|
Author |
Title |
Year |
Volume |
Issue |
Pages |
| A-Amang, Boe | Les Amants de Nulle Part: Une Critique par Emmanuel E. Moukory (In French)Â | 1969/Spring | 2 | 3 | 0 | 0 |
| Abbink, Jon | Extensions of the Self: Artistry and Identity in the Headrests and Stools of Southwest Ethiopian Peoples | 2015/Winter | 48 | 4 | 46 | 59 |
| Abe, Stacey Gillian & Immy Mali | Conjuring Our Beings: Stacey Gillian Abe and Immy Mali in Conversational Partnership | 2019/Summer | 52 | 2 | 18 | 31 |
| Abiodun, Rowland | Understanding Yoruba Art And Aesthetics: The Concept Of Ase | 1994/Summer | 27 | 3 | 0 | 0 |
| Acquaye, Saka | The Language Problem Of The Developing African Theater | 1968/Autumn | 2 | 1 | 0 | 0 |
| Acquaye, Saka | Modern Folk Opera In Ghana | 1971/Winter | 4 | 2 | 0 | 0 |
| Adams, Monni | An Evening With William Fagg | 1977/Summer | 10 | 4 | 0 | 0 |
| Adams, Monni | Kuba Embroidered Cloth | 1978/Autumn | 12 | 1 | 0 | 0 |
| Adams, Monni | Fon Appliqued Cloths | 1980/Winter | 13 | 2 | 0 | 0 |
| Adams, Monni | African Treasures Of The Peabody Museum, Harvard | 1982/Summer | 15 | 4 | 0 | 0 |
| Adams, Monni | Women And Masks Among The Western We Of Ivory Coast | 1986/Winter | 19 | 2 | 0 | 0 |
| Adams, Monni | 18Th-Century Kuba King Figures | 1988/Autumn | 21 | 3 | 0 | 0 |
| Adams, Monni | Beyond Symmetry In Middle African Design | 1989/Autumn | 23 | 1 | 0 | 0 |
| Adams, Monni | Women'S Art As Gender Strategy Among The We Of Canton Boo | 1993/Autumn | 26 | 4 | 0 | 0 |
| Adams, Monni | Locating the Mano Mask. | 2010/Summer | 43 | 2 | 16 | 37 |
| Adams, Monni & T. Rose Holdcraft | Dida Woven Raffia Cloth From Cote D'Ivoire | 1992/Summer | 25 | 3 | 0 | 0 |
| Adams, Sarah | In My Garment There Is Nothing But God. | 2006/Summer | 39 | 2 | 26 | 35 |
| Adande, Joseph C.E. | Asen and Methodology in Art History | 2007/Autumn | 40 | 3 | 0 | 0 |
| Adedeji, Joel | Traditional Yoruba Theater | 1969/Autumn | 3 | 1 | 0 | 0 |
| Adedeji, Joel | The Poetry Of The Yoruba Masque Theatre | 1978/Spring | 11 | 3 | 0 | 0 |
| Adedze, Agbenyega | Re-Presenting Africa: Commemorative Postage Stamps of the Colonial Exhibition of Paris (1931) | 2004/Summer | 37 | 2 | 0 | 0 |
| Adedze, Agbenyega | Commemorating the Chief: The Politics of Postage Stamps in West Africa | 2004/Summer | 37 | 2 | 0 | 0 |
| Adekeye, Adeyemo | Uzo Egonu Of Nigeria | 1973/Autumn | 7 | 1 | 0 | 0 |
| Adelman, Kenneth Lee | The Art Of The Yaka | 1975/Autumn | 9 | 1 | 0 | 0 |
| Adkins Richardson, John | Speculations On Dogon Iconography | 1977/Autumn | 11 | 1 | 0 | 0 |
| Adler, Christine Katrin | Robert Visser and His Photographs from the Loango Coast | 2002/Winter | 35 | 4 | 0 | 0 |
| Adnan, Etel | The Weavings Of The Children Of Harrania | 1970/Spring | 3 | 3 | 0 | 0 |
| Aduamah, Enos Yao | Nothing Happens For Nothing | 1971/Spring | 4 | 3 | 0 | 0 |
| Adwoa Anriri, Janet | Akan Combs | 1974/Autumn | 8 | 1 | 0 | 0 |
| Agqrey Zankli, Boevi | Prayer To Wetri Yeye | 1969/Autumn | 3 | 1 | 0 | 0 |
| Agu, Ogonna | Lonesongs At Dawn | 1973/Winter | 6 | 2 | 0 | 0 |
| Agu, Ogonna | The House Of Death | 1973/Summer | 6 | 4 | 0 | 0 |
| Ainselle, Jean | Tarzan, ou Rousseau chez les Waziri: Musée du Quai Branly, Paris. | 2010/Autumn | 43 | 3 | 86 | 88 |
| Aj Ayah, Paul | Oliti | 1969/Autumn | 3 | 1 | 0 | 0 |
| Akande, Abiodun | Commonalities and Disparities in the Iconography of OpĂłn IfĂĄ and ĂrĂłkĂ© IfĂĄ in ĂyĂł, SĂĄbe, and IfĂš-Ana YorĂčbĂĄ Communities | 2020/Summer | 53 | 2 |  42 | 53 |
| Akpabot, Samuel | African Instrumental Music | 1971/Autumn | 5 | 1 | 0 | 0 |
| Akpabot, Samuel | Theories On African Music | 1972/Autumn | 6 | 1 | 0 | 0 |
| Akpabot, Samuel | Random Music Of The Birom People | 1975/Winter | 8 | 2 | 0 | 0 |
| Akpan, Joseph J. | Ekpo Society Masks Of The Ibibio | 1994/Autumn | 27 | 4 | 0 | 0 |
| Allara, Pamela | Dislocation and Collaboration: Recent Prints by Kim Berman. | 2010/Winter | 43 | 4 | 20 | 29 |
| Allara, Pamela | Diane Victor and Paul Emmanuel. | 2012/Winter | 45 | 4 | 34 | 45 |
| Allara, Pamela | correction. | 2013/Spring | 46 | 1 | 5 | 5 |
| Allara, Pamela | Susan Woolf: Taxi Hand Signs: South African Jewish Museum Cape Town, South Africa July 10âSeptember 5, 2016 | 2017/Winter | 50 | 4 | 82 | 84 |
| Allara, Pamela | African Art in the Barnes Foundation: The Triumph of L'Art nĂšgre and the Harlem Renaissance by Christa Clarke New York: Skira Rizzoli in association with the Barnes Foundation, 2015; 288 pp., 325 color ill., biblio, index. $75.00, hardcover | 2017/Spring | 50 | 1 | 91 | 92 |
| Allison, Philip | Collecting Yoruba Art | 1973/Summer | 6 | 4 | 0 | 0 |
| Allison, Philipe & Robert Plant Armstrong & Herbert Baker & al. | Fakes, Fakers, And Fakery: Authenticity In African Art | 1976/Spring | 9 | 3 | 0 | 0 |
| Alolabi Ojo, G.J. | Traditional Yoruba Architecture | 1968/Spring | 1 | 3 | 0 | 0 |
| Alpers, Edward A. | Folk Art and Personal Independence in Tanzania: Fundi Mdawalo bin Milonge | 2004/Summer | 37 | 2 | 0 | 0 |
| Altman, Ralph C. | African Negro Sculpture Has Many Faces | 1967/Autumn | 1 | 1 | 0 | 0 |
| Ames, David | Professionals And Amateurs: The Musicians Of Zaria And Obimo | 1968/Winter | 1 | 2 | 0 | 0 |
| Ames, David and Barbara & Philip M. Peek & Julian Brody & al. | William Bascom: In Memoriam | 1983/Winter | 16 | 2 | 0 | 0 |
| Ames, David W. & Ken A. Gourlay | Kimkim: A Women'S Musical Pot | 1978/Winter | 11 | 2 | 0 | 0 |
| Amos, Samuel &Bruce Onobrakpeya | Tortoise In Legend | 1970/Autumn | 4 | 1 | 0 | 0 |
| Anderson, Lois | The African Xylophone | 1967/Autumn | 1 | 1 | 0 | 0 |
| Anderson, Martha G. | The Funeral Of An Ijo Shrine Priest | 1987/Autumn | 21 | 1 | 0 | 0 |
| Anderson, Martha G. | Ikiyan Aru: Ijo Vessels of Sacrifice | 2003/Spring | 36 | 1 | 0 | 0 |
| Anderson, Martha G. & Philip M. Peek | Ways of the Rivers: Arts and Environment of the Niger Delta | 2002/Spring | 35 | 1 | 0 | 0 |
| Aniakor, Chike | Poems And Drawings | 1975/Summer | 8 | 4 | 0 | 0 |
| Aniakor, Chike C. | The Igbo Ijele Mask | 1978/Summer | 11 | 4 | 0 | 0 |
| Anklam, Nico & Ganzenberg, Christian | Kendell Geers, 1988-2012 Haus der Kunst, Munich February 1-May 12, 2013 | 2014/Autumn | 47 | 3 | 79 | 81 |
| Anta KĂą, Abdou | Le Mal-Mort (In French) | 1969/Autumn | 3 | 1 | 0 | 0 |
| Anta KĂą, Abdou | Pinthioum Fann (In French) | 1970/Winter | 3 | 2 | 0 | 0 |
| Apotsos, Michelle | Objects of Belief from the Vatican: Art of Africa, Oceania, and the Americas de Young Museum San Francisco, CA February 9-September 8, 2013 | 2014/Autumn | 47 | 3 | 76 | 78 |
| Apotsos, Michelle Moore | a/wake in the water: Meditations on Disaster Museum of Contemporary African Diasporan Arts (MoCADA), Brooklyn, New York August 14âNovember 30, 2014 | 2016/Summer | 49 | 2 | 82 | 84 |
| Appiah , Peggy | Akan Symbolism | 1979/Autumn | 13 | 1 | 0 | 0 |
| Appiah, K. Anthony & Sokari Douglas Camp | The Need for Roots | 2004/Spring | 37 | 1 | 0 | 0 |
| Aradeon, Susan B. | Moufou Architecture | 1980/Autumn | 14 | 1 | 0 | 0 |
| Armstrong, R.G. | Onugbo Mloko: Story In Idoma Ancestral Mask Chant | 1968/Summer | 1 | 4 | 0 | 0 |
| Armstrong, Robert Plant | Aesthetic Continuity In Two Yoruba Works | 1971/Spring | 4 | 3 | 0 | 0 |
| Armstrong, Robert Plant | My Collection | 1974/Spring | 7 | 3 | 0 | 0 |
| Armstrong, Robert Plant | Oshe Shango And The Dynamic Of Doubling | 1983/Winter | 16 | 2 | 0 | 0 |
| Arndt, Lotte | BEYOND THE OFFICIAL TRACK. | 2011/Summer | 44 | 2 | 85 | 87 |
| ARNOLD, MARION | South African Art Now. | 2011/Spring | 44 | 1 | 92 | 93 |
| Arnoldi, Mary Jo | The Artistic Heritage Of Somalia | 1984/Summer | 17 | 4 | 0 | 0 |
| Arnoldi, Mary Jo | Somono Puppet Masquerades In Kirango, Mali (Photo Essay) Photographs By Susan Vogel Text By | 2001/Spring | 34 | 1 | 0 | 0 |
| Arnoldi, Mary Jo | Symbolically Inscribing the City: Public Monuments in Mali, 1995-2002 | 2003/Summer | 36 | 2 | 0 | 0 |
| Arnoldi, Mary Jo | All the World's Futures: The 55th Venice Biennale May 9âNovember 22, 2015 multiple venues, Venice, Italy | 2016/Fall | 49 | 3 | 84 | 85 |
| Arnoldi, Mary Jo & Christine Mullen | Reflections On 'African Voices' At The Smithsonian'S National Museum Of Natural History | 2001/Summer | 34 | 2 | 0 | 0 |
| Arnoldi, Mary Jo & Christine Mullen Kreamer | Crowning Achievements: African Arts Of Dressing The Head (Exhibition Preview) | 1995/Winter | 28 | 1 | 0 | 0 |
| Arnoldi, Mary Jo & Morphy, Howard & Nzewi, Ugochukwu & Thompson, Krista & Kreamer, Christine Mullen & Ross, Doran H. | Ivan Karp (1943-2011) | 2012/Summer | 45 | 2 | 8 | 11 |
| Aronowicz, Miriam | Continental Rifts: Contemporary Time | 2009/Winter | 42 | 4 | 82 | 83 |
| Aronson, Lisa | Patronage And Akwete Weaving | 1980/Spring | 13 | 3 | 0 | 0 |
| Aronson, Lisa | Popo Weaving: The Dynamics Of Trade In Southeastern Nigeria | 1982/Spring | 15 | 3 | 0 | 0 |
| Aronson, Lisa | The Language Of West African Textiles | 1992/Summer | 25 | 3 | 0 | 0 |
| Aronson, Lisa | Ijebu Yoruba Asd Olona: A Contextual And Historical Overview | 1992/Summer | 25 | 3 | 0 | 0 |
| Aronson, Lisa | Ewe Ceramics as the Visualization of Vodun | 2007/Spring | 40 | 1 | 0 | 0 |
| Aronson, Lisa | Gender and South African Art. | 2012/Winter | 45 | 4 | 1 | 5 |
| Aronson, Lisa | Joanne Bubolz Eicher: Trailblazer in the Field of African Textiles, Dress, and Fashion | 2017/Autumn | 50 | 3 | 38 | 47 |
| Aronson, Lisa | Maternity: Mothers and Children in the Arts of Africa | 2019/Spring | 52 | 1 | 94 | 95 |
| Asalache , Khadambi | Two Poems | 1968/Summer | 1 | 4 | 0 | 0 |
| Ashby Johnson, Marian | Gold Jewelry Of The Wolof And The Tukulor Ofsenegal | 1994/Winter | 27 | 1 | 0 | 0 |
| Ashong-Katai, Selby | A Nightmare | 1971/Winter | 4 | 2 | 0 | 0 |
| Atallah Nadine | Art et LibertĂ©: Rupture, War, and Surrealism in Egypt (1938â1948). Exhibition at Palace of Arts, Cairo | 2018/Spring | 51 | 1 | 86 | 88 |
| Aubry, Roger | Le Cinema Au Cameroun (In French)Â | 1969/Spring | 2 | 3 | 0 | 0 |
| Auslander, Mark | Assemblies Excavation and Reconstruction in Contemporary African Art. | 2005/Spring | 38 | 1 | 1 | 89 |
| Auslander, Mark | By Iron Possessed: Fabrice Monteiro's Maroons: The Fugitive Slaves | 2016/Fall | 49 | 3 | 62 | 67 |
| Auslander, Mark | Chief S.O. Alonge: Photographer to the Royal Court of Benin, Nigeria National Museum of African Art, Washington, DC September 17, 2014âJuly 31, 2016 | 2016/Spring | 49 | 1 | 88 | 91 |
| Awe, Kayode | Three Nigerian Festivals: Arts Festival In Western State | 1971/Summer | 4 | 4 | 0 | 0 |
| Awoonor-Williams , George | Poems | 1967/Autumn | 1 | 1 | 0 | 0 |
| Ayebermo Freemann , Richard | Udouye The King Of Beauty | 1968/Autumn | 2 | 1 | 0 | 0 |
| Baasch, Rachel | Bodies, Buildings, and Borders: Navigating the Divided Nation through Contemporary South African and Palestinian Art Practice | 2018/Summer | 51 | 2 | 32 | 43 |
| Baasch, Rachel, Stephen FolĂĄrĂ nmĂ, Emi Koide, Angelo Kakande & Ruth Simbao | âKnowing Withâ: New Rhodes Board Navigates Collaboration, Intimacy, and Solidarity | 2020/Summer | 53 | 2 | Â 1 | 5 |
| Babalola Yai, Olabiyi | Tradition And The Yoruba Artist | 1999/Spring | 32 | 1 | 0 | 0 |
| Badejo, Peter | Premiere Production: The Gods Are Not To Blame | 1970/Winter | 3 | 2 | 0 | 0 |
| Baird Hinckley, Priscilla | The Dodo Masquerade Of Burkina Faso | 1986/Winter | 19 | 2 | 0 | 0 |
| Balona de Oliveira, Ana | The Ethics, Politics, and Aesthetics of Migration in Contemporary Art from Angola and Its Diaspora | 2020/Fall | 53 | 3 | Â 8 | 15 |
| Bame, K.N. | Comic Play In Ghana | 1968/Summer | 1 | 4 | 0 | 0 |
| Bandler, Donald & Jan | The Pottery Of Ushafa | 1977/Spring | 10 | 3 | 0 | 0 |
| Bankole, Ayo & Judith Bush & Sadek H. Samaan | The Yoruba Master Drummer | 1975/Winter | 8 | 2 | 0 | 0 |
| Bargna, Ivan | Collecting Practices in Bandjoun, Cameroon: Thinking about Collecting as a Research Paradigm | 2016/Summer | 49 | 2 | 20 | 37 |
| Barkan, Elazar | Aesthetics And Evolution: Benin Art In Europe | 1997/Summer | 30 | 3 | 0 | 0 |
| Bassani, Ezio | Kongo Nail Fetishes From The Chiloango River Area | 1977/Spring | 10 | 3 | 0 | 0 |
| Bassani, Ezio | A Kongo Drum Stand | 1977/Autumn | 11 | 1 | 0 | 0 |
| Bassani, Ezio | Nineteenth-Century Airport Art | 1979/Winter | 12 | 2 | 0 | 0 |
| Bassani, Ezio | Sono From Guinea Bissau | 1979/Summer | 12 | 4 | 0 | 0 |
| Bassani, Ezio | A Newly Discovered Afro-Portuguese Ivory | 1984/Summer | 17 | 4 | 0 | 0 |
| Bassani, Ezio | Additional Notes On The Afro-Portuguese Ivories | 1994/Summer | 27 | 3 | 0 | 0 |
| Bassey Onyile, Onyile and Christopher Slogar | Nobody Can Harm You, Nobody Can Charm You: Efik Nnabo Society Masquerades of Calabar, Nigeria | 2016/Spring | 49 | 1 | 70 | 77 |
| Bassing, Allen | Grave Monuments Of The Dakakari | 1973/Summer | 6 | 4 | 0 | 0 |
| Bassing, Allen & A.A. Y. Kyerematen | The Enstoolment Of An Asantehene | 1972/Spring | 5 | 3 | 0 | 0 |
| Bastin, Marie-Louise | LâArt D'Un Peuple D'Angola Arts Of The Angolan Peoples Part 1: Chokwe (In French And English) | 1968/Autumn | 2 | 1 | 0 | 0 |
| Bastin, Marie-Louise | LâArt D'Un Peuple D'Angola Arts Of The Angolan Peoples Part 2: Lwena (In French And English)Â | 1969/Winter | 2 | 2 | 0 | 0 |
| Bastin, Marie-Louise | LâArt D'Un Peuple D'Angola Arts Of The Angolan Peoples Part 3: Songo (In French And English) | 1969/Spring | 2 | 3 | 0 | 0 |
| Bastin, Marie-Louise | L'Art D'Un Peuple D'Angola Arts Of The Angolan Peoples Part 4: Mbundu (In French And English) | 1969/Summer | 2 | 4 | 0 | 0 |
| Bastin, Marie-Louise | Ritual Masks Of The Chokwe | 1984/Summer | 17 | 4 | 0 | 0 |
| Basu, Paul | Recasting the National Narrative. | 2013/Autumn | 46 | 3 | 10 | 25 |
| Batkin, Jonathan | African Art At The Denver Art Museum | 1979/Spring | 12 | 3 | 0 | 0 |
| Battiss, Walter | Elc Art And Craft Centre At Rorke'S Drift | 1977/Autumn | 11 | 1 | 0 | 0 |
| Bay, Edna G. | Cyprien Tokudagba Of Abomey | 1975/Summer | 8 | 4 | 0 | 0 |
| Bay, Edna G. | On Ouidah Asen | 2007/Spring | 40 | 1 | 0 | 0 |
