | 46-53 |
Wolf, Arthur H. | The Indian Arts Fund Collection Of The School For American Research, Santa Fe | 1978 | 4 | 1 | 32 |
Wolf, Sara J. | Conservation | 1977 | 2 | 2 | 18 |
Wolf, Sara J. | Conservation: Feathers | 1978 | 3 | 4 | 77 |
Wooley, D. L. & Capture, J. D. H. | Joseph No Two Horns, He Nupa Wanica | 1993 | 18 | 3 | 32-43 |
Wooley, D.& Waters, W.T. | Waw-no-she's dance | 1988 | 14 | 1 | 36-45 |
Wright, B. | Kachina Carvings | 1984 | 9 | 2 | 38-45 |
Wright, B. | Pueblo shields | 1992 | 17 | 2 | 44-51 |
Wright, Barton | Anasazi Murals | 1976 | 1 | 2 | 62 |
Wright, Barton | Tabletas | 1976 | 1 | 3 | 56 |
Wright, Barton | Hopi Tiles | 1977 | 2 | 4 | 64 |
Wright, Barton | Museum Collection: San Diego Museum Of Man | 1980 | 5 | 4 | 48 |
Wright, H. D. | Navajo Pottery. Contemporary Trends in a Traditional Craft | 1987 | 12 | 2 | 26-35 |
Wright, R. K. | Haida Argillite: Carved for Sale | 1982 | 8 | 1 | 48-55 |
Wright, R. K. | The depiction of women in nineteenth century Haida argillite carving | 1986 | 11 | 4 | 36-45 |
Wright, R. K. | The Collection of Native Art in Washington : New Georgia Through Statehood | 1989 | 14 | 3 | 62-74 |
Wright, R. K. | Kadashan's staff: the work of a mid-nineteenth-century Haida argillite carver in another medium | 1992 | 17 | 4 | 48-55 |
Wright, R. K. | Two Haida artists from Yan : Will John Gwaytihl and Simeon Stilthada please step apart ? | 1998 | 23 | 3 | 42-57, 106-107 |
Wright, R.K. | The Burke Museum - Northwest Coast collection | 1988 | 13 | 2 | 32-37 |
Wright, Robin K. | Haida Argillite Ship Pipes | 1979 | 5 | 1 | 40 |
Wright, Robin K. | Haida Argillite Pipes: The Influence Of Clay Pipes | 1980 | 5 | 4 | 42 |
Wright, Robin K. | Zacherias and the Chicago Settee: Connecting the Masterpiece to the Master [Zacherias et le canapĂ© de Chicago : relier le chef-d'Ćuvre au aaĂźtre] | 2009 | 35 | 1 | 68-75 |
Wroth, William | Mountain-Family-Spirit: The Arts and Culture of the Ute Indians | 2002 | 27 | 4 | 66-77 |
Younger, E. & Breynig, R. | The Second Biennial Native American Fine Arts Invitational | 1986 | 11 | 2 | 60-65 |
| Scholder On Scholder: A Self-Interview | 1976 | 1 | 2 | 50 |
| A Sauk Chief's Gift : The Complete Costume of Moses Keokuk | 1986 | 12 | 1 | 54-63 |
| IAIA rocks the '60s | 2001 | 27 | 1 | 54-61 |
| Alaskan Eskimo issue | 2002 | 27 | 2 | 0 |