| Becker, Cynthia | Amazigh Textiles and Dress in Morocco. (Cover story) | 2006/Autumn | 39 | 3 | 42 | 96 |
| Becker, Cynthia | Beaded Prayers. | 2006/Summer | 39 | 2 | 76 | 78 |
| Becker, Cynthia | Exile, Memory, and Healing in Algeria: Denis Martinez and La FenĂȘtre du Vent. | 2009/Summer | 42 | 2 | 24 | 31 |
| Becker, Cynthia | Black Womanhood: Images, Icons, and Ideologies of the African Body: Hood Museum Dartmouth College. | 2009/Autumn | 42 | 3 | 82 | 84 |
| Becker, Cynthia | New Orleans Mardi Gras Indians: Mediating Racial Politics from the Backstreets to Main Street. | 2013/Summer | 46 | 2 | 36 | 49 |
| Becker, Cynthia | Medieval Morocco: An Empire from Africa to Spain October 17, 2014âJanuary 19, 2015 Louvre, Paris, France. Contemporary Morocco October 15, 2014âMarch 31,2015 l'Institut du Monde Arabe, Paris, France | 2015/Winter | 48 | 4 | 85 | 88 |
| Becker, Cynthia & Breunlin, Rachel & Regis, Helen A. | Performing Africa in New Orleans. | 2013/Summer | 46 | 2 | 12 | 21 |
| Becker, Cynthia & Zito, Alex | Yelimane Fall: Senegalese Calligraphy in Action. | 2014/Summer | 47 | 2 | 28 | 39 |
| Becker, Natasha | Primitivism Revisited: After the End of an Idea. | 2008/Spring | 41 | 1 | 86 | 87 |
| Bedaux, R.M.A. | Tellem And Dogon Material Culture | 1988/Summer | 21 | 4 | 0 | 0 |
| Bedaux, Rogier M. A. & Jan Smits | A Seventeenth-Century Ivory Figure In The Rijksmuseum Uoor Volkenkunde In Leiden (Research Note) | 1992/Winter | 25 | 1 | 0 | 0 |
| Behrend, Heike | Feeling Global"; The Likoni Ferry Photographers Of Mombasa, Kenya | 2000/Autumn | 33 | 3 | 0 | 0 |
| Beidelman, T. O. | Fundi Mdawala/Jak Katarikawe. | 2005/Spring | 38 | 1 | 8 | 8 |
| Beidelman, T.O. | Jak Katarikawe | 2003/Summer | 36 | 2 | 0 | 0 |
| Beier, Georgina | Yoruba Pottery | 1980/Spring | 13 | 3 | 0 | 0 |
| Beier, Ulli | Signwriters Art In Nigeria | 1971/Spring | 4 | 3 | 0 | 0 |
| Beier, Ulri | Middle Art: The Paintings Of War | 1976/Winter | 9 | 2 | 0 | 0 |
| Beinart, Julian | Wall Painting: Popular Art In Two African Communities | 1968/Autumn | 2 | 1 | 0 | 0 |
| Bellinger, Robert A. | The Géwël Tradition Project: Supporting a Living Tradition | 2013/Spring | 46 | 1 | 62 | 71 |
| Beman, Rebecca | Egypt In The Painting Of Watfa Midani | 1968/Autumn | 2 | 1 | 0 | 0 |
| Bems, Marla C. | Magdalene Anyango N. Odundo (Portfolio) | 1996/Winter | 29 | 1 | 0 | 0 |
| ben Abdallah, Mohammed | The Alien King | 1972/Summer | 5 | 4 | 0 | 0 |
| Ben-Amos, Daniel | Storytelling In Benin | 1967/Autumn | 1 | 1 | 0 | 0 |
| Ben-Amos, Paula | Symbolism In Olokun Mud Art | 1973/Summer | 6 | 4 | 0 | 0 |
| Ben-Amos, Paula | Owina N'Ido: Royal Weavers Of Benin | 1978/Summer | 11 | 4 | 0 | 0 |
| Ben-Amos, Paula | Patron-Artist Interactions In Africa | 1980/Spring | 13 | 3 | 0 | 0 |
| Ben-Amos, Paula | Artistic Creativity In Benin Kingdom | 1986/Spring | 19 | 3 | 0 | 0 |
| Ben-Amos, Paula & Osarenren Omoregie | Keeping The Town Healthy: Ekpo Ritual In Avbiama Village | 1969/Summer | 2 | 4 | 0 | 0 |
| Ben-Amos, Paula Girshick | A Note On A Lost Woodcarving Tradition From The Benin Kingdom (Research Note) | 1991/Spring | 24 | 2 | 0 | 0 |
| Benezech, Anne-Marie | So-Called Kuyu Carvings | 1988/Autumn | 22 | 1 | 0 | 0 |
| Benjamin, Tritobia H. | Skunder Boghossian: A Different Magnificence | 1972/Summer | 5 | 4 | 0 | 0 |
| Bennett, George | Bbc Art Competition 1970 | 1971/Autumn | 5 | 1 | 0 | 0 |
| Benney Oelmann, Albin | Nduen Fobara: Ancestral Memorial Screens From New Calabar | 1979/Winter | 12 | 2 | 0 | 0 |
| Bentor, Eli | Life As An Artistic Process: Igbo Ikenga And Ofo | 1988/Winter | 21 | 2 | 0 | 0 |
| Bentor, Eli | Spatial Continuities: Masks and Cultural Interactions between the Delta and Southeastern Nigeria | 2002/Spring | 35 | 1 | 0 | 0 |
| Bentor, Eli | Challenges to Rural Festivals with the Return to Democratic Rule in Southeastern Nigeria. | 2005/Winter | 38 | 4 | 38 | 93 |
| Bentor, Eli | Masquerade Politics in Contemporary Southeastern Nigeria. | 2008/Winter | 41 | 4 | 32 | 43 |
| Bentor, Eli | Warrior Masking, Youth Culture, and Gender Roles: Masks and History in Aro Ikeji Festival | 2019/Spring | 52 | 1 | 34 | 45 |
| Berliner, Paul | John Kunaka, Mbira Maker | 1980/Autumn | 14 | 1 | 0 | 0 |
| BERNARD, CATHERINE | The Beautiful Time: Photography by Sammy Baloji. | 2011/Spring | 44 | 1 | 84 | 86 |
| Bernard, Catherine | Out of Bounds | 2015/Spring | 48 | 1 | 54 | 65 |
| Berns, Marla | Decorated Gourds Of Northeastern Nigeria | 1985/Autumn | 19 | 1 | 0 | 0 |
| Berns, Marla C. | Ceramic Arts In Africa | 1989/Winter | 22 | 2 | 0 | 0 |
| Berns, Marla C. | Ceramic Clues: Art History In The Gongola Valley | 1989/Winter | 22 | 2 | 0 | 0 |
| Berns, Marla C. | Pots As People: Yungur Ancestral Portraits | 1990/Summer | 23 | 3 | 0 | 0 |
| Berns, Marla C. | Pottery-Making in Bonakire, Ghana | 2007/Spring | 40 | 1 | 0 | 0 |
| Berns, Marla C. | Celebrating Fifty Years | 2017/Spring | 50 | 1 | 6 | 9 |
| Berns, Marla C. & Fardon, Richard | Central Nigeria Unmasked. | 2011/Autumn | 44 | 3 | 16 | 37 |
| Berns, Marla C. & Polly Nooter Roberts | Intersections World Arts Local Lives No Access | 2006/Winter | 39 | 4 | 14 | 35 |
| Berns, Marla C. & Roy Sieber (Guest Editors) | Recollections Of Arnold Rubin | 1991/Spring | 24 | 2 | 0 | 0 |
| Berqer, Renato | Ogun Onire | 1974/Autumn | 8 | 1 | 0 | 0 |
| Bessire, Aimée | Sukuma Figures, Boundaries, and the Arousal of Spectacle. | 2005/Spring | 38 | 1 | 36 | 94 |
| Bessire, Aimée | The Power of Ephemera: Permanence and Decay in Protective Power Objects. Part of a special issue: Ephemeral Arts I | 2009/Autumn | 42 | 3 | 16 | 27 |
| Bester, Rory & Barbara Buntman | Bushman(Ia) And Photographic Intervention | 1999/Winter | 32 | 4 | 0 | 0 |
| Betfelheim, Judith | The Lantern Festival In Senegambia | 1985/Winter | 18 | 2 | 0 | 0 |
| Bettelheim, Judith | Negotiations Of Power In Carnaval Culture In Santiago De Cuba | 1991/Spring | 24 | 2 | 0 | 0 |
| Bettelheim, Judith | Women In Masquerade And Performance (Research Note) | 1998/Spring | 31 | 2 | 0 | 0 |
| Bettelheim, Judith | Palo Monte Mayombe And Its Influence On Cuban Contemporary Art | 2001/Summer | 34 | 2 | 0 | 0 |
| Beumers , Erna & Peter Abspoel | The African Collection Of The Wereldmuseum Rotterdam | 2000/Spring | 33 | 1 | 0 | 0 |
| Biasio, Elisabeth | Contemporary Ethiopian Painting in Traditional Style: From Church. Part of a special issue: Contemporary Expressive Culture in Ethiopia | 2009/Spring | 42 | 1 | 14 | 25 |
| Bick, Tenley | Horror Histories: Apartheid and the Abject Body in the Work of Jane Alexander. | 2010/Winter | 43 | 4 | 30 | 41 |
| Bickford Berzock, Kathleen | African Art At The Art Institute Of Chicago | 1999/Winter | 32 | 4 | 0 | 0 |
| Bickford Berzock, Kathleen | Ceramic Arts in Africa: A Curator's Perspective | 2007/Spring | 40 | 1 | 0 | 0 |
| Biebuyck, Daniel P. | Bembe Art | 1972/Spring | 5 | 3 | 0 | 0 |
| Biebuyck, Daniel P. | Nyanga Circumcision Masks And Costumes | 1973/Winter | 6 | 2 | 0 | 0 |
| Biebuyck, Daniel P. | Mumbira: Musical Instrument Of A Nyanga Initiation | 1974/Summer | 7 | 4 | 0 | 0 |
| Biebuyck, Daniel P. | Textual And Contextual Analysis In African Art Studies | 1975/Spring | 8 | 3 | 0 | 0 |
| Biebuyck, Daniel P. | Sculpture From The Eastern Zaire Forest Regions | 1976/Winter | 9 | 2 | 0 | 0 |
| Biebuyck, Daniel P. | Sculpture From The Eastern Zaire Forest Regions: Mbole, Yela And Pere | 1976/Autumn | 10 | 1 | 0 | 0 |
| Biebuyck, Daniel P. | Sculpture From The Eastern Zaire Forest Regions: Metoko, Lengola And Komo | 1977/Winter | 10 | 2 | 0 | 0 |
| Biebuyck, Daniel P. | Lega Dress As Cultural Artifact | 1982/Spring | 15 | 3 | 0 | 0 |
| Binder, Lisa | Africa 05. | 2006/Winter | 39 | 4 | 86 | 88 |
| Binder, Lisa M. | El Anatsui: Transformations. | 2008/Summer | 41 | 2 | 24 | 37 |
| Bingham, Elizabeth | Issues Of Authorship In The Portrait Photographs Of Seydou Keita | 1998/Autumn | 31 | 4 | 0 | 0 |
| Binkley, David A. | Spectacular Display; The Art Of Nkanu Initiation Rituals (Exhibition Preview) | 2001/Winter | 32 | 4 | 0 | 0 |
| Binkley, David A. | Southern Kuba Initiation Rites: The Ephemeral Face of Power and Secrecy. Part of a special issue: Ephemeral Art II | 2010/Spring | 43 | 1 | 44 | 59 |
| Birch Aguilar, Laurel | Metaphors, Myths and Making Pots: Chewa Clay Arts | 2007/Spring | 40 | 1 | 0 | 0 |
| Birch Faulkner, Laurel | Basketry Masks Of The Chewa | 1988/Autumn | 21 | 3 | 0 | 0 |
| Bird, Randall | The Merina Landscape in Early Nineteenth Century Highlands Madagascar. | 2005/Winter | 38 | 4 | 18 | 92 |
| Bisci Bowen, Anne | Murals At Afin Oyo | 1977/Spring | 10 | 3 | 0 | 0 |
| Bishop, Catherine P. | African Occasional Textiles: Vernacular Landscapes of Development | 2014/Winter | 47 | 4 | 72 | 85 |
| Bissell, William Cunningham | Burning the Mabanda. | 2012/Autumn | 45 | 3 | 70 | 83 |
| Blackman, Barbara W. | The Art of Benin. | 2011/Summer | 44 | 2 | 89 | 91 |
| Blackmun Visona, Monica | Carved Posts Of The Lagoon Region, Ivory Coast | 1987/Winter | 20 | 2 | 0 | 0 |
| Blackmun Visona, Monica | The Limitations Of Labels | 1987/Summer | 20 | 4 | 0 | 0 |
| Blackmun Visona, Monica | Portraiture Among The Lagoon Peoples Of Cote D'Ivoire | 1990/Autumn | 23 | 4 | 0 | 0 |
| Blackmun VisonĂ , Monica | Gifts from Our Elders: African Arts and Visionary Art History | 2017/Autumn | 50 | 3 | 1 | 7 |
| Blackmun, Barbara & Matthew Schoffeleers | Masks Of Malawi | 1972/Summer | 5 | 4 | 0 | 0 |
| Blakely, Thomas D. & Pamela A.R. Blakely | So'0 Masks And Himba Funerary Festival | 1987/Autumn | 21 | 1 | 0 | 0 |
| Blanc-Shapira, Irene | Kenyan Children'S Art Contest | 1973/Autumn | 7 | 1 | 0 | 0 |
| Blier, Suzanne Preston | Art in Ancient Ife, Birthplace of the Yoruba. | 2012/Winter | 45 | 4 | 70 | 85 |
| Boctor, Gabriel | La Peinture En Egypte Moderne (In French)Â | 1969/Autumn | 3 | 1 | 0 | 0 |
| Bonetti, Roberta | Alternate Histories of the Abebuu Adekai. | 2010/Autumn | 43 | 3 | 14 | 33 |
| Boone, Emilie | In Extremis: Death and Life in 21st | 2014/Spring | 47 | 1 | 91 | 92 |
| Boram-Hays, Carol | Borders of Beads Questions of Identity in the Beadwork of the Zulu | 2005/Summer | 38 | 2 | 38 | 93 |
| Borgatti, Jean | Ucla'S Yoruba Doors | 1969/Autumn | 3 | 1 | 0 | 0 |
| Borgatti, Jean | Willie Cole's Africa Remix: Trickster and "Tribe" | 2009/Summer | 42 | 2 | 12 | 23 |
| Borgatti, Jean | african art in unusual places. | 2012/Summer | 45 | 2 | 96 | 96 |
| Borgatti, Jean & Ogene, John | Believing Africa: Haffenreffer Museum of Anthropology at Manning Hall, Brown University, Providence, RI. Exhibit | 2008/Summer | 41 | 2 | 88 | 89 |
| Borgatti, Jean M | Okpella Masking Traditions | 1976/Summer | 9 | 4 | 0 | 0 |
| Borgatti, Jean M. | Dead Mothers Of Okpella | 1979/Summer | 12 | 4 | 0 | 0 |
| Borgatti, Jean M. | Age Grades, Masquerades, And Leadership Among The Northern Edo | 1982/Autumn | 16 | 1 | 0 | 0 |
| Borgatti, Jean M. | Portraiture In Africa | 1990/Summer | 23 | 3 | 0 | 0 |
| Borgatti, Jean M. | African Portraiture: A Commentary | 1990/Autumn | 23 | 4 | 0 | 0 |
| Borgatti, Jean M. | The Otsa Festival of the Ekperi: Igbo Age-Grade Masquerades on the West Bank of the Niger? | 2003/Winter | 36 | 4 | 0 | 0 |
| Borgia, François & Marie Evembé | Poesies (In French) | 1968/Summer | 1 | 4 | 0 | 0 |
| Bortolot, Alexander | iAfrica: Connecting with Sub | 2010/Winter | 43 | 4 | 82 | 84 |
| Bourdier, Jean-Paul | The Rural Mosques Of Futa Toro | 1993/Summer | 26 | 3 | 0 | 0 |
| Bourdier, Jean-Paul & Trinh T. Minh-Ha | The Architecture Of A Lela Compound | 1982/Autumn | 16 | 1 | 0 | 0 |
| Bourdier, Jean-Paul & Trinh T. Minh-Ha | Koumbili: Semi-Sunken Dwellings In Upper Volta | 1983/Summer | 16 | 4 | 0 | 0 |
| Bourgeois, Arthur P. | Suku Drinking Cups | 1978/Autumn | 12 | 1 | 0 | 0 |
| Bourgeois, Arthur P. | Mbwoolo Sculpture Of The Yaka | 1979/Spring | 12 | 3 | 0 | 0 |
| Bourgeois, Arthur P. | Kakungu Among The Yaka And Suku | 1980/Autumn | 14 | 1 | 0 | 0 |
| Bourgeois, Arthur P. | Yaka Masks And Sexual Imagery | 1982/Winter | 15 | 2 | 0 | 0 |
| Bourgeois, Arthur P. | Yaka And Suku Leadership Headgear | 1982/Spring | 15 | 3 | 0 | 0 |
| Bourgeois, Arthur P. | Mukoku Ngoombu: Yaka Divination Paraphernalia | 1983/Spring | 16 | 3 | 0 | 0 |
| Bourgeois, Jean-Louis | The History Of The Great Mosques Of Djenne | 1987/Spring | 20 | 3 | 0 | 0 |
| Bourland, W. Ian | Ibrahim El-Salalhi: A Visionary Modernist ed. Salah M. Hassan New York: The Museum for African Art, 2012. | 2014/Spring | 47 | 1 | 94 | 95 |
| Bouttiaux, Anne | Persona: Masks of Africa's Identities Hidden and Revealed. | 2009/Autumn | 42 | 3 | 62 | 71 |
| Bouttiaux, Anne & Roberts, Allen F. | Guro Masked Performers: Sculpted Bodies Serving Spirits and People | 2009/Summer | 42 | 2 | 56 | 67 |
| Bowen, Donald | Exhibitions At The Commonwealth Institute | 1973/Winter | 6 | 2 | 0 | 0 |
| Bowles, Laurian R. | Dress Politics and Framing Self in Ghana: The Studio Photographs of Felicia Abban | 2016/Winter | 49 | 4 | 48 | 57 |
| Boyayo, Abraham | Berceuses Du Burundi (In French) | 1970/Winter | 3 | 2 | 0 | 0 |
| Boyer, Ruth M | Yoruba Cloths With Regal Names | 1983/Winter | 16 | 2 | 0 | 0 |
| Brasch, Walter M. & Gilbert D. Schneider | The Press Meets The Afo-A-Kom | 1974/Autumn | 8 | 1 | 0 | 0 |
| Braun, Lesley Nicole | Trading Virtue for Virtuosity: The Artistry of Kinshasa's Concert Danseuses | 2014/Winter | 47 | 4 | 48 | 57 |
| Braun, Lesley Nicole | The Moving Parts in MichĂšle Magema's Body of Work | 2020/Fall | 53 | 3 | Â 22 | 29 |
| Bravmann, Rene A. | An Urban Way Of Death | 1975/Spring | 8 | 3 | 0 | 0 |
| Bravmann, Rene A. | Gyinna-Gyinna: Making The Djinn Manifest | 1977/Spring | 10 | 3 | 0 | 0 |
| Bravmann, Rene A. | Gur And Manding Masquerades In Ghana | 1979/Autumn | 13 | 1 | 0 | 0 |
| Breidenbach, Paul S. & Doran H. Ross | The Holy Place: Twelve Apostles Healing Gardens | 1978/Summer | 11 | 4 | 0 | 0 |
| Brett-Smith, Sarah | Textiles BĂČgĂČlan du Mali: A Response. | 2006/Spring | 39 | 1 | 12 | 96 |
| Breunlin, Rachel | Bridge Work: Repatriating Mardi Gras Indian Photography with the House of Dance & Feathers. | 2013/Summer | 46 | 2 | 50 | 61 |
| Breunlin, Rachel | How We Do It: A Collaborative Interview and Photo Essay. | 2013/Summer | 46 | 2 | 62 | 69 |
| Bridges, Nichole N. | World on the Horizon: Swahili Arts Across the Indian Ocean, curated by Allyson Purpura and Prita Meier, Krannert Art Museum, University of Illinois at Urbana-Champaign August 31, 2017-March 24, 2018 | 2019/Summer | 52 | 2 | 84 | 87 |
| Brink, James T. | Bamana Kote-Tlon Theater | 1977/Summer | 10 | 4 | 0 | 0 |
| Brokensha, David | Ori Olokun: A New Art Center | 1969/Spring | 2 | 3 | 0 | 0 |
| Brottem, Bronwyn V. & Ann Lang | Zulu Beadwork | 1973/Spring | 6 | 3 | 0 | 0 |
| Brown, Carol | A Global Africa at Dak'Art 7. | 2006/Winter | 39 | 4 | 60 | 61 |
| Brown, David H. | Thrones Of The Orichas: Afro-Cuban Altars In New Jersey, New York, And Havana | 1993/Autumn | 26 | 4 | 0 | 0 |
| Brown, Jean | Traditional Sculpture In Kenya | 1972/Autumn | 6 | 1 | 0 | 0 |
| Brown, Jean Lucas | Miji Kenda Grave And Memorial Sculptures | 1980/Summer | 13 | 4 | 0 | 0 |
| Brown, Robert H | The Senator'S Suit | 1977/Summer | 10 | 4 | 0 | 0 |
| Brunet-Jailly, Joseph | An Exhibition Full of Troubling Charms: The Aït Khebbach Carpets at Musée Bargoin, Clermont-Ferrand, France | 2015/Winter | 48 | 4 | 1 | 4 |
| Brus, Rene | Ethiopian Crowns | 1975/Summer | 8 | 4 | 0 | 0 |
| Brutus , Dennis | New Poems | 1968/Summer | 1 | 4 | 0 | 0 |
| BUCKRIDGE, STEEVE O. | Slaves to Fashion: Black Dandyism and the Styling of Black Diasporic Identity. | 2011/Spring | 44 | 1 | 89 | 90 |
| Buggenhagen, Beth | Dak'Art 11th Biennale of Contemporary African Art May 5âJune 8, 2014 Dakar, Senegal | 2016/Spring | 49 | 1 | 82 | 85 |
| Bulane, Mofolo | Southern Sesotho Literature | 1972/Autumn | 6 | 1 | 0 | 0 |
| Buraimoh, Jimoh | Painting With Beads | 1971/Autumn | 5 | 1 | 0 | 0 |
| Burns, Vivian | Travel To Heaven: Fantasy Coffins | 1974/Winter | 7 | 2 | 0 | 0 |
| Burt, Eugene C. | Eroticism In Baluyia Body Arts | 1982/Winter | 15 | 2 | 0 | 0 |
| Burt, Eugene C. | Mural Painting In Western Kenya | 1983/Spring | 16 | 3 | 0 | 0 |
| Busia, Abena P. A. & Alison Saar | Fashioning a Self in the Contemporary World: Notes toward a Personal Meditation on Memory, History, and the Aesthetics of Origin | 2004/Spring | 37 | 1 | 0 | 0 |
| Caldwell, Duncan | The Use of Animals in Birth Protection Rituals and Possible Uses of Stone Figurines from the Central Sahel | 2015/Winter | 48 | 4 | 34 | 45 |
| Callus, Paula | Animation, Fabrication, Photography: Reflections upon the Intersecting Practices of Sub-Saharan Artists within the Moving Image | 2015/Autumn | 48 | 3 | 58 | 69 |
| Cameron, Elisabeth L. | Sala Mpasu Masks | 1988/Autumn | 22 | 1 | 0 | 0 |
| Cameron, Elisabeth L. | In Search Of Children: Dolls And Agency In Africa | 1997/Spring | 30 | 2 | 0 | 0 |
| Cameron, Elisabeth L. | Women=Masks: Initiation Arts In North-Western Province, Zambia | 1998/Spring | 31 | 2 | 0 | 0 |
| Cameron, Elisabeth L. | Men Portraying Women: Representations In African Masks | 1998/Spring | 31 | 2 | 0 | 0 |
| Cameron, Elisabeth L. | More Than The Human Figure: The Marc And Denyse Ginsberg Collection Of African Art | 2001/Summer | 34 | 2 | 0 | 0 |
| Cameron, Elisabeth L. | Dancing a New Face: Contemporary Sala Mpasu Masquerades | 2004/Summer | 37 | 2 | 0 | 0 |
| Cameron, Elisabeth L. | Permanent African Gallery: M.H. de Young Museum, San Francisco, CA. | 2009/Spring | 42 | 1 | 100 | 102 |
| Cameron, Elisabeth L. | Coming to Terms with Heritage. | 2012/Autumn | 45 | 3 | 28 | 41 |
| Campbell, Bolaji | Egun Ogun. War Masquerades in Ibadan in the Era of Modernization | 2015/Spring | 48 | 1 | 42 | 53 |
| Cancel, Robert | Asserting/Inventing Traditions on the Luapula. | 2006/Autumn | 39 | 3 | 12 | 93 |
| Canniuo, Jeanne | Alikali Devils Of Sierra Leone | 1979/Summer | 12 | 4 | 0 | 0 |
| Cannizzo, Jeanne | Gara Cloth By Senesse Tarawallie | 1983/Summer | 16 | 4 | 0 | 0 |
| Cantone, Helena | The White Hunter: African Memories and Representations | 2018/Autumn | 51 | 3 | 86 | 88 |
| Cantone, Helena | Hassan Musa: The Artist's Stamp curated by Elsbeth Court with Charles Gore and John Hollingworth Brunei Gallery, School of Oriental and African Studies, University of London January 24-March 23, 2019 | 2020/Spring | 53 | 1 |  84 | 87 |
| Carlson, Amanda B. | Calabar Carnival: A Trinidadian Tradition Returns to Africa. | 2010/Winter | 43 | 4 | 42 | 59 |
| Carlson, Amanda B. | Lalla Essaydi: Revisions. | 2014/Spring | 47 | 1 | 87 | 89 |
| Carlson, Amanda B. | In the Spirit and in the Flesh: Women, Masquerades, and the Cross River | 2019/Spring | 52 | 1 | 46 | 61 |
| Carrascosa, Marta G. | Black Paris | 2010/Spring | 43 | 1 | 82 | 83 |
| Cassiers, Anne | Ethiopian Pottery | 1971/Spring | 4 | 3 | 0 | 0 |
| Castañeda, David | AxĂ© Bahia: The Power of Art in an Afro-Brazilian Metropoliscurated by Patrick A. Polk, Roberto Conduru, Sabrina Gledhill, and Randal Johnson Fowler Museum, UCLA September 24, 2017âApril 15, 2018 | 2019/Summer | 52 | 2 | 80 | 81 |
| Catherine Benoßt & André Delpuech | Producing, Collecting, and Exhibiting Bizango Sculptures from Haiti: Transatlantic Vodou on the International Art Scene | 2018/Winter | 51 | 4 | 8 | 19 |
| Celenko, Theodore | The Harrison Eiteljorg Collection | 1981/Spring | 14 | 3 | 0 | 0 |
| Celis, Abigail E. | Dak'Artâ12th Biennale of Contemporary African Art âReenchantments: The City in the Blue DaylightââVideo section May 3âJune 2, 2016 Dakar, Senegal | 2017/Spring | 50 | 1 | 86 | 90 |
| Celis, Georges | The Decorative Arts In Rwanda And Burundi | 1970/Autumn | 4 | 1 | 0 | 0 |
| Ceyssens, Rik | The âBwa War Masksâ of the Middle Uele Region: A Review | 2007/Winter | 40 | 4 | 0 | 0 |
| Chappel, T. J. H. | âIntersectionsâ. Discussion of Marla C. Berns and Polly Nooter Roberts, Intersections: World Arts Local Lives | 2008/Spring | 41 | 1 | 13 | 13 |
| Chappel, T.J.H. | The Death Of A Cult In Northern Nigeria | 1973/Summer | 6 | 4 | 0 | 0 |
| Chappel, T.J.H. | A Woodcarving From Abeokuta | 1981/Autumn | 15 | 1 | 0 | 0 |
| Chappel, T.J.H. | Akinjobi Of Oke-Odan: An Egbado Yoruba Carver | 1997/Winter | 30 | 1 | 0 | 0 |
| Chappel, Tim | A Twin Image from Abeokuta, Nigeria | 2018/Autumn | 51 | 3 | 74 | 77 |
| Chappel, Tim H. J. | Joshua Adelakun of Mede. | 2005/Spring | 38 | 1 | 74 | 96 |
| Cheng, Ying | âThe Bag Is My Homeâ: Recycling âChina Bagsâ in Contemporary African Art | 2018/Summer | 51 | 2 | 18 | 31 |
| Chikukwa, Raphael | From the Curator's BlackBox: Zimbabwe's Journey to the Venice Biennale from 2011 to 2019 | 2020/Spring | 53 | 1 | Â 1 | 2 |
| Chojnacki, S. | Two Ethiopian Icons | 1977/Summer | 10 | 4 | 0 | 0 |
| Christensen, James B. | Luguru Verbal Art | 1983/Winter | 16 | 2 | 0 | 0 |
| Cifuentes, Frédérique & Morgan, G. A. W. & Morgan, E. W. | Sufi Sheikhs, Sheikhas, and Saints of the Sudan | 2008/Summer | 41 | 2 | 0 | 0 |
| Claerhout, Adriaan | Two Kuba Wrought-Iron Statuettes | 1976/Summer | 9 | 4 | 0 | 0 |
| Clark Smith, Shea | Ashanti Kente Cloth Motifs | 1975/Autumn | 9 | 1 | 0 | 0 |
| Clarke, Christa | A Personal Journey: Central African Art From The Lawrence Gussman Collection | 2001/Spring | 34 | 1 | 0 | 0 |
| Clarke, Christa | Defining African Art: Primitive Negro Sculpture and the Aesthetic Philosophy of Albert Barnes | 2003/Spring | 36 | 1 | 0 | 0 |
| Clement, Etienne | Aview From Unesco | 1995/Autumn | 28 | 4 | 0 | 0 |
| Clerk, S. I. | African Puppet Theater | 1970/Autumn | 4 | 1 | 0 | 0 |
| Coares, Ross and Bella T. | New Cattle Sculpture Of Uganda | 1973/Autumn | 7 | 1 | 0 | 0 |
| Cohen, Joshua | Villes Rencontres Africaines de la Photographie: Bamako, Mali. | 2009/Summer | 42 | 2 | 88 | 89 |
| Cohen, Joshua | A Cameroon World: Art and Artifacts from the Marshall and Caroline Mount Collection: Queensborough Community College Art Gallery, Queens, New York. | 2009/Spring | 42 | 1 | 102 | 103 |
| Cohen, Joshua I. | Locating Senghor's Ăcole de Dakar: International and Transnational Dimensions to Senegalese Modern Art, c. 1959â1980 | 2018/Autumn | 51 | 3 | 10 | 25 |
| Colard, Sandrine | Postcards From Africa : Photographers of the Colonial Era, Selections from the Leonard A. Lauder Postcard Archive by Christraud M. Geary Boston: MFA Publications, Museum of Fine Arts, 2018. 148 pp. 110 color ill. $45.00 hardcover | 2020/Spring | 53 | 1 |  93 | 94 |
| Cole , Herbert M. | Mbari Is Life | 1969/Spring | 2 | 3 | 0 | 0 |
| Cole, Catherine M. | Beautiful Me/We. | 2011/Winter | 44 | 4 | 72 | 75 |
| Cole, Herbert M. | Mbari Is A Dance | 1969/Summer | 2 | 4 | 0 | 0 |
| Cole, Herbert M. | Art As A Verb In Iboland | 1969/Autumn | 3 | 1 | 0 | 0 |
| Cole, Herbert M. | Vital Arts In Northern Kenya | 1974/Winter | 7 | 2 | 0 | 0 |
| Cole, Herbert M. | The Art Of Festival In Ghana | 1975/Spring | 8 | 3 | 0 | 0 |
| Cole, Herbert M. | Art Studies In Ghana | 1979/Autumn | 13 | 1 | 0 | 0 |
| Cole, Herbert M. | The New Michael C. Rockefeller Wing At The Metropolitan Museum Of Art | 1982/Winter | 15 | 2 | 0 | 0 |
| Cole, Herbert M. | Sexual Imagery In Igbo Mbari Houses | 1982/Winter | 15 | 2 | 0 | 0 |
| Cole, Herbert M. | Igbo Arts At Ucla | 1984/Autumn | 18 | 1 | 0 | 0 |
| Cole, Herbert M. | Igbo Arts And Ethnicity: Problems And Issues | 1988/Winter | 21 | 2 | 0 | 0 |
| Cole, Herbert M. | The Survival And Impact Of Igbo Mbari | 1988/Winter | 21 | 2 | 0 | 0 |
| Cole, Herbert M. | Africa In The Dictionary Of Art(Review Article) | 1997/Winter | 30 | 1 | 0 | 0 |
| Cole, Herbert M. | Retraction | 2004/Spring | 37 | 1 | 0 | 0 |
| Cole, Herbert M. | A Mighty Tree: Douglas F. Fraser 1930â1982 | 2017/Autumn | 50 | 3 | 31 | 37 |
| Cole, Herbert M. & Doran H. Ross | Photography In Africa | 1985/Summer | 18 | 4 | 0 | 0 |
| Cole, Herbert M. & Doran H. Ross | The Art And Technology Of Field Photography | 1985/Summer | 18 | 4 | 0 | 0 |
| Colleyn, Jean-Paul & Laurie Ann Farrell | Bamana:The Art Of Existence In Mali (Exhibition Preview) | 2001/Winter | 32 | 4 | 0 | 0 |
| Collier, Delinda | The Reception of âNationalistâ Art: A Response. Discussion of Sidney Kasfir, Delinda Collier, Chika Okeke | 2008/Winter | 41 | 4 | 8 | 8 |
| Collier, Delinda | El Anatsui: Art and Life by Susan Vogel New York: Prestel, 2012. 175 pp., 145 color ill. $60.00, hardcover | 2019/Fall | 52 | 3 | 90 | 91 |
| Collins, E.J. | Post-War Popular Band Music In West Africa | 1977/Spring | 10 | 3 | 0 | 0 |
| Collins, EJ. | Comic Opera In Ghana | 1976/Winter | 9 | 2 | 0 | 0 |
| Collins, EJ. | Ghanaian Highlife | 1976/Autumn | 10 | 1 | 0 | 0 |
| Connelly, Frances S. | Vladimir Markov and Russian Primitivism: A Charter for the Avant-Garde | 2017/Summer | 50 | 2 | 94 | 95 |
| Cook, Karen | The Museum Of African Art | 1973/Spring | 6 | 3 | 0 | 0 |
| Cooksey, Susan | The African Art Collection at the Samuel P. Harn Museum of Art, University of Florida | 2016/Fall | 49 | 3 | 68 | 83 |
| Cooksey, Susan | Two Works by Ghanaian Artists: The Harn Museum of Art University of Florida | 2018/Autumn | 51 | 3 | 9 | 0 |
| Cooney, Lynne | Ink, Paper, Plates: The Legacy of Printmaking in South Africa and the Caversham Press. | 2012/Summer | 45 | 2 | 36 | 45 |
| Cooney, Lynne | One: EgĂșngĂșn curated by Kristen Windmuller-Luna Brooklyn Museum February 8-August 18, 2019 | 2020/Spring | 53 | 1 |  87 | 89 |
| Cooney, Lynne | Made Visible: Contemporary South African Fashion and Identity curated by Kathryn Gunsch Museum of Fine Arts, Boston February 2âMay 14, 2019 | 2020/Fall | 53 | 3 |  89 | 91 |
| Coote, Jeremy | South of the River | 2015/Spring | 48 | 1 | 5 | 0 |
| Coote, Jeremy | General Pitt-Rivers and the Art of Benin | 2015/Summer | 48 | 2 | 8 | 9 |
| Coote, Jeremy | A Text-Book Textile at the Pitt Rivers Museum: Historiographical Notes on a Kongo Cushion-Cover, is Canonical Status, Dating and Provenance | 2015/Spring | 48 | 1 | 66 | 77 |
| Coote, Jeremy | Origins of the Afro Comb: 6,000 Years of Culture, Politics, and Identity: The Fitzwilliam Museum University of Cambridge July 2âNovember 3, 2013 | 2017/Winter | 50 | 4 | 80 | 82 |
| Coote, Jeremy | The Art of Conversion: Christian Visual Culture in the Kingdom of Kongo by CĂ©cile Fromont Chapel Hill: University of North Carolina Press for the Omohundro Institute of Early American History and Culture, Williamsburg, VA, 2014. 303 pp., 37 color plates, 93 b/w figures, map, index. $45.00, cloth | 2017/Spring | 50 | 1 | 95 | 96 |
| Coote, Jeremy & Elizabeth Edwards | Images Of Benin At The Pitt Rivers Museum | 1997/Autumn | 30 | 4 | 0 | 0 |
| Cordwell, Justine M. | The Art And Aesthetics Of The Yoruba | 1983/Winter | 16 | 2 | 0 | 0 |
| Cornet, Joseph | African Art And Authenticity | 1975/Autumn | 9 | 1 | 0 | 0 |
| Cornet, Joseph | The Itul Celebration Of The Kuba | 1980/Spring | 13 | 3 | 0 | 0 |
| Coronel, Michael A. | Fanti Canoe Decoration | 1979/Autumn | 13 | 1 | 0 | 0 |
| Corrigall, Malcolm | Invisible Communities and Their Visible Cameras: The Landscape Photography of the Chinese Camera Club of South Africa | 2015/Autumn | 48 | 3 | 48 | 57 |
| Corrigall, Malcolm | Battleground: Charles Bell's Drawings of the War of the Axe, 1846, in Historical Context and in Relation to Recent Representations of the Frontier/Wars of Dispossession | 2017/Summer | 50 | 2 | 95 | 96 |
| Corrigall, Malcolm & Jenny Marsden | âDistrict Six Is Really My Gay Vicinityâ: The Kewpie Photographic Collection | 2020/Summer | 53 | 2 | Â 10 | 27 |
| Coseniino, Donald J. | Asa Ibile Yoruba | 1981/Winter | 14 | 2 | 0 | 0 |
| Cosentino, Donald | Divine Horsepower | 1988/Autumn | 21 | 3 | 0 | 0 |
| Cosentino, Donald | Chasing Amy | 2004/Summer | 37 | 2 | 0 | 0 |
| Cosentino, Donald | The Radiance of the King. | 2009/Autumn | 42 | 3 | 1 | 8 |
| Cosentino, Donald & Drewal, Henry John & Smith, Katherine & Ross, Doran H. | Marilyn Jensen Houlberg. | 2013/Summer | 46 | 2 | 4 | 5 |
| Cosentino, Donald J | Lele Gbomba And The Style Of Mende Baroque | 1980/Spring | 13 | 3 | 0 | 0 |
| Cosentino, Donald J | Mende Ribaldry | 1982/Winter | 15 | 2 | 0 | 0 |
| Cosentino, Donald J | On Looking At A Vodou Altar | 1996/Spring | 29 | 2 | 0 | 0 |
| Cosentino, Donald J | Hip-Hop Assemblage: The Chris Ofili Affair | 2000/Spring | 33 | 1 | 0 | 0 |
| Cosentino, Donald J. | Interview With Robert Farris Thompson | 1992/Autumn | 25 | 4 | 0 | 0 |
| Cosentino, Guest, Donald J. | Lavilokan | 1996/Spring | 29 | 2 | 0 | 0 |
| Coulibaly, Nafogo (trans. And captions Barbara E. Frank) | Senufo Funerals in the Folona, Mali | 2015/Spring | 48 | 1 | 24 | 41 |
| Coulon, Virginia | Niominka Pirogue Ornaments | 1973/Spring | 6 | 3 | 0 | 0 |
| Courlander, Harold | Three Soninke Tales | 1978/Autumn | 12 | 1 | 0 | 0 |
| Courlander, Harold | Recollections Of Haiti In The 1930S And '40S | 1990/Spring | 23 | 2 | 0 | 0 |
| Court, Elsbeth | Pachipamwe Ii: The Avant Garde In Africa? | 1992/Winter | 25 | 1 | 0 | 0 |
| Court, Elsbeth | Jak Katarikawe: Mind the Gap | 2004/Summer | 37 | 2 | 0 | 0 |
| Court, Elsbeth & Michael Mwangi | Maridadi Fabrics | 1976/Autumn | 10 | 1 | 0 | 0 |
| Court, Elsbeth Joyce | Da Grace Salome Abra Kwami: 1923 | 2008/Summer | 41 | 2 | 10 | 11 |
| Court, Elsbeth Joyce | Dollar Falls, Transnational Dynamics, and Mediums of National Art. Part of a special section: Dialogue | 2009/Summer | 42 | 2 | 9 | 11 |
| Court, Elsbeth Joyce | Nelson's Ship in a Bottle. | 2014/Summer | 47 | 2 | 86 | 90 |
| Couttenier, Maarten | The Charles Lemaire Expedition Revisited. | 2014/Spring | 47 | 1 | 66 | 81 |
| Crane Coronel, Patricia | Aowin Terracotta Sculpture | 1979/Autumn | 13 | 1 | 0 | 0 |
| Craven, Anna | The Art and Material Culture of the Eloyi (Afo) People, Nigeria 1969/70: A Photographic Essay | 2018/Spring | 51 | 1 | 46 | 63 |
| Crigler, Robin K. | William Kentridge: Process as Metaphor & Other Doubtful Enterprises by Leora Maltz-Leca Berkeley: University of California Press, 2018. 400 pp., 237 color ill., notes. US$49.95, UKÂŁ40.00, hardcoverAwakenings: The Art of Lionel Davis edited by Mario Pissarra Cape Town, SA: Africa South Art Initiative, 2017. 224 pp., 169 color ill., 12 b/w ill., selected biblio. R495, paperback | 2019/Fall | 52 | 3 | 86 | 87 |
| Crooks, Julie | Alphonso Lisk-Carew: Imaging Sierra Leone through His Lens | 2015/Autumn | 48 | 3 | 18 | 27 |
| Crowley, Daniel J | Betises: Fon Brass Genre Figures | 1982/Winter | 15 | 2 | 0 | 0 |
| Crowley, Daniel J | The Art Market In Southern Oceania | 1985/Winter | 18 | 2 | 0 | 0 |
| Crowley, Daniel J. | Symbolism In African Verbal Art | 1968/Summer | 1 | 4 | 0 | 0 |
| Crowley, Daniel J. | The Contemporary - Traditional Art Market In Africa | 1970/Autumn | 4 | 1 | 0 | 0 |
| Crowley, Daniel J. | The West African Art Market Revisited | 1974/Summer | 7 | 4 | 0 | 0 |
| Crowley, Daniel J. | Stylistic Analysis Of African Art:A Reassessment Of Olbrecht'S "Belgian Method" | 1976/Winter | 9 | 2 | 0 | 0 |
| Crowley, Daniel J. | Contemporary Mexican Arts And Crafts Markets | 1976/Autumn | 10 | 1 | 0 | 0 |
| Crowley, Daniel J. | The Art Market In Cameroon And The Central African Empire | 1979/Spring | 12 | 3 | 0 | 0 |
| Crowley, Daniel J. | The Art Market In Easter Island, Tahiti, And Samoa | 1980/Winter | 13 | 2 | 0 | 0 |
| Crowley, Daniel J. | African Crafts As Communication | 1981/Winter | 14 | 2 | 0 | 0 |
| Crowley, Daniel J. | The Erotic, The Pornographic, And The Vulgar In African Arts | 1982/Winter | 15 | 2 | 0 | 0 |
| Crowley, Daniel J. | Collecting In The Last Days Of The Belgian Congo | 1983/Winter | 16 | 2 | 0 | 0 |
| Crowley, Daniel J. | The Traditional Art Market In Southeast Asia | 1983/Summer | 16 | 4 | 0 | 0 |
| Crowley, Daniel J. | The Circumpolar Art Market | 1985/Autumn | 19 | 1 | 0 | 0 |
| Crowley, Daniel J. | Fon Brass Tableaux As Historical Documents | 1986/Autumn | 20 | 1 | 0 | 0 |
| Crowley, Daniel J. & Doran H. Ross | The Bahian Market In African-Influenced Art | 1981/Autumn | 15 | 1 | 0 | 0 |
| Curnow, Kathy | The Art Of Fasting: Benin'S Ague Ceremony | 1997/Autumn | 30 | 4 | 0 | 0 |
| Curran, Douglas | Nyau Masks And Ritual (Photo Essay) | 1999/Autumn | 32 | 3 | 0 | 0 |
| Cutter, Charles H. | The Politics Of Music In Mali | 1968/Spring | 1 | 3 | 0 | 0 |
| Daly, M. Catherine | Iria Bo Appearance At Kalabari Funerals | 1987/Autumn | 21 | 1 | 0 | 0 |
| Daly,, M. Catherine | Male And Female Artistry In Kalabari Dress | 1986/Spring | 19 | 3 | 0 | 0 |
| Danilowitz, Brenda | John Muafangejo: Picturing History | 1993/Spring | 26 | 2 | 0 | 0 |
| Dapena-Tretter, Antonia | Willem Boschoff's Visual Lists: A Personal Plea for Cultural Preservation | 2014/Autumn | 47 | 3 | 58 | 65 |
| Darish, Patricia J. | African Art At The Indiana University Art Museum | 1987/Spring | 20 | 3 | 0 | 0 |
| Dark, Philip J.C. | Brass Casting In West Africa | 1973/Summer | 6 | 4 | 0 | 0 |
| Davis, Marian | Akwete Cloth And Its Motifs | 1974/Spring | 7 | 3 | 0 | 0 |
| Davis, Shawn | VISUAL GRIOTS OF MALI. | 2006/Spring | 39 | 1 | 70 | 83 |
| Davis, Shawn R. | Dogon Funerals | 2002/Summer | 35 | 2 | 0 | 0 |
| Davison, Patricia | Wireworks: Toys From Southern Africa | 1983/Spring | 16 | 3 | 0 | 0 |
| Davison, Patricia | Southern African Beer Pots | 1985/Spring | 18 | 3 | 0 | 0 |
| de Formanoir, Maxime | Design en Afrique, s'asseoir, se coucher et rĂȘver. | 2014/Summer | 47 | 2 | 82 | 85 |
| de Formanoir, Maxime | Les Lumbu, un art sacré: bungeelë yi bayisi | 2017/Autumn | 50 | 3 | 95 | 96 |
| de Formanoir, Maxime | Baga, Art de Guinée: Collection du musée Barbier-Mueller | 2018/Summer | 51 | 2 | 80 | 82 |
| de Formanoir, Maxime | Les forÄts natales: Arts d'Afrique Ă©quatoriale atlantique curated by Yves Le Fur MusĂ©e du quai BranlyâJacques Chirac, Paris October 3, 2017âJanuary 21, 2018 | 2019/Fall | 52 | 3 | 80 | 82 |
| de Graft, J.C. | Poems | 1968/Winter | 1 | 2 | 0 | 0 |
| de Grunne, Bernard | Ancient Sculpture Of The Inland Niger Delta And Its Influence On Dogon Art | 1988/Summer | 21 | 4 | 0 | 0 |
| de Grunne, Bernard | An Art Historical Approach To The Terracotta Figures Of The Inland Niger Delta | 1995/Autumn | 28 | 4 | 0 | 0 |
| de Jong, Ferdinand | Archive of Darkness: William Kentridge's Black Box/Chambre Noire | 2018/Spring | 51 | 1 | 10 | 23 |
| de Jong, Ferdinand and Elizabeth Harney | Art from the Archive | 2015/Summer | 48 | 2 | 1 | 4 |
| de Jong, Peter Mark Ferdinand & Clemence Chupin | Ritual And Masking Traditions In Jola Men'S Initiation | 1998/Winter | 31 | 1 | 0 | 0 |
| de la Burde, Roger | Ancestral Ram'S Heads Of The Edo-Speaking Peoples | 1972/Autumn | 6 | 1 | 0 | 0 |
| de la Burde, Roger | The Ijebu-Ekine Cult | 1973/Autumn | 7 | 1 | 0 | 0 |
| de Maret, Pierre & Nicole Dery & Cathy Murdoch | The Luba Shankadi Style | 1973/Autumn | 7 | 1 | 0 | 0 |
| de Oliveira, MĂĄrio AntĂłnio Fernandes | African Writers In Portuguese | 1970/Winter | 3 | 2 | 0 | 0 |
| de Strycker, Louis | In Memoriam: Joseph-Aurélien Cornet, 1919-2004 | 2004/Summer | 37 | 2 | 0 | 0 |
| de Vere Allen, James | Swahili Architecture In The Later Middle Ages | 1974/Winter | 7 | 2 | 0 | 0 |
| de Vere Allen, James | The Kiti Cha Enzi And Other Swahili Chairs | 1989/Spring | 22 | 3 | 0 | 0 |
| de, E.J. | Five South African Artists | 1978/Winter | 11 | 2 | 0 | 0 |
| Deacon, Deborah A. | African Art At The Schomburg Center For Research In Black Culture | 1981/Winter | 14 | 2 | 0 | 0 |
| DeCarbo, Ed | Gravity And Grace: Monumental Works By El Anantsui. | 2014/Summer | 47 | 2 | 76 | 78 |
| Decock, Jean | Pre-Theatre Et Rituel: National Folk Troupe Of Mali (In French And English) | 1968/Spring | 1 | 3 | 0 | 0 |
| Decock, Jean | Faut-Il Jouer Cesaire? (In French) | 1967/Autumn | 1 | 1 | 0 | 0 |
| DeLancey, Mark Dike | Collecting, Collections, and Cultural Heritage in the Cameroon Grassfields | 2016/Summer | 49 | 2 | 1 | 4 |
| Deliss, Clementine | Returning The Curve: Africa95, Tenq, And "Seven Stories' | 1996/Summer | 29 | 3 | 0 | 0 |
| Delmont, Elizabeth | Re-Envisioning Greater Johannesburg: South African Heritage Development in the First Decade of Democracy | 2004/Winter | 37 | 4 | 0 | 0 |
| Derefaka, A. A. & F. N. Anozie | Economic and Cultural Prehistory of the Niger Delta, | 2002/Spring | 35 | 1 | 0 | 0 |
| Deregowski, Jan B. | Pictorial Art In Zambia | 1971/Winter | 4 | 2 | 0 | 0 |
| Deressa, Solomon | Poems / Poesies (In English And French) | 1969/Spring | 2 | 3 | 0 | 0 |
| Deressa, Solomon | Letter From Addis Ababa | 1969/Winter | 2 | 2 | 0 | 0 |
| Derrick, John | Exhibition At The London Africa Centre | 1971/Summer | 4 | 4 | 0 | 0 |
| Derrick, Jonathan | Emmanuel Jegede: Artist From Ekiti | 1972/Autumn | 6 | 1 | 0 | 0 |
| Desanti , Dominique | Le Conflit Des Cultures Et "L'Aventure Ambigue" (In French) | 1968/Summer | 1 | 4 | 0 | 0 |
| Desanti, Dominique & Jean Decock | Jean Rouch: Cinema Et Ethnographie (In French)Â | 1968/Autumn | 2 | 1 | 0 | 0 |
| Desanti, Dominique & Jean Decock | Farid Belkahia: Artiste Et Animateur Marocain (In French) | 1969/Spring | 2 | 3 | 0 | 0 |
| Dewey, William J. | Shona Male And Female Artistry | 1986/Spring | 19 | 3 | 0 | 0 |
| Dey (Kidd), S. K. | Tradition And Design | 1970/Autumn | 4 | 1 | 0 | 0 |
| Dhlomo, Bongi & Michael Godby | Art and Politics in a Changing South Africa: Bongi Dhlomo in Conversation with Michael Godby | 2004/Winter | 37 | 4 | 0 | 0 |
| Diamitani, Boureima | Christopher Damon Roy 1947â2019 | 2019/Winter | 52 | 4 | Â 7 | 8 |
| Diamitani, Boureima | Christopher Damon Roy 1947â2019 | 0 | 0 | 0 | 0 | 0 |
| Diamitani, Boureima Tiékoroni | Observing Komo among Tagwa People in Burkina Faso: A Burkinabe Art Historian's Views. | 2008/Autumn | 41 | 3 | 14 | 25 |
| Diba, Viyé | Dak'Art 2006: A View from the Inside. | 2006/Winter | 39 | 4 | 62 | 63 |
| Dieterlen, Germaine | Masks And Mythology Among The Dogon | 1989/Spring | 22 | 3 | 0 | 0 |
| Dike, P. Chike | Regalia, Divinity, And State In Igala | 1987/Spring | 20 | 3 | 0 | 0 |
| Dikongue-Pipa, Jean-Pierre | Le Banc De Sable (In French)Â | 1969/Spring | 2 | 3 | 0 | 0 |
| DiTillio, Jessi | Arts of Africa Gallery, Dallas Museum of Art | 2018/Spring | 51 | 1 | 92 | 95 |
| DiTillio, Jessi | The Power of Gold: Asante Royal Regalia from Ghana, curated by Roslyn A. Walker, Dallas Museum of Art, Dallas, TX April 15âAugust 12, 2018 | 2019/Summer | 52 | 2 | 87 | 89 |
| Djaziri, Hammadi | La Situation Du Theatre En Tunisie (In French) | 1968/Spring | 1 | 3 | 0 | 0 |
| Dlufemi Richards, J. V. | Santigie Sesay: Sierra Leone Carver | 1977/Autumn | 11 | 1 | 0 | 0 |
| Docken Mount, Sigrid | African Art At The Cincinnati Art Museum | 1980/Summer | 13 | 4 | 0 | 0 |
| Dodd, Alexandra | âLive Transmissionâ: Intimate Ancestors in Santu Mofokeng's Black Photo Album/Look at Me: 1890â1950 | 2015/Summer | 48 | 2 | 52 | 63 |
| Domingues da Silva, Daniel B. | Lost to Fire: The African Collection of the National Museum of Brazil | 2019/Fall | 52 | 3 | 13 | 15 |
| Domingues da Silva, Daniel B. | African Dominion: A New History of Empire in Early and Medieval West Africa by Michael A. Gomez Princeton, NJ: Princeton University Press, 2018. 520 pp., 8 b/w maps, notes, select bibliography, index, $45.00, ÂŁ35.00, hardcover | 2019/Fall | 52 | 3 | 88 | 88 |
| Domowitr, Susan | Wearing Proverbs: Anyi Names For Printed Factory Cloth | 1992/Summer | 25 | 3 | 0 | 0 |
| Domowitz , Susan & Renzo Mandirola | Grave Monuments In Ivory Coast | 1984/Summer | 17 | 4 | 0 | 0 |
| Donovan, Alan | Urkana Functional Art | 1988/Autumn | 21 | 3 | 0 | 0 |
| Donovan, Alan | Re: My Journey Through African Heritage | 2007/Autumn | 40 | 3 | 0 | 0 |
| Donovan, Alan & E.J. de Jager & George Ekow Paintsil & al | Six Artists | 1979/Winter | 12 | 2 | 0 | 0 |
| Donovan, Nancy | Tsion Andom Of Ethiopia | 1973/Autumn | 7 | 1 | 0 | 0 |
| Doris, David T. | Symptoms and Strangeness in YorĂčbĂĄ Anti-Esthetics | 2005/Winter | 38 | 4 | 24 | 92 |
| Doris, David T. | Destiny World. | 2006/Summer | 39 | 2 | 36 | 87 |
| Doris, David T. | Coming Together and Falling Apart: Something about Brooms and Nigeria. Part of a special issue: Ephemeral Arts I | 2009/Autumn | 42 | 3 | 42 | 51 |
| Dorsinville, Roger | Hinterland Mythology (In English And French) | 1968/Summer | 1 | 4 | 0 | 0 |
| Dorsinville, Roger | The Making Of Liberian Ballet | 1970/Autumn | 4 | 1 | 0 | 0 |
| Dramer, Kim | Afrique-Asie: Arts, espaces, pratiques edited by Dominique Malaquais and Nicole Khouri Mont Saint-Aignan, France: Presses Universitaires de Rouen et du Havre, 2016. 318 pp., 74 color ill., notes. âŹ27.00, soft cover | 2020/Winter | 53 | 4 |  93 | 95 |
| Drewal, Henry John | Efe: Voiced Power And Pageantry | 1974/Winter | 7 | 2 | 0 | 0 |
| Drewal, Henry John | Gelede Masquerade: Imagery And Motif | 1974/Summer | 7 | 4 | 0 | 0 |
| Drewal, Henry John | The Arts Of Egungun Among Yoruba Peoples | 1978/Spring | 11 | 3 | 0 | 0 |
| Drewal, Henry John | African Art At Cleveland State University | 1986/Winter | 19 | 2 | 0 | 0 |
| Drewal, Henry John | Flaming Crowns, Cooling Waters: Masquerades Of The Ijebu Yoruba | 1986/Autumn | 20 | 1 | 0 | 0 |
| Drewal, Henry John | Mermaids, Mirrors, And Snake Charmers: Igbo Mami Wata Shrines | 1988/Winter | 21 | 2 | 0 | 0 |
| Drewal, Henry John | Senses in Understandings of Art. | 2005/Summer | 38 | 2 | 1 | 96 |
| Drewal, Henry John | Mami Wata: Arts for Water Spirits in Africa and Its Diasporas. | 2008/Summer | 41 | 2 | 60 | 83 |
| Drewal, Henry John | Response to Deborah Stokes. Discussion of D. Stokes, Fish/Fetish (!?): A Note on ĂąâŹĆMami Wata: Arts for Water Spirits in Africa and Its DiasporasĂąâŹÂ | 2010/Autumn | 43 | 3 | 8 | 8 |
| Drewal, Henry John | Soulful Stitching. | 2013/Spring | 46 | 1 | 6 | 17 |
| Drewal, Henry John | Africa in New Orleans. | 2013/Summer | 46 | 2 | 86 | 87 |
| Drewal, Henry John et al. | Oriki for Robert Farris Thompson | 2017/Autumn | 50 | 3 | 62 | 81 |
| Drewal, Henry John & John Mason | Beads, Body, And Soul: Art And Light In The Yoruba Universe (Exhibition Preview) | 1998/Winter | 31 | 1 | 0 | 0 |
| Drewal, Henry John & John Pemberton III & Rowland Abiodun | Yoruba: Nine Centuries Of African Art And Thought (Exhibition Preview) | 1989/Autumn | 23 | 1 | 0 | 0 |
| Dubin, Steven C. | Dungamanzi / Stirring Waters: Johannesburg Art Gallery. | 2008/Winter | 41 | 4 | 85 | 0 |
| Dubin, Steven C. | Impersonations and Revelations: Mysteries of a South African Photography Studio | 2014/Winter | 47 | 4 | 26 | 35 |
| Dubin, Steven C. | Instant Ancestors: Looking into a Cache of South African Photographic Erratics | 2018/Summer | 51 | 2 | 70 | 79 |
| Duerden, Dennis | Letter From London: The London Exhibition Of Contemporary African Art, 1967 | 1967/Autumn | 1 | 1 | 0 | 0 |
| Duerden, Dennis | Sokari Douglas Camp (Portfolio) | 1995/Summer | 28 | 3 | 0 | 0 |
| Duerksen, Mark | African Modernism: The Architecture of Independence: Ghana, Senegal, CĂŽte d'Ivoire, Kenya, Zambia Edited by Manuel Herz with Ingrid Schröder, Hans Focketyn and Julia Jamrozik, photographs by Iwan Baan and Alexia Webster Zurich: Park Books AG, 2015. 640 pp., 909 color and 54 b/w ill., 246 plans. âŹ68, paper | 2016/Summer | 49 | 2 | 94 | 95 |
| Dumouchelle, Kevin D. | African Art in Detail. | 2011/Summer | 44 | 2 | 93 | 94 |
| Dumouchelle, Kevin D. | In memoriam. | 2012/Autumn | 45 | 3 | 6 | 8 |
| Dumouchelle, Kevin D. | CURATING AFRICAN HISTORY. | 2013/Autumn | 46 | 3 | 6 | 8 |
| Dumouchelle, Kevin D. | Made to Move: African Nomadic Design | 2018/Autumn | 51 | 3 | 84 | 85 |
| Dupray, Virginie | Kisangani. | 2013/Spring | 46 | 1 | 30 | 35 |
| Dutton, Denis | Mythologies Of Tribal Art (Dialogue Essay) | 1995/Summer | 28 | 3 | 0 | 0 |
| Ebe Ochonu, Moses & Elisha P. Renne | Philip J. Shea | 2007/Spring | 40 | 1 | 0 | 0 |
| Edouwaye S. Kaplan, Flora | Images Of The Queen Mother In Benin Court Art | 1993/Summer | 26 | 3 | 0 | 0 |
| Ehrlich, Martha | Two Akan Gold Ornaments from the Wreck of the Whydah. | 2012/Spring | 45 | 1 | 32 | 41 |
| Ehrlich, Martha J. | Early Akan Gold From The Wreck Of The Whydah | 1989/Summer | 22 | 4 | 0 | 0 |
| Eicher, Joanne B. & Erekosima, Dagogo | Tonye Victor Erekosima. Obituary | 2009/Summer | 42 | 2 | 6 | 6 |
| Eicher, Joanne B. & Tony | Kalabari Funerals: Celebration And Display | 1987/Autumn | 21 | 1 | 0 | 0 |
| EI-Ramady, Eldin | An Early African Poet Ibrahim Gamal | 1970/Spring | 3 | 3 | 0 | 0 |
| Eisenhofer, Stefan | Felix Von Luschan And Early German-Language Benin Studies | 1997/Summer | 30 | 3 | 0 | 0 |
| EISENHOFER, STEFAN | Being Object. Being Art: Masterpieces from the Collections of the Museum of World Culture (Frankfurt am Main). | 2011/Spring | 44 | 1 | 82 | 83 |
| Ekogamve, Elie | La Litterature Orale Des Fang The Oral Literature Of The Fang (In French And English) | 1969/Summer | 2 | 4 | 0 | 0 |
| Ekpo, Ikwo A. | Ekpe Costume Of The Cross River | 1978/Autumn | 12 | 1 | 0 | 0 |
| Ekpo, V.L. | Qua Terracotta Sculptures | 1984/Autumn | 18 | 1 | 0 | 0 |
| Ekundayo Rowe, Sylvester | Sierra Leone'S Newly-Born Theater | 1975/Autumn | 9 | 1 | 0 | 0 |
| el Salahi, Ibrahim | El Salahi: A Painter From The Sudan | 1967/Autumn | 1 | 1 | 0 | 0 |
| El Tayib, D. Griselda & Remy Greiner | George Edward/Omer Kheiry: Sudanese Artist | 1971/Spring | 4 | 3 | 0 | 0 |
| Elewe, Ajere | [Mask with two square holes beneath the eyes, and massive spiney headdress] [art reproduction]. | 2008/Spring | 41 | 1 | Inside Bac | 19933 |
| Elewe, Ajere | [Mask with two square holes beneath the eyes, and massive spiney headdress] [art reproduction]. | 2008/Summer | 41 | 2 | Inside Bac | 0 |
| Ellis, George R. | Black Gods And Kings: Yoruba Art At Ucla | 1971/Spring | 4 | 3 | 0 | 0 |
| Ellis, George R. | African Art At The Los Angeles County Museum | 1972/Spring | 5 | 3 | 0 | 0 |
| Ellis, George R. | The Art Of Oceania | 1972/Summer | 5 | 4 | 0 | 0 |
| Ellis, George R. | African Art In Motion | 1974/Winter | 7 | 2 | 0 | 0 |
| Ellis, George R. | The Arts Of Ghana | 1977/Autumn | 11 | 1 | 0 | 0 |
| Elnaccash, Ataa | Egyptian Cinema: A Historical Outline | 1968/Autumn | 2 | 1 | 0 | 0 |
| Eluyemi, Omotoso | New Terracotta Finds At Oko-Eso, Ife | 1975/Autumn | 9 | 1 | 0 | 0 |
| Eluyemi, Omotoso | Terracotta Sculptures From Obalara'S Compound, Ile-Ife | 1977/Spring | 10 | 3 | 0 | 0 |
| Ene-Orji, Chinedu | Continuity and Change in Nsukka Art: George Odoh's Illustration of Things Fall Apart | 2019/Fall | 52 | 3 | 48 | 61 |
| Ene-Orji, Chinedu | Obiora Udechukwu: Line, Image, Text by Chika Okeke-Agulu Milan: Skira Editore, 2016. 400 pages, 86 color ill., 433 b/w ill., timeline, bibliography, and index. $75.00 hardcover | 2020/Winter | 53 | 4 |  95 | 96 |
| Engmann, Rachel Ama Asaa | Under Imperial Eyes, Black Bodies, Buttocks, and Breasts: British Colonial Photography and Asante "Fetish Girls". | 2012/Summer | 45 | 2 | 46 | 57 |
| Epifano, Angie | Commerce and Colonialism in the Regalia of the Samorian State | 2020/Summer | 53 | 2 | Â 28 | 41 |
| Erediauwa, Oba | The Great Benin Centenary: Benin City, February 17-23,1997 Opening Ceremony Address | 1997/Summer | 30 | 3 | 0 | 0 |
| Erekosima, Tonye Victor & Joanne Bubolz Eicher | Kalabari Cut-Thread And Pulled-Thread Cloth: An Example Of Cultural Authentication | 1981/Winter | 14 | 2 | 0 | 0 |
| Essel, Papa | 1965, African Unity [Detail] [art reproduction]. | 2010/Winter | 43 | 4 | Front Cove | 0 |
| Euba, Femi | Report From London: The African Actor | 1969/Summer | 2 | 4 | 0 | 0 |
| Evans, Chloe | Portrait Photography in Senegal: Using Local Case Studies from Saint Louis and Podor, 1839â1970 | 2015/Autumn | 48 | 3 | 28 | 37 |
| Eyene, Christine | Africa at the 55th Venice Biennale Of Achievements and Illusions. | 2014/Spring | 47 | 1 | 1 | 5 |
| Eyo, Ekpo | 1969 Excavations At Ile-Ife | 1970/Winter | 3 | 2 | 0 | 0 |
| Eyo, Ekpo | Abua Masquerades | 1974/Winter | 7 | 2 | 0 | 0 |
| Eyo, Ekpo | The Dialectics Of Definitions: 'Massacre' And 'Sack' In The History Of The Punitive Expedition | 1997/Summer | 30 | 3 | 0 | 0 |
| Ezra, Kate | The Art Of The Dogon | 1988/Summer | 21 | 4 | 0 | 0 |
| Ezra, Kate | African Art and Culture: Selections from the Permanent Collection: Neuberger Museum of Art, Purchase College, State University of New York. | 2010/Spring | 43 | 1 | 76 | 77 |
| Ezra, Kate | Barbara Winston Blackmun 1928â2018 | 2019/Spring | 52 | 1 | 11 | 13 |
| Faber, Paul | Roots and More: The Journey of the Spirits. | 2011/Summer | 44 | 2 | 87 | 89 |
| Fabo Perczel, Csilla | Ethiopian Crosses At The Portland Art Museum | 1981/Spring | 14 | 3 | 0 | 0 |
| Fagaly, William | African Art At The New Orleans Museum Of Art | 1978/Summer | 11 | 4 | 0 | 0 |
| Fagaly, William A. | The Victor K. Kiam Collection At The New Orleans Museum Of Art | 1983/Summer | 16 | 4 | 0 | 0 |
| Fagan, Brian | Zimbabwe: A Century Of Discovery | 1969/Spring | 2 | 3 | 0 | 0 |
| Fagg, Angela | Thoughts On Nok | 1994/Summer | 27 | 3 | 0 | 0 |
| FaĂŻk-Nzuji, V | The Book of âThe Awakened Onesâ of CyakĂ nyĂŹ | 2010/Winter | 43 | 4 | 72 | 81 |
| Fajuyigbe, Michael O. | Satires of Power in Yoruba Visual Culture by Yomi Ola Durham, NC: Carolina Academic Press, African World Series, 2013. 249 pp., 26 color & 72 b/w photos, appendix, glossary, biblio, index. $48.00, paper. | 2017/Spring | 50 | 1 | 92 | 93 |
| Falgayrettes-Leveau, Christiane & Michael Leveau | Dogon Art At The Musee Dapper: The Last Reunion? | 1995/Autumn | 28 | 4 | 0 | 0 |
| Farah, Nuruddin | Of Silence, Of Noise | 1972/Autumn | 6 | 1 | 0 | 0 |
| Farris Thompson, Robert | The Sign Of The Divine King | 1970/Spring | 3 | 3 | 0 | 0 |
| Farris Thompson, Robert | Sons Of Thunder: Twin Images Among The Oyo And Other Yoruba Groups | 1971/Spring | 4 | 3 | 0 | 0 |
| Farris Thompson, Robert | An Aesthetic Of The Cool | 1973/Autumn | 7 | 1 | 0 | 0 |
| Farris Thompson, Robert | Tap-Tap, Fula-Fula, Kia-Kia: The Haitian Bus In Atlantic Perspective | 1996/Spring | 29 | 2 | 0 | 0 |
| Fee, Sarah | The Shape of Fashion. | 2013/Autumn | 46 | 3 | 26 | 39 |
| Felber-Seligman, Yaari | Painting in Turbulent Times: House Wall Art, Culture, and Commentary in Colonial East Africa | 2020/Summer | 53 | 2 | Â 54 | 65 |
| Fenton, Jordan A. | A Bird Dance Near Saturday City: Sidi Ballo and the Art of West African Masquerade. | 2011/Summer | 44 | 2 | 91 | 93 |
| Fenton, Jordan A. | Sustainable Futures: Ekpenyong Bassey Nsa and the Study of Traditional-Based African Artists | 2017/Winter | 50 | 4 | 34 | 45 |
| Fenton, Jordan A. | Expressive Currencies: Artistic Transactions and Transformations of Warrior-Inspired Masquerades in Calabar | 2019/Spring | 52 | 1 | 18 | 33 |
| Fenton, Rebecca | L'Afrique des Routes | 2018/Autumn | 51 | 3 | 78 | 80 |
| Fenton, Rebecca | Afriques Capitales | 2018/Summer | 51 | 2 | 86 | 89 |
| Fine, Jonathan | Selling Authenticity in the Bamum Kingdom in 1929â1930 | 2016/Summer | 49 | 2 | 54 | 67 |
| Fischer, Eberhard | Dan Forest Spirits: Masks In Dan Villages | 1978/Winter | 11 | 2 | 0 | 0 |
| Fitzgerald, Mary Ann & Henry J. Drewal & Moyo Okediji | Transformation Through Cloth: An Egungun Costume Of The Yoruba (Research Note) | 1995/Spring | 28 | 2 | 0 | 0 |
| Flam, Jack D. | The Symbolic Structure Of Baluba Caryatid Stools | 1971/Winter | 4 | 2 | 0 | 0 |
| Flock, T.S. | Disguise: Masks and Global African Art | 2017/Autumn | 50 | 3 | 85 | 86 |
| Fá»lĂĄrĂ nmĂ, Stephen | This Is Our Story: Iconography of Carved Doors and Panels in ĂyĂł Palace | 2018/Summer | 51 | 2 | 44 | 57 |
| Fá»lĂĄrĂ nmĂ, Stephen | A Tree Cannot Make a Forest: Looking Inward, Reaching out in African Art Studies | 2019/Summer | 52 | 2 | 1 | 7 |
| Foran, Colleen | Liberia, 1931â33: The Collections of Alfred J. Tulk curated by Christopher B. Steiner Fairfield University Art Museum, Fairfield, Connecticut September 14âDecember 14, 2018 | 2019/Winter | 52 | 4 |  87 | 89 |
| Foran, Colleen | Liberia, 1931â33: The Collections of Alfred J. Tulk curated by Christopher B. Steiner Fairfield University Art Museum, Fairfield, Connecticut September 14âDecember 14, 2018 | 0 | 0 | 0 | 0 | 0 |
| Forbes, Carlee S. | Kongo: Power and Majesty Metropolitan Museum of Art, New York September 18, 2015-January 3, 2016 | 2016/Winter | 49 | 4 | 80 | 82 |
| Forbes, Carlee S. | Kongo Graphic Writing and Other Narratives of the Sign by Bårbaro Marténez-Ruiz Philadelphia: Temple University Press, 2013. 240 pp., 10 tables, 66 figures, 63 halftones. $75.00, cloth | 2015/Winter | 48 | 4 | 92 | 93 |
| Forbes, Carlee S. | Senufo: Art and Identity in West Africa | 2018/Autumn | 51 | 3 | 81 | 83 |
| Forbes, Carlee S. | Creative Mediations: The Figurative Ceramics of Voania (from) Muba | 2019/Winter | 52 | 4 | Â 34 | 51 |
| Forbes, Carlee S. | Creative Mediations: The Figurative Ceramics of Voania (from) Muba | 0 | 0 | 0 | 0 | 0 |
| Forbes, Carlee S. & Rovine, Victoria L. | Kongo Atlantic Dialogues: Kongo Culture in Central Africa and in the Americas | 2014/Autumn | 47 | 3 | 1 | 5 |
| Forni, Silvia | Containers of Life: Pottery and Social Relations in the Grassfields (Cameroon) | 2007/Spring | 40 | 1 | 0 | 0 |
| Forni, Silvia | Masks on the Move: Defying Genres, Styles, and Traditions in the Cameroonian Grassfields | 2016/Summer | 49 | 2 | 38 | 53 |
| Forson, Gilbert | Obama: Black or White one People [art reproduction]. | 2009/Autumn | 42 | 3 | Front Cove | 0 |
| Forster, Till | Senufo Masking And The Art Of Poro | 1993/Winter | 26 | 1 | 0 | 0 |
| Förster, Till | Layers of Awareness. Intermediality and Practices of Visual Arts in Northern CÎte d'Ivoire | 2005/Winter | 38 | 4 | 32 | 93 |
| Förster, Till | Imagining the Nation. | 2012/Autumn | 45 | 3 | 42 | 55 |
| Förster, Till | The Sliding Scale of Past and Present. | 2013/Winter | 46 | 4 | 6 | 6 |
| Förster, Till & Elsbeth Court, Ulrich Poshinger-Camphausen, Marisa V. Poshinger-Camphausen, Bettina Kabanek, Sidney Kasfir | In Memoriam: Johanna M. C. Agthe 1941â2005 | 2005/Autumn | 38 | 3 | 12 | 12 |
| Foss, Perkins | Festival Of Ohworu At Evwreni | 1973/Summer | 6 | 4 | 0 | 0 |
| Foss, Perkins | The Sign Of The Leopard: Beaded Art Of Cameroon | 1976/Winter | 9 | 2 | 0 | 0 |
| Foss, Perkins | Urhobo Statuary For Spirits And Ancestors | 1976/Summer | 9 | 4 | 0 | 0 |
| Foss, Perkins | African Art From The Paul And Ruth Tishman Collection | 1981/Autumn | 15 | 1 | 0 | 0 |
| Foss, Perkins | Where Gods and Mortals Meet: Continuity and Renewal in Urhobo Art | 2003/Winter | 36 | 4 | 0 | 0 |
| Fox, Christine | Asante Brass Casting | 1986/Summer | 19 | 4 | 0 | 0 |
| Franco, Pamela R. (Guest Editor) | 'Dressing Up And Looking Good": Afro-Creole Female Maskers In Trinidad Carnival | 1998/Spring | 31 | 2 | 0 | 0 |
| Frank, Barbara E | Open Borders: Style And Ethnic Identity | 1987/Summer | 20 | 4 | 0 | 0 |
| Frank, Barbara E | More Than Wives And Mothers: The Artistry Of Mande Potters | 1994/Autumn | 27 | 4 | 0 | 0 |
| Frank, Barbara E. | Ceramic Arts in Africa: Field Research and Making Objects Speak | 2007/Spring | 40 | 1 | 0 | 0 |
| Frank, Barbara E. | Marks of Identity: Potters of the Folona (Mali) and Their âMothersâ | 2007/Spring | 40 | 1 | 0 | 0 |
| Franz, Mary-Louise | Traditional Masks And Figures Of The Makonde | 1969/Autumn | 3 | 1 | 0 | 0 |
| Fraser, Douglas | The Tsoede Bronzes And Owo Yoruba Art | 1975/Spring | 8 | 3 | 0 | 0 |
| Frohne, Andrea | Urban Cadence: Street Scenes from Lagos and Johannesburg | 2019/Spring | 52 | 1 | 92 | 93 |
| Fry, Jacqueline | Robert Goldwater: In Memoriam | 1974/Summer | 7 | 4 | 0 | 0 |
| Fuller, Harcourt | Commemorating an African Queen: Ghanaian Nationalism, the African Diaspora, and the Public Memory of Nana Yaa Asantewaa, 1952ĂąâŹâ2009 | 2014/Winter | 47 | 4 | 58 | 71 |
| Futa, Amy E. | In Memoriam: Alice McGaughey, 1925-2002 | 2002/Summer | 35 | 2 | 0 | 0 |
| Futa, Amy E. | Gregory A. Cherry 1940â2007 | 2007/Winter | 40 | 4 | 0 | 0 |
| Futa, Amy E. | Sylvia S.J. Kennedy 1937â2019 | 2020/Spring | 53 | 1 | Â 4 | 5 |
| Gagliardi, Susan Elizabeth | Masquerades as the Public Face: Art of Contemporary Hunters' Associations in Western Burkina Faso. | 2013/Winter | 46 | 4 | 46 | 59 |
| Gagliardi, Susan Elizabeth & Constantine Petridis | Senufo Unbound, Dynamics of Art and Identity in West Africa | 2015/Spring | 48 | 1 | 6 | 23 |
| Gagliardi, Susan Elizabeth & Yaëlle Biro | Beyond Single Stories: Addressing Dynamism, Specificity, and Agency in Arts of Africa | 2019/Winter | 52 | 4 | 0 | 0 |
| Gagliardi, Susan Elizabeth , YaĂ«lle Biro, Leslie Wilson, John Warne Monroe, Salia MalĂ©, Marguerite de Sabran, Maxime de Formanoir & Joshua I. Cohen | Some Preliminary Responses to âBeyond Single Storiesâ | 2020/Fall | 53 | 3 | 16 | 21 |
| Galitzine-Loumpet, Alexandra | Reconsidering Patrimonialization in the Bamun Kingdom: Heritage, Image, and Politics from 1906 to the Present | 2016/Summer | 49 | 2 | 68 | 81 |
| Gallois Duquette, Danielle | Woman Power And Initiation In The Bissagos Islands | 1979/Spring | 12 | 3 | 0 | 0 |
| Gallup, Dorothea | Le Theme De La Violence Dans Le Roman Algerien D'Expression Francaise, 1950-1962 (In French)Â | 1968/Winter | 1 | 2 | 0 | 0 |
| Gardella, David | Momodou Ceesay Of The Gambia | 1974/Summer | 7 | 4 | 0 | 0 |
| Gardi, Bernard | Djenne At The Turn Of The Century: Postcards From The Museum For Volkerkunde Basel (Photo Essay) | 1994/Spring | 27 | 2 | 0 | 0 |
| Gardi, Bernhard | Africa Interweave | 2011/Winter | 44 | 4 | 84 | 86 |
| Gardi, Rene | A Letter From Rene Gardi | 1985/Summer | 18 | 4 | 0 | 0 |
| Garrard, Timothy F. | Akan Metal Arts | 1979/Autumn | 13 | 1 | 0 | 0 |
| Garrard, Timothy F. | Erotic Akan Goldweights | 1982/Winter | 15 | 2 | 0 | 0 |
| Garrard, Timothy f. | Akan Silver | 1984/Winter | 17 | 2 | 0 | 0 |
| Gassel, Ita | Poesie Dynastioue Du Rwanda Traditionnel (In French) | 1968/Summer | 1 | 4 | 0 | 0 |
| Gaylard, Joseph | The Craft Industry in South Africa: A Review of Ten Years of Democracy | 2004/Winter | 37 | 4 | 0 | 0 |
| Gbadegesin, Olubukola A. | Response to F. Ugiomoh, "Art and Nationalism". Part of a special section: Dialogue | 2009/Summer | 42 | 2 | 7 | 8 |
| Geary, Christraud | Bamum Thrones And Stools | 1981/Summer | 14 | 4 | 0 | 0 |
| Geary, Christraud | Bamum Two-Figure Thrones: Additional Evidence | 1983/Summer | 16 | 4 | 0 | 0 |
| Geary, Christraud | Basketry In The Aghem-Fungom Area Of The Cameroon Grassfields | 1987/Spring | 20 | 3 | 0 | 0 |
| Geary, Christraud | Two Days In Mushenge: Eliot Elisofon'S Images Of The Kuba (1947) (Photo Essay) | 1993/Spring | 26 | 2 | 0 | 0 |
| Geary, Christraud M. | Old Pictures, New Approaches: Researching Historical Photographs | 1991/Autumn | 24 | 4 | 0 | 0 |
| Geary, Christraud M. | Missionary Photography: Private And Public Readings | 1991/Autumn | 24 | 4 | 0 | 0 |
| Geary, Christraud M. | Early Images From Benin At The National Museum Of African Art, Smithsonian Institution | 1997/Summer | 30 | 3 | 0 | 0 |
| Geary, Christraud M. | Photographing In The Cameroon Grassfields, 1970 T01984 (Photo Essay) | 2000/Winter | 33 | 4 | 0 | 0 |
| Geary, Christraud M. | The Incidental Photographer: Roy Sieber and His African Images | 2003/Summer | 36 | 2 | 0 | 0 |
| Geary, Christraud M. | From Context to Text: African Arts and Photography, 1967â2017 | 2017/Spring | 50 | 1 | 22 | 31 |
| Geary, Christraud M. | Fragile Legacies: The Photographs of Solomon Osagie Alonge By Amy J. Staples, Flora Edouwaye S. Kaplan, and Bryna Freyer With contributions from Kokunre Agbontaen-Eghafona, Eni Ehizibue Ehikhamenor, Tam Fiofori, Daniel E. Inneh, George Osodi, and Theophilus Umogbai Washington DC: National Museum of African Art, Smithsonian Institution, Abuja: National Commission for Museums and Monuments, Nigeria, London: Giles, 2017. 210 pp., 154 ill., timeline, biblio, index. $49.95 hardcover, $34.95 paper | 2019/Fall | 52 | 3 | 92 | 93 |
| Gebauer, Paul | Art Of Cameroon | 1971/Winter | 4 | 2 | 0 | 0 |
| Gebauer, Paul | Dances Of Cameroon | 1971/Summer | 4 | 4 | 0 | 0 |
| Gebauer, Paul | Architecture Of Cameroon | 1971/Autumn | 5 | 1 | 0 | 0 |
| Gebauer, Paul | Cameroon Tobacco Pipes | 1972/Winter | 5 | 2 | 0 | 0 |
| Gentis, Thierry | African Art At The Haffenreffer Museum | 1985/Spring | 18 | 3 | 0 | 0 |
| Gerard, Albert | The Literature Of Cape Verde | 1968/Winter | 1 | 2 | 0 | 0 |
| Gessesse, Tesfaye | Ayee My Luck | 1971/Winter | 4 | 2 | 0 | 0 |
| Ghaidan, Usam | Swahili Plasterwork | 1973/Winter | 6 | 2 | 0 | 0 |
| Ghaidan, Usam I. | Swahili Art Of Lamu | 1971/Autumn | 5 | 1 | 0 | 0 |
| Gibbs, James | Mohammed Ben Abdallah And The Legon Road Theater | 1972/Summer | 5 | 4 | 0 | 0 |
| Gilbert, Michelle | Akan Terracotta Heads: Gods Or Ancestors? | 1989/Summer | 22 | 4 | 0 | 0 |
| Gilbert, Michelle | Bura Funerary Urns: Niger Terracottas: An Interpretive Limbo? | 2020/Spring | 53 | 1 | Â 66 | 75 |
| Gilbert, Michelle V. | Ewe Funerary Sculpture | 1981/Summer | 14 | 4 | 0 | 0 |
| Gilbert, Michelle V. | Mystical Protection Among The Anlo Ewe | 1982/Summer | 15 | 4 | 0 | 0 |
| Gillam, Reighan | Axé Bahia: The Power of Art in an Afro-Brazilian Metropolis by Patrick A. Polk, Robert Conduru, Sabrina Gledhill, Randal Johnson, et al. Los Angeles: Fowler Museum at UCLA, 2018. 288 pp., 233 color ill., 40 b/w ill. $50.00 cloth | 2019/Fall | 52 | 3 | 94 | 95 |
| Gilvin, Amanda | Hot and Haute: AlphadiĂą's Fashion for Peace. | 2014/Summer | 47 | 2 | 40 | 55 |
| Gilvin, Amanda | A Place That Matters Yet: John Gubbins's MuseumAfrica in the Postcolonial World by Sara G. Byala | 2015/Autumn | 48 | 3 | 94 | 95 |
| Giuliani, Madeleine | Sehili: Peintre Du Maghreb | 1969/Autumn | 3 | 1 | 0 | 0 |
| Glassie, Henry | Prince Twins Seven | 2012/Spring | 45 | 1 | 8 | 11 |
| Glaze, Anita J. | Woman Power And Art In A Senufo Village | 1975/Spring | 8 | 3 | 0 | 0 |
| Glaze, Anita J. | Senufo Ornament And Decorative Arts | 1978/Autumn | 12 | 1 | 0 | 0 |
| Glaze, Anita J. | Dialectics Of Gender In Senufo Masquerades | 1986/Spring | 19 | 3 | 0 | 0 |
| Glosser, Caitlin | Making Africa: A Continent of Contemporary Design | 2018/Autumn | 51 | 3 | 89 | 91 |
| Gnisci, Jacopo | Crosses from Ethiopia at the Dallas Museum of Art: An Overview | 2018/Winter | 51 | 4 | 48 | 55 |
| Godby, Michael | After Apartheid: 10 South African Documentary Photographers | 2004/Winter | 37 | 4 | 0 | 0 |
| Godby, Michael & Sandra Klopper | The Art Of Willie Bester | 1996/Winter | 29 | 1 | 0 | 0 |
| Goldner, Janet | The Women of Kalabougou (Mali) | 2007/Spring | 40 | 1 | 0 | 0 |
| Goldwater, Robert | From... By... And For... Ralph C. Altman | 1968/Winter | 1 | 2 | 0 | 0 |
| Gore, Charles | Practice And Agency In Mammy Wata Worship In Southern Nigeria | 1997/Spring | 30 | 2 | 0 | 0 |
| Gore, Charles | Casting Identities In Contemporary Benin City | 1997/Summer | 30 | 3 | 0 | 0 |
| Gore, Charles | Remembering R.E. Bradbury: An Interview With Peter Morton-Williams | 1997/Autumn | 30 | 4 | 0 | 0 |
| Gore, Charles | Masks and Modernities. | 2008/Winter | 41 | 4 | 1 | 7 |
| Gore, Charles | âBurn the Mmonwuâ: Contradictions and Contestations in Masquerade Performance in Uga, Anambra State in Southeastern Nigeria. | 2008/Winter | 41 | 4 | 60 | 73 |
| Gore, Charles | African Photography | 2015/Autumn | 48 | 3 | 1 | 5 |
| Gore, Charles | Intersecting Archives: Intertextuality and the Early West African Photographer | 2015/Autumn | 48 | 3 | 6 | 17 |
| Gore, Charles | Leonce Raphael Agbodjelou | 2015/Autumn | 48 | 3 | 70 | 75 |
| Gott, Suzanne | Golden Emblems of Maternal Benevolence: Transformations of Form and Meaning in Akan Regalia | 2003/Spring | 36 | 1 | 0 | 0 |
| Gott, Suzanne | Ghana's Glass Beadmaking Arts in Transcultural Dialogues. | 2014/Spring | 47 | 1 | 10 | 29 |
| Gott, Suzanne & Kristyne S. Loughran & Betsy D. Quick & Leslie W. Rabine | African-Print Fashion Now! A Story of Taste, Globalization, and Style | 2017/Spring | 50 | 1 | 42 | 59 |
| Grabski, Joanna | Painting Fictions/Painting History. | 2006/Spring | 39 | 1 | 38 | 94 |
| Grabski, Joanna | Trajectoires: Art Contemporain du Sénégal | 2008/Spring | 41 | 1 | 88 | 0 |
| Grabski, Joanna | Regarding Artists, the City, and the Global Art World | 2015/Summer | 48 | 2 | 9 | 10 |
| Grabski, Joanna L. | Dakar's Urban Landscapes: Locating Modern Art and Artists in the City | 2003/Winter | 36 | 4 | 0 | 0 |
| Green, Kathryn L. | Shared Masking Traditions In Northeastern Ivory Coast | 1987/Summer | 20 | 4 | 0 | 0 |
| Green, Rebecca L. | Lamba Hoany Proverb Cloths from Madagascar | 2003/Summer | 36 | 2 | 0 | 0 |
| Greenfield, Ingrid | Caravans of Gold, Fragments in Time: Art, Culture, and Exchange Across Medieval Saharan Africa edited by Kathleen Bickford Berzock Princeton, NJ: Princeton University Press, 2019. 312 pp.; 192 color ills. $65.00, cloth | 2020/Fall | 53 | 3 |  91 | 93 |
| Grillo, Y.A. & Juliet Highet | Appreciations Of Idubor | 1968/Autumn | 2 | 1 | 0 | 0 |
| Grobel, Lawrence | Ghana'S Vincent Kofi | 1970/Summer | 3 | 4 | 0 | 0 |
| Grossman, Wendy & Bonnell, Letty | Man Ray, African Art, and the Modernist Lens. | 2009/Autumn | 42 | 3 | 72 | 81 |
| Grottanelli , Vinigi L. | Somali Wood Engravings | 1968/Spring | 1 | 3 | 0 | 0 |
| Grottanelli, Vinigi L. | Discovery Of A Masterpiece: A 16Th-Century Ivory Bowl From Sierra Leone | 1975/Summer | 8 | 4 | 0 | 0 |
| Gubert, Betty | Three Songye And Kongo Figures | 1981/Autumn | 15 | 1 | 0 | 0 |
| Guggenheim, Barbara | A Yoruba Sango-Shrine Door | 1973/Autumn | 7 | 1 | 0 | 0 |
| Gundaker, Grey | Tradition And Innovation In African-American Yards | 1993/Spring | 26 | 2 | 0 | 0 |
| Gundu Gbaden, Blaise | Victor Forestier Sow: A Pioneer Malian Painter edited by Pascal James Imperato and Austin C. Imperato Bayside, NY: Queensboro College Art Gallery and City University of New York, 2014. 72 pages, 35 color and 13 b/w illustrations, notes, bibliography. Price not stated, paper | 2016/Winter | 49 | 4 | 91 | 92 |
| Gunn Pevar, Susan | The Construction Of A Kora | 1978/Summer | 11 | 4 | 0 | 0 |
| Haberland, Eike | West African Mud Architecture: Research Of The Frobenius-Institut | 1981/Autumn | 15 | 1 | 0 | 0 |
| Hackspiel, Elisabeth | Modernity and Tradition in a Global World: Fashion in Africa: Zuercher Stalder AG, Lyssach | 2008/Summer | 41 | 2 | 90 | 0 |
| Hale, Sjarief | Kente Cloth Of Ghana | 1970/Spring | 3 | 3 | 0 | 0 |
| Hale, Sondra | Musa Khalifa | 1973/Spring | 6 | 3 | 0 | 0 |
| Hale, Sondra | Mohamed Omer Bushara (Portfolio) | 1994/Winter | 27 | 1 | 0 | 0 |
| Hamilton, Elizabeth C. | Afrofuturism and the Technologies of Survival | 2017/Winter | 50 | 4 | 18 | 23 |
| Hamm, Jelani W. M. | Ousmane SembĂšne: The Making of a Militant Artist. | 2011/Winter | 44 | 4 | 90 | 90 |
| Hammersle, Marilyn | Ibeji Images Of The Yoruba | 1973/Autumn | 7 | 1 | 0 | 0 |
| Hammersley Houlberg, Marilyn | Collecting The Anthropology Of African Art | 1976/Spring | 9 | 3 | 0 | 0 |
| Hammersley Houlberg, Marilyn | Egungun Masquerades Of The Remo Yoruba | 1978/Spring | 11 | 3 | 0 | 0 |
| Hammersley Houlberg, Marilyn | Notes On Egungun Masquerades Among The Oyo Yoruba | 1978/Spring | 11 | 3 | 0 | 0 |
| Hanna, Judith Lynne & William John | Heart Beat Of Uganda | 1968/Spring | 1 | 3 | 0 | 0 |
| Harding, Frances | To Present The Self In A Special Way': Disguise And Display In Tiu Kwagh-Hir Performance | 1998/Winter | 31 | 1 | 0 | 0 |
| Harney, Elizabeth | The Ecole de Dakar: Pan-Africanism in Paint and Textile | 2002/Autumn | 35 | 3 | 0 | 0 |
| Harney, Elizabeth | "Les arts premiers" in Paris: Le monument de l'Autre. | 2006/Winter | 39 | 4 | 1 | 92 |
| Harney, Elizabeth | Commentary. | 2006/Spring | 39 | 1 | 49 | 49 |
| Harney, Elizabeth | Continuity and Change: Three Generations of Ethiopian Artists. Northern Tussian or Siemu | 2008/Autumn | 41 | 3 | 78 | 80 |
| Harper, Peggy | Dance In A Changing Society | 1967/Autumn | 1 | 1 | 0 | 0 |
| Harper, Peggy | A Festival Of Nigerian Dances | 1970/Winter | 3 | 2 | 0 | 0 |
| Harris, Michael D. | From Double Consciousness To Double Vision: The Africentric Artist | 1994/Spring | 27 | 2 | 0 | 0 |
| Harris, Michael D. | Confluences: Ile-Ife, Washington, D.C. And The Transafrican Artist | 1997/Spring | 30 | 2 | 0 | 0 |
| Harris, Rosemary | Mbembe Men'S Associations | 1984/Autumn | 18 | 1 | 0 | 0 |
| Hart, W. A. | Early-Nineteenth-Century Chief'S Horns. From Coastal Liberia | 1999/Autumn | 32 | 3 | 0 | 0 |
| Hart, W.A. | Aron Arabai: The Temne Mask Of Chieftaincy | 1986/Winter | 19 | 2 | 0 | 0 |
| Hart, W.A. | Masks With Metal-Strip Ornament From Sierra Leone | 1987/Spring | 20 | 3 | 0 | 0 |
| Hart, W.A. | Limba Funeral Masks | 1988/Autumn | 22 | 1 | 0 | 0 |
| Hart, W.A. | Woodcarving Of The Limba Of Sierra Leone | 1989/Autumn | 23 | 1 | 0 | 0 |
| Hart, W.A. | Sculptures Of The Njayei Society Among The Mende | 1993/Summer | 26 | 3 | 0 | 0 |
| Hart, W.A. | A Rediscovered Afro-Portuguese Horn In The British Museum (Research Note) | 1993/Autumn | 26 | 4 | 0 | 0 |
| Hart, W.A. | African Art In The National Museum Of Ireland | 1995/Spring | 28 | 2 | 0 | 0 |
| Hart, William | Trophies of Grace? | 2006/Summer | 39 | 2 | 14 | 86 |
| Hart, William | Liberian Chiefs' Horns Revisited. | 2014/Summer | 47 | 2 | 56 | 65 |
| Hart, William | Alexander Barker's Sapi-Portuguese Oliphant | 2016/Spring | 49 | 1 | 78 | 81 |
| Hart, William | Ezio Bassani 1924â2018 | 2019/Summer | 52 | 2 | 9 | 9 |
| Hart, William | A Mask of the Western Kuranko | 2019/Fall | 52 | 3 | 28 | 33 |
| Harter, Pierre | Royal Commemorative Figures In The Cameroon Grasslands: Ateu Atsa, A Bangwa Artist | 1990/Autumn | 23 | 4 | 0 | 0 |
| Hartland-Rowe, Marian | The Textile Prints Of The Phuthadikobo Museum | 1985/Spring | 18 | 3 | 0 | 0 |
| Hartwig, Gerald W. | Sculpture In East Africa | 1978/Summer | 11 | 4 | 0 | 0 |
| Hassan Dlu Oguibe, Salah M | Authentic/Ex-Centric At The Venice Biennale: African Conceptualism In Global Contexts | 2001/Winter | 32 | 4 | 0 | 0 |
| Hassan, Salah M. | Native To Native: The Sculpture Of Ousmane Sow | 1999/Winter | 32 | 4 | 0 | 0 |
| Head, Sydney W. | A Conversation With Gebre Kristos Desta | 1969/Summer | 2 | 4 | 0 | 0 |
| Heath Porter, Lorene | The African Collection Of The Buffalo Society Of Natural Sciences | 1973/Winter | 6 | 2 | 0 | 0 |
| Heathcote, David | Hausa Embroidered Dress | 1972/Winter | 5 | 2 | 0 | 0 |
| Heathcote, David | The Art Of Musa Yola | 1974/Winter | 7 | 2 | 0 | 0 |
| Heimlich, Geoffroy | The Kongo Cross Across Centuries | 2016/Fall | 49 | 3 | 22 | 31 |
| Heldman, Marilyn E. | Fre Seyon: A Fifteenth-Century Ethiopian Artist | 1997/Autumn | 30 | 4 | 0 | 0 |
| Helmholz, Robert C. | Traditional Bijago Statuary | 1972/Autumn | 6 | 1 | 0 | 0 |
| Henderson, Richard N. & lfekandu Umunna | Leadership Symbolism In Onitsha Igbo Crowns And Ijele | 1988/Winter | 21 | 2 | 0 | 0 |
| Henggeler, Joe | Ivory Trumpets Of The Mende | 1981/Winter | 14 | 2 | 0 | 0 |
| Hersak, Dunja | New Spaces for Art and Artists in Africa. | 2009/Summer | 42 | 2 | 1 | 4 |
| Hersak, Dunja | Reviewing Power, Process, and Statement: The Case of Songye Figures. | 2010/Summer | 43 | 2 | 38 | 51 |
| Hersak, Dunja | Retour d'Angola: Muséee d'Ethnographie Neuchùtel (MEN), Switzerland. | 2010/Spring | 43 | 1 | 78 | 81 |
| Hersak, Dunja | On the Concept of Prototype in Songye Masquerades. | 2012/Summer | 45 | 2 | 12 | 22 |
| Hersak, Dunja | Restitution: Debate and Action | 2019/Spring | 52 | 1 | 8 | 10 |
| Hersak, Dunja | Further Perspectives on Kifwebe Masquerades | 2020/Spring | 53 | 1 | Â 6 | 23 |
| Hess, Janet | Spectacular Nation. | 2006/Spring | 39 | 1 | 16 | 92 |
| Highet, Juliet | Five Nigerian Artists | 1969/Winter | 2 | 2 | 0 | 0 |
| Hill, Shannen | ICONIC AUTOPSY. | 2005/Autumn | 38 | 3 | 14 | 93 |
| Hill, Shannen | Iconic Autopsy: Reply to Bernard M. Wagner, M.D. | 2007/Autumn | 40 | 3 | 0 | 0 |
| Hill-Thomas, Genevieve | Silk in the Sahel: Tuntun and Marka Faso Dan Fani in Northwestern Burkina Faso. | 2012/Summer | 45 | 2 | 58 | 69 |
| Himmelheber, Hans | The Concave Face In African Art | 1971/Spring | 4 | 3 | 0 | 0 |
| Hinckley, Priscilla | Street Nativities In Ouagadougou | 1983/Spring | 16 | 3 | 0 | 0 |
| Hingot, Georges-Louis | Le Blanc En Proces (In French)Â | 1969/Summer | 2 | 4 | 0 | 0 |
| Hirst, Terry | Samwel Wanjau: Kenyan Carver | 1970/Spring | 3 | 3 | 0 | 0 |
| Hirst, Terry | New Art From Kenyatta College | 1971/Summer | 4 | 4 | 0 | 0 |
| Hobbs, Philippa | The Mantis Wedding: Performing Power in the Loom | 2018/Autumn | 51 | 3 | 40 | 51 |
| Hockensmith, Josh | Artistsâ Books and Africa | 2017/Summer | 50 | 2 | 90 | 92 |
| Hoffman, Rachel | Objects And Acts (Dialogue Essay) | 1995/Summer | 28 | 3 | 0 | 0 |
| Holas, B. | LâImagerie Rituelle En Afrique Noire (In French) | 1968/Winter | 1 | 2 | 0 | 0 |
| Homann, Lisa | Incremental Shifts: The Contemporariness of Masquerade | 2020/Winter | 53 | 4 | Â 38 | 45 |
| Homann, Lisa & al. | Knowledge, Ethics, and Power: Publishing African Objects Without Clear African Provenance | 2020/Winter | 53 | 4 | Â 17 | 23 |
| Homann, Lisa & Carol Magee & Victoria L. Rovine | Future Thinking: Propositions and Possibilities for African Art History | 2017/Winter | 50 | 4 | 1 | 5 |
| Homberger, Lorenz | In Memoriam: Hans Himmelheber (1908-2003) | 2004/Spring | 37 | 1 | 0 | 0 |
| Homberger, Lorenz & Stelzig, Christine | Contrary to the Temptation! | 2006/Summer | 39 | 2 | 1 | 83 |
| Hoover, Deborah A. | Revealing The Mbusa As Art: Women Artists In Zambia | 2000/Autumn | 33 | 3 | 0 | 0 |
| Hopp, Johnathan | Scorched Earth: 100 Years of Southern African Potteries | 2018/Winter | 51 | 4 | 96 | 96 |
| Hornbeck, Stephanie E. | A Conservation Conundrum: Ephemeral Art at the National Museum of African Art. Part of a special issue: Ephemeral Arts I | 2009/Autumn | 42 | 3 | 52 | 61 |
| Horwitz, Nomvuyo | Aporias of Rock Art Interpretation | 2017/Summer | 50 | 2 | 30 | 45 |
| Houlberg, Marilyn | Sirens And Snakes; Water Spirits In The Arts Of Haitian Vodou | 1996/Spring | 29 | 2 | 0 | 0 |
| Howard, Brianne | Man Ray, African Art, and the Modernist Lens. | 2011/Winter | 44 | 4 | 82 | 83 |
| Huet, Jean-Christophe | The Togu Na Of Tenyu Ireli | 1988/Summer | 21 | 4 | 0 | 0 |
| Hufbauer, Benjamin & Bess Reed | Adamma: A Contemporary Igbo Maiden Spirit | 2003/Autumn | 36 | 3 | 0 | 0 |
| Hughes, Henry Meyric | Agreements, Allusions, and Constructive Misunderstandings. | 2006/Winter | 39 | 4 | 58 | 59 |
| Hulfman, Thomas N. | The Soapstone Birds From Great Zimbabwe | 1985/Spring | 18 | 3 | 0 | 0 |
| Hunt, Charles | Africa And The Liverpool Museum | 1972/Spring | 5 | 3 | 0 | 0 |
| Hunt, Charles | African Art At The University Of Aberdeen | 1986/Summer | 19 | 4 | 0 | 0 |
| Huntingford Craig, Michelle | From a Nation Torn: Decolonizing Art and Representation in France, 1945â1962 by Hannah Feldman Durham, NC: Duke University Press, 2014. 336 pp., 21 color, 63 b/w illus. $99.95 cloth; $27.95 paper | 2015/Winter | 48 | 4 | 94 | 95 |
| Hynes, Nancy | Yinka Shonibare: Redressing History | 2001/Autumn | 32 | 3 | 0 | 0 |
| Hyslop, Graham | Some Musical Instruments Of Kenya | 1972/Summer | 5 | 4 | 0 | 0 |
| Idiens, Dale | New Benin Discoveries In Scotland | 1986/Summer | 19 | 4 | 0 | 0 |
| Imeh, Imo Nse | Purchasing Culture: The Dissemination of Associations in the Cross River Region of Cameroon and Nigeria by Ute Röschenthaler New Jersey: World Africa Press, 2011. 616 pp., 161 b/w ill., 37 maps, glossary, bibliography, index. $49.95 paper | 2016/Spring | 49 | 1 | 94 | 95 |
| Imperaro, Pascal James | Bamana And Man Inka Couers And Blankets | 1974/Spring | 7 | 3 | 0 | 0 |
| Imperato, James | The Dance Of The Tyi Wara Pascal | 1970/Autumn | 4 | 1 | 0 | 0 |
| Imperato, Pascal James | Door Locks Of The Bamana Of Mali | 1972/Spring | 5 | 3 | 0 | 0 |
| Imperato, Pascal James | Wool Blankets Of The Peul Of Mali | 1973/Spring | 6 | 3 | 0 | 0 |
| Imperato, Pascal James | Bamana And Maninka Twin Figures | 1975/Summer | 8 | 4 | 0 | 0 |
| Imperato, Pascal James | Kereka Blankets Of The Peul | 1976/Summer | 9 | 4 | 0 | 0 |
| Imperato, Pascal James | Dogon Door Locks | 1978/Summer | 11 | 4 | 0 | 0 |
| Imperato, Pascal James | Blankets And Covers From The Niger Bend | 1979/Summer | 12 | 4 | 0 | 0 |
| Imperato, Pascal James | Bambara And Malinke Ton Masquerades | 1980/Summer | 13 | 4 | 0 | 0 |
| Imperato, Pascal James | Luo Shields From Tanzania | 1982/Autumn | 16 | 1 | 0 | 0 |
| Imperato, Pascal James | Djenné-Jeno: 1,000 Years of Terracotta Statuary in Mali by Bernard de Grunne New Haven and London: Yale University Press and Mercatorfonds, 2014. 400 pages, 250 color and 30 b/w illustrations, 2 maps, list of thermoluminescence tests, list of 281 works, bibliography. $95.00, cloth | 2016/Winter | 49 | 4 | 95 | 96 |
| Imperato, Pascal James & Imperato, Gavin H. | Twins, Hermaphrodites, and an Androgynous Albino Deity: Twins and Sculpted Twin Figures among the Bamana and Maninka of Mali | 2008/Spring | 41 | 1 | 40 | 49 |
| Imperato, Pascal James & Marli Shamir | Bokolanfini: Mud Cloth Of The Bamana Of Mali | 1970/Summer | 3 | 4 | 0 | 0 |
| Ingram Nooter, Nancy | Zanzibar Doors | 1984/Summer | 17 | 4 | 0 | 0 |
| Ingram Nooter, Nancy | The Gates Of Shendi (Research Note) | 1999/Summer | 32 | 2 | 0 | 0 |
| Insoll, Timothy & Benjamin Kankpeyeng, and Sharon Fraser | Internal Meanings: Computed Tomography Scanning of Koma Figurines from Ghana | 2016/Winter | 49 | 4 | 24 | 33 |
| Isaie, Karangwa, Rutikanga Emmanuel & Philip Fry | Of Milk Pots and Cattle Keepers: Style and Role Changes of the Inkongoro in Nyagatare District, Rwanda | 2018/Winter | 51 | 4 | 70 | 85 |
| Ivanov, Paola | African Art In The Ethnologisches Museum In Berlin | 2000/Autumn | 33 | 3 | 0 | 0 |
| Ixa, Rissa | Le Marche D'Ayorou | 1969/Winter | 2 | 2 | 0 | 0 |
| Jacobs, Caroline | Uncomfortable Truths: The Shadow of Slave Trading on Contemporary Art and Design: Victoria and Albert Museum, London. | 2008/Summer | 41 | 2 | 92 | 93 |
| Jacobs, Caroline and Tristan Mertens | Hunting and CollectingâSammy Baloji August 3-September 21, 2014 Mu.ZEE, Ostend | 2016/Winter | 49 | 4 | 83 | 85 |
| Jacobs, Julian | African Art At The Glasgow Art Gallery And Museum | 1986/Winter | 19 | 2 | 0 | 0 |
| Jakubowski, Dan | Provocative Acts and Censorial Revisions: The Many Antagonisms of Amal Kenawy's The Silence of Lambs | 2017/Winter | 50 | 4 | 24 | 33 |
| James, Pascal | Contemporary Adapted Dances Of The Dogon | 1971/Autumn | 5 | 1 | 0 | 0 |
| Janzen, John M. & Reinhild Kauenhoven-Janzen | Pende Masks In The Kauffman Museum | 1975/Summer | 8 | 4 | 0 | 0 |
| Jay, Salim | Lettre De Rabat (In French) | 1968/Spring | 1 | 3 | 0 | 0 |
| Jegede, Dele | The Patient is Already Saved. | 2014/Spring | 47 | 1 | 9 | 9 |
| jáșčgáșčdáșč, dele | Migration, Emigration, and Immigration: African Cartoonists Draw the Lines | 2020/Fall | 53 | 3 | Â 30 | 43 |
| Jenkins and Christraud Geary, Paul | Photographs From Africa In The Basel Mission Archive | 1985/Summer | 18 | 4 | 0 | 0 |
| Jenkins, Paul | Frederick Grant, Ghanaian Photographer | 2016/Spring | 49 | 1 | 4 | 4 |
| Jenninqs, Anne M. | Women'S Gold Jewelry In Egyptian Nubia | 1988/Autumn | 22 | 1 | 0 | 0 |
| Jewsiewicki, Bogumil | Leaving Ruins: Explorations of Present Pasts by Sammy Baloji, Freddy Tsimba, and Steve Bandoma | 2016/Spring | 49 | 1 | 6 | 25 |
| Jimoh, Ganiyu A. | Masked in Metaphors: Counter Narratives in the Works of Nigerian Cartoonist Mike Asukwo | 2019/Summer | 52 | 2 | 32 | 39 |
| Johnson, Marion | Ashanti Craft Organization | 1979/Autumn | 13 | 1 | 0 | 0 |
| Johnson, Pearlie M. | Africa in Florida: Five Hundred Years of African Presence in the Sunshine State | 2017/Autumn | 50 | 3 | 92 | 93 |
| Johnston, Thomas F | A Tsonga Initiation | 1974/Summer | 7 | 4 | 0 | 0 |
| Jolaoso, Olujimi & William Fagg & Philips Stevens, Jr. | Treasures Of Ancient Nigeria | 1980/Summer | 13 | 4 | 0 | 0 |
| Jolles, Frank | Traditional Zulu Beadwork Of The Msinga Area | 1993/Winter | 26 | 1 | 0 | 0 |
| Jolles, Frank | Contemporary Zulu Dolls From Kwalatha: The Work Of Mrs. Hluphekile Zuma And Her Friends | 1994/Spring | 27 | 2 | 0 | 0 |
| Jolles, Frank | Zulu Earplugs; A Study In Transformation | 1997/Spring | 30 | 2 | 0 | 0 |
| Jones, Adam | A Collection Of African Art In SeventeenthÂCentury Germany: Christoph Weickmann'S Kunst- Und Naturkammer | 1994/Spring | 27 | 2 | 0 | 0 |
| Jones, Eldred | Show Me First Your Penny | 1968/Summer | 1 | 4 | 0 | 0 |
| Jones, Erica P. | Persona: Masks of African: Identites Hidden and Revealed. | 2011/Autumn | 44 | 3 | 93 | 94 |
| Jones, Erica P. | A Lending Museum: The Movement of Objects and the Impact of the Museum Space in the Grassfields (Cameroon) | 2016/Summer | 49 | 2 | 6 | 19 |
| Jones, G. I. | Sculpture Of The Umuahia Area Of Nigeria | 1973/Summer | 6 | 4 | 0 | 0 |
| Jones, G.I. | A Visit To Ogume In 1937 | 1989/Spring | 22 | 3 | 0 | 0 |
| Jones, G.l. | A Memoir Of Early Field Photography | 1985/Summer | 18 | 4 | 0 | 0 |
| Jones, Haley & Elizabeth Caris | Universal and Sublime: The Vessels of Magdalene Odundo | 2019/Spring | 52 | 1 | 90 | 91 |
| Jones, Leslie Ellen | AA Goes E. | 2006/Autumn | 39 | 3 | 1 | 4 |
| Jones, Leslie Ellen | The Road to Everywhere. | 2013/Autumn | 46 | 3 | 1 | 1 |
| Jones, Leslie Ellen | Ringside at the Revolution. | 2014/Summer | 47 | 2 | 1 | 6 |
| Jones, Leslie Ellen | Welcome to the African Arts Editorial Consortium | 2016/Spring | 49 | 1 | 1 | 4 |
| Jong, Ferdinand de | Hybrid Heritage. | 2009/Winter | 42 | 4 | 1 | 5 |
| Jong, Ferdinand de | Shining Lights: Self. Part of a special issue: Art and Heritage | 2009/Winter | 42 | 4 | 38 | 53 |
| Jong, Ferdinand de | Black is Beautiful: Rubens to Dumas: De Nieuwe Kerk Amsterdam, The Netherlands. | 2009/Autumn | 42 | 3 | 87 | 88 |
| Jordan, A.C. | Nomabhadi And The Mbulu | 1969/Winter | 2 | 2 | 0 | 0 |
| Jordan, Manuel | Chokwe! Art-And Initiation Among Chokwe And Related Peoples (Exhibition Preview) | 1999/Summer | 32 | 2 | 0 | 0 |
| Jordan, Manuel | Revisiting Pwo (Genre) | 2000/Winter | 33 | 4 | 0 | 0 |
| Joseph, Marietta B. | Dance Masks Of The Tikar | 1974/Spring | 7 | 3 | 0 | 0 |
| Joseph, Marietta B. | Tikar Stones | 1975/Winter | 8 | 2 | 0 | 0 |
| Joseph, Marietta B. | West African Indigo Cloth | 1978/Winter | 11 | 2 | 0 | 0 |
| Jules-Rosette, Bennetta | Musée Dapper: New Directions for a Postcolonial Museum | 2002/Summer | 35 | 2 | 0 | 0 |
| Kachingwe, Aubrey | My Beautiful Fig | 1968/Summer | 1 | 4 | 0 | 0 |
| Kaehr, Roland & Louis Perrois & Marc Ghysels | A Masterwork that Sheds Tears ⊠and Light: A Complementary Study of a Fang Ancestral Head | 2007/Winter | 40 | 4 | 0 | 0 |
| Kakande, Angelo | Reimag[in]ing the Village as a Portrait of a Nation-State in Uganda | 2017/Summer | 50 | 2 | 46 | 57 |
| Kan, Michael | Detroit Collects African Art | 1977/Summer | 10 | 4 | 0 | 0 |
| Kane, Mohamadou | Recherche Et Critique (In French)Â | 1968/Summer | 1 | 4 | 0 | 0 |
| Kane, Mohamadou | Lettre De Dakar (In French) | 1968/Summer | 1 | 4 | 0 | 0 |
| Kane, Mohamadou | Naissance Du Roman Africain Francophone (In French) | 1969/Winter | 2 | 2 | 0 | 0 |
| Karpinski, Peter | A Benin Bronze Horseman At The Merseyside County Museum | 1984/Winter | 17 | 2 | 0 | 0 |
| Kart, Susan | The Phenomenon of Récupération at the Dak'Art Biennale. | 2009/Autumn | 42 | 3 | 8 | 9 |
| Kart, Susan | Murid Methodology: Moustapha Dimé's Figurative Sculptures | 2020/Winter | 53 | 4 |  46 | 57 |
| Kart, Susan | The Missing Women of Sande: A Necessary Exercise in Museum Decolonization | 2020/Fall | 53 | 3 | Â 72 | 83 |
| Kasfir, Sidney | More on Place, Practice, and Nationalist Gestures. Introduction to special section: Dialogue | 2009/Summer | 42 | 2 | 7 | 7 |
| Kasfir, Sidney | Are Biennials the Solution or the Problem for African Art's Global Reach? | 2018/Winter | 51 | 4 | 5 | 6 |
| Kasfir, Sidney & Collier, Delinda Okeke & Nelson, Steven & Bunn, David | The (Dis)placement of National Art in a Transnational Artworld. | 2008/Autumn | 41 | 3 | 10 | 12 |
| Kasfir, Sidney L. | Nnaggenda: Experimental Ugandan Artist | 1969/Autumn | 3 | 1 | 0 | 0 |
| Kasfir, Sidney L. | Richard Ndabagoye-Kampala Printmaker | 1972/Spring | 5 | 3 | 0 | 0 |
| Kasfir, Sidney L. | Anjenu: Sculpture For Idoma Water Spirits | 1982/Summer | 15 | 4 | 0 | 0 |
| Kasfir, Sidney L. | Remembering Ojiji: Portrait Of An Idoma Artist | 1989/Summer | 22 | 4 | 0 | 0 |
| Kasfir, Sidney L. | Two Nigerian Mask Attributions | 2004/Spring | 37 | 1 | 0 | 0 |
| Kasfir, Sidney L. | NARRATING TRAUMA AS MODERNITY. | 2005/Autumn | 38 | 3 | 66 | 96 |
| Kasfir, Sidney L. | Visionary Africa: Art At Work/KLA ART 012/Uganda Golden Jubilee Celebration. | 2014/Summer | 47 | 2 | 79 | 82 |
| Kasfir, Sidney Littlefield | Patronage And Maconde Carvers | 1980/Spring | 13 | 3 | 0 | 0 |
| Kasfir, Sidney Littlefield | African Art And Authenticity: A Text With A Shadow | 1992/Spring | 25 | 2 | 0 | 0 |
| Kasfir, Sidney Littlefield | Artists' Reputations: Negotiating Power Through Separation And Ambiguity | 2000/Spring | 33 | 1 | 0 | 0 |
| Kasfir, Sidney Littlefield | Katarikawe Dreaming: Notes on a Retrospective | 2002/Winter | 35 | 4 | 0 | 0 |
| Kasfir, Sidney Littlefield | Museums and Contemporary African Art: Some Questions for Curators | 2002/Winter | 35 | 4 | 0 | 0 |
| Kasfir, Sidney Littlefield | Up Close and Far Away. | 2012/Autumn | 45 | 3 | 56 | 69 |
| Kasfir, Sidney Littlefield | The Disappearing Study of the Premodern African Past. | 2013/Spring | 46 | 1 | 1 | 5 |
| Kasfir, Sidney Littlefield | Commentary on âThe Art and Material Culture of the Eloyi (Afo) People, Nigeria 1969/70â by Anna Craven | 2018/Spring | 51 | 1 | 64 | 65 |
| Kasfir, Sidney Littlefield (Guest Editor) | Elephant Women, Furious And Majestic: Women'S Masquerades In Africa And The Diaspora | 1998/Spring | 31 | 2 | 0 | 0 |
| Kasozi, Dorah | Paper Beads on the Move: Mobilizing Trajectories and Subjectivities to Shape Contemporary Art In Uganda | 2019/Summer | 52 | 2 | 40 | 51 |
| Kasule, Kizito Maria | Commentary. | 2006/Spring | 39 | 1 | 59 | 59 |
| Katchka, Kinsey | 52nd Venice Biennale: Think with the Senses'Feel with the Mind: Art in the Present Tense. | 2008/Autumn | 41 | 3 | 84 | 0 |
| Katchka, Kinsey & de Jong, Ferdinand & Nzewi, Ugochukwu | Dak'Art 2008: Muséee de l'Institut Fondamental d'Afrique Noire and Galerie Nationale, Bamako. | 2009/Summer | 42 | 2 | 84 | 87 |
| Kauenhoven Janzen, Reinhild | The Musee National Du Rwanda: Surviving The War (Research Note) | 1995/Summer | 28 | 3 | 0 | 0 |
| Kauenhoven Janzen, Reinhild | Carving Postcolonial Kongo Culture: Bakala Kalundi Daniel | 2019/Fall | 52 | 3 | 34 | 47 |
| Kauenhoven-Janzen, Reinhild | Chokwe Thrones | 1981/Spring | 14 | 3 | 0 | 0 |
| Kaunda, Berlings | Love Pipe | 1982/Winter | 15 | 2 | 0 | 0 |
| Kay, Iris | Festac 1977 | 1977/Autumn | 11 | 1 | 0 | 0 |
| Kay, Stafford | Peter Nzuki: Calabash Carver Of Kenya | 1978/Autumn | 12 | 1 | 0 | 0 |
| Kecskesi, Maria | African Art At The Staatliches Museum For Völkerkunde, Munich | 1980/Autumn | 14 | 1 | 0 | 0 |
| Kecskesi, Maria | The Pickaback Motif In The Art And Initiation Of The Rovuma Area | 1982/Autumn | 16 | 1 | 0 | 0 |
| Kecskesi, Maria | African Art At The Naturhistorische Gesellschaft, Nuremberg | 1985/Autumn | 19 | 1 | 0 | 0 |
| Keeling Wittmer, Marcilene | Bamum Village Masks | 1979/Summer | 12 | 4 | 0 | 0 |
| Keller, Candace M. | Framed and Hidden Histories: West African Photography from Local to Global Contexts | 2014/Winter | 47 | 4 | 36 | 47 |
| Kelly, Sean | New Faces For Old Forts | 1971/Summer | 4 | 4 | 0 | 0 |
| Kennedy, Carolee G. | Prestige Ornaments: The Use Of Brass In The Zulu Kingdom | 1991/Summer | 24 | 3 | 0 | 0 |
| Kennedy, Jean | I Saw And I Was Happy: Festival At Oshogbo | 1968/Winter | 1 | 2 | 0 | 0 |
| Kennedy, Jean | Senabu Oloyede And Kikelomo Oladepo | 1971/Summer | 4 | 4 | 0 | 0 |
| Kennedy, Jean | Bruce Onobrakpeya | 1972/Winter | 5 | 2 | 0 | 0 |
| Kennedy, Jean | Muraina Oyelami Of Nigeria | 1973/Spring | 6 | 3 | 0 | 0 |
| Kennedy, Jean | Wosene Kosrof Of Ethiopia | 1987/Spring | 20 | 3 | 0 | 0 |
| Kent, Kate P. | West African Decorative Weaving | 1972/Autumn | 6 | 1 | 0 | 0 |
| Kent, Kate P. | The Girard Foundation Collection At The Museum Of International Folk Art | 1983/Autumn | 17 | 1 | 0 | 0 |
| Kerkham Simbao, Ruth | The Thirtieth Anniversary of the Soweto Uprisings: Reading the Shadow in Sam Nzima's Iconic Photograph of Hector Pieterson | 2007/Autumn | 40 | 3 | 0 | 0 |
| Kettler, Andrew | The African Burial Ground in New York City: Memory, Spirituality, and Space | 2019/Spring | 52 | 1 | 95 | 96 |
| Khair-Eddine, Mohammed | Nausee Noire (In French) | 1969/Summer | 2 | 4 | 0 | 0 |
| Khalil Diare, Ibrahim | The School Of Colonial Prison | 1970/Autumn | 4 | 1 | 0 | 0 |
| Kibera, Leonard | The Spider'S Web | 1971/Autumn | 5 | 1 | 0 | 0 |
| Kingdon , Zachary | Chanuo Maundu: Master Of Makonde Blackwood Art | 1996/Autumn | 29 | 4 | 0 | 0 |
| Kingdon, Zachary | The Queen as an Aku Woman?: Reassessing ĂąâŹĆYorubaĂąâŹÂ Queen Victoria Portrait Figures | 2014/Autumn | 47 | 3 | 8 | 23 |
| Klemm, Peri M. | Oromo Fashion: Three Contemporary Body Art Practices among Afran Qallo Women. Part of a special issue: Contemporary Expressive Culture in Ethiopia | 2009/Spring | 42 | 1 | 54 | 63 |
| Klemm, Peri M. | Fourteen Films on African Art. | 2009/Autumn | 42 | 3 | 93 | 95 |
| Klemm, Peri M. | Elias Sime: Eye of the Needle, Eye of the Heart: Santa Monica Museum of Art, Santa Monica, CA. | 2010/Spring | 43 | 1 | 84 | 85 |
| Klemm, Peri M. | African Beaded Art: Power and Adornment/African Beads: Jewels of a Continent. | 2011/Autumn | 44 | 3 | 91 | 93 |
| Klemm, Peri M. & Niederstadt, Leah | Beyond Wide Part of a special issue: Contemporary Expressive Culture in Ethiopia | 2009/Spring | 42 | 1 | 6 | 13 |
| Klobe, Marguerit A. | A Dogon Figure Of A Koro Player | 1977/Summer | 10 | 4 | 0 | 0 |
| Klopper, Sandra | Speculations On Lega Figurines | 1985/Autumn | 19 | 1 | 0 | 0 |
| Klopper, Sandra | South Africa's Culture of Collecting: The Unofficial History | 2004/Winter | 37 | 4 | 0 | 0 |
| Klopper, Sandra | Sacred Fragments: Looking Back at the Art of Paul Stopforth | 2004/Winter | 37 | 4 | 0 | 0 |
| Klopper, Sandra | Commentary. | 2006/Spring | 39 | 1 | 69 | 69 |
| Klopper, Sandra | I Could Be Happy with You, if You Could Be Happy with Me: The Playful Inventions of a Visionary Headrest Artist from the Msinga Region of Kwazulu-Natal | 2019/Winter | 52 | 4 | Â 52 | 65 |
| Klopper, Sandra | I Could Be Happy with You, if You Could Be Happy with Me: The Playful Inventions of a Visionary Headrest Artist from the Msinga Region of Kwazulu-Natal | 0 | 0 | 0 | 0 | 0 |
| Knight, Roderic | Mandinka Drumming | 1974/Summer | 7 | 4 | 0 | 0 |
| Koerner, Joseph Leo | William Kentridge: TapestriesâA Collaboration with Stephens Tapestry Studio Wits Art Museum, Johannesburg November 18, 2015âDecember 15, 2015 | 2016/Spring | 49 | 1 | 85 | 88 |
| Kohl, Joyce | Beyond Statistics. The Aids Wall in Harare | 2003/Autumn | 36 | 3 | 0 | 0 |
| Köhler, Stephan | Venice Biennale May We Live in Interesting Times curated by Ralph Rugoff Venice, Italy May 11âNovember 24, 2019 | 2020/Fall | 53 | 3 |  84 | 88 |
| Köhler, Stephan | documenta 14: Learning from Athens | 2018/Winter | 51 | 4 | 86 | 88 |
| Kola-Bankole, Francine | Postcolonial Modernism: Art and Decolonization in Twentieth-Century Nigeria | 2017/Winter | 50 | 4 | 93 | 94 |
| Kola-Bankole, Francine | Josy Ajiboye, the Ultimate Prankster: Political Cartoonist as Egungun | 2020/Spring | 53 | 1 | Â 24 | 37 |
| Koloane, David | Africus: The Johannesburg Biennale A Perspective | 1996/Winter | 29 | 1 | 0 | 0 |
| Koloss, Hans Joachim | Njom Among The Ejagham | 1984/Autumn | 18 | 1 | 0 | 0 |
| Koloss, Hans-Joachim | Obasinjom Among The Ejagham | 1985/Winter | 18 | 2 | 0 | 0 |
| Koprowski, Paul | Combs Of The Beni-Amur | 1976/Spring | 9 | 3 | 0 | 0 |
| Kraamer, Malika | Ghanaian Interweaving in the Nineteenth Century. | 2006/Winter | 39 | 4 | 36 | 95 |
| Kratz, Corinne A. | The Case of the Recurring Wodaabe: Visual Obsessions in Globalizing Markets | 2018/Spring | 51 | 1 | 24 | 45 |
| Kreamer, Christine Mullen | Intersections: World Art, Local Lives. | 2008/Autumn | 41 | 3 | 81 | 0 |
| Kreamer, Christine Mullen | Impermanent by Design: The Ephemeral in Africa's Tradition. Part of a special issue: Ephemeral Art II | 2010/Spring | 43 | 1 | 14 | 27 |
| Kringelbach, HĂ©lĂšne Neveu | Studio Cameroon: The Everyday Photography of Jacques Touselle: Pitt Rivers Museum, University of Oxford, England. | 2009/Autumn | 42 | 3 | 85 | 86 |
| Kriqer, Colleen | Robes Of The Sokoto Caliphate | 1988/Autumn | 21 | 3 | 0 | 0 |
| Kristen, Christine | Sign-Painting In Ghana | 1980/Spring | 13 | 3 | 0 | 0 |
| Kuper, Hilda | Celebration Of Growth And Kingship: Incwala In Swaziland | 1968/Spring | 1 | 3 | 0 | 0 |
| Kuper, Hilda | A.C. Jordan 1907-1968 | 1969/Winter | 2 | 2 | 0 | 0 |
"| Kwami, Atta |
Ibrahim El-Salahi: A Visionary Modernist Tate Modern, London July 3âSeptember 22, 2013 | 2014/Autumn | 47 | 3 | 82 | 84 |
"
| L., Frank | Leather And Beads In N'Gamiland | 1977/Winter | 10 | 2 | 0 | 0 |
| Labelle, Marie | BEADS OF LIFE Easter and Southern African Adornments. | 2005/Spring | 38 | 1 | 12 | 93 |
| Labi, Kwame A. | Fante Asafo Flags of Abandze and Kormantse: A Discourse between Rivals | 2002/Winter | 35 | 4 | 0 | 0 |
| LaGamma, Alisa | Beyond Master Hands: The Lives Of The Artists | 1997/Autumn | 30 | 4 | 0 | 0 |
| LaGamma, Alisa | Art And Oracle: Spirit Voices Of Africa (Exhibition Preview) | 2000/Spring | 33 | 1 | 0 | 0 |
| Lagamma, Alisa | Genesis: Ideas of Origin in African Sculpture, | 2002/Autumn | 35 | 3 | 0 | 0 |
| Lagamma, Alisa | Explorations of Origins: Introduction | 2004/Spring | 37 | 1 | 0 | 0 |
| LaGamma, Alisa | Eternal Ancestors: The Art of the Central African Reliquary | 2007/Winter | 40 | 4 | 0 | 0 |
| LaGamma, Alisa | The Essential Art of African Textiles: Design Without End. | 2009/Spring | 42 | 1 | 88 | 99 |
| LaGamma, Alisa | Kongo: Power and Majesty | 2015/Autumn | 48 | 3 | 76 | 87 |
| LaGamma, Alisa (Guest Editor) | Authorship In African Art | 1997/Autumn | 30 | 4 | 0 | 0 |
| Lahbabi , Mohamed-Aziz | La Nouvelle Au Maroc | 1969/Winter | 2 | 2 | 0 | 0 |
| Lamb, Alastair | Krobo Powder-Glass Beads | 1976/Spring | 9 | 3 | 0 | 0 |
| Lambrecht, Dora | Basketry In N'Gamiland, Botswana | 1968/Spring | 1 | 3 | 0 | 0 |
| Lambrecht, Dora | New Basketry In Kenya | 1981/Autumn | 15 | 1 | 0 | 0 |
| Lamp, Frederick | Frogs Into Princes: The Temne Rabai Initiation | 1978/Winter | 11 | 2 | 0 | 0 |
| Lamp, Frederick | African Art At The Baltimore Museum Of Art | 1983/Autumn | 17 | 1 | 0 | 0 |
| Lamp, Frederick | Cosmos, Cosmetics, And The Spirit Of Bondo | 1985/Spring | 18 | 3 | 0 | 0 |
| Lamp, Frederick | The Art Of The Baga: A Preliminary Inquiry | 1986/Winter | 19 | 2 | 0 | 0 |
| Lamp, Frederick | Ancient Wood Figures From Sierra Leone: Implications For Historical Reconstruction | 1990/Spring | 23 | 2 | 0 | 0 |
| Lamp, Frederick | Art Of The Baga: A Drama Of Cultural Reinvention (Exhibition Preview) | 1996/Autumn | 29 | 4 | 0 | 0 |
| Lamp, Frederick John | Hot Space, Cool Space: The Reinstallation of the African Collection in the Louis Kahn Building at Yale University | 2007/Summer | 40 | 2 | 0 | 0 |
| Lamp, Frederick John | Temne Twins (TĂ -bĂ ri) Should Share Everything: Do You Mean Everything? | 2008/Spring | 41 | 1 | 50 | 65 |
| Lamp, Frederick John | Even the Elders Have Moved On. | 2013/Summer | 46 | 2 | 8 | 10 |
| Lane, Paul J. | Tourism And Social Change Among The Dogon | 1988/Summer | 21 | 4 | 0 | 0 |
| lanle Awe, Bo | The Asude: Yoruba Jewelsmiths | 1975/Autumn | 9 | 1 | 0 | 0 |
| Larsen, Lynne Ellsworth | Portrait of an Island: The Architecture and Material Culture of GorĂ©e, SĂ©nĂ©gal, 1758â1837 by Mark Hinchman | 2018/Spring | 51 | 1 | 95 | 96 |
| Lathrop, Perrin | Creative Africa | 2017/Summer | 50 | 2 | 84 | 86 |
| Lawal, Babatunde | New Light On Gelede | 1978/Winter | 11 | 2 | 0 | 0 |
| Lawal, Babatunde | A Ya Gbo, A Ya T0: New Perspectives On Edan Ogboni | 1995/Winter | 28 | 1 | 0 | 0 |
| Lawal, Babatunde | ĂjĂŹwĂ pĂČ: The Dialectics of Twoness in Yoruba Art and Culture. | 2008/Spring | 41 | 1 | 24 | 39 |
| Lawal, Babatunde | Eye Du Ke Esit Nyin Ke Nsinsi!: Remembering Ekpo Okpo Eyo (1931â2011) Administrator, Archaeologist, Scholar, Teacher, Mentor, and Friend | 2017/Autumn | 50 | 3 | 48 | 61 |
| Laye, Camara | The Black Man And Art | 1970/Autumn | 4 | 1 | 0 | 0 |
| ldiens, Dale | African Art At The Royal Scottish Museum | 1980/Spring | 13 | 3 | 0 | 0 |
| Lee Yoffe, Michael | Botswana Basketry | 1978/Autumn | 12 | 1 | 0 | 0 |
| Lee, David R. | Mud Mansions Of Northern Sudan | 1971/Autumn | 5 | 1 | 0 | 0 |
| Lee, Rachel | Swahili Port Cities: The Architecture of Elsewhere, by Prita Meier, Bloomington: Indiana University Press, 2016. 230 pp., 16 color, 68 b/w ill., notes, bibliography, index. $35.00 paper, $80.00 cloth | 2019/Summer | 52 | 2 | 94 | 95 |
| Leib, Elliott & Renee Romano | Reign Of The Leopard: Ngbe Ritual | 1984/Autumn | 18 | 1 | 0 | 0 |
| Leloup, Helene | Dogon Figure Styles | 1988/Autumn | 22 | 1 | 0 | 0 |
| Lemma, Menghistu | The Marriage Of Unequals | 1970/Winter | 3 | 2 | 0 | 0 |
| Levin, Jessica | Sculpted Posts: Architectural Decoration on Gabonese Stamps | 2004/Summer | 37 | 2 | 0 | 0 |
| Levinsohn, Rhoda | Lesotho Tapestry Weaving | 1976/Summer | 9 | 4 | 0 | 0 |
| Levinsohn, Rhoda | Lesotho Silkscreens And Block Prints | 1980/Summer | 13 | 4 | 0 | 0 |
| Levinsohn, Rhoda | Rural Kwazulu Basketry | 1980/Autumn | 14 | 1 | 0 | 0 |
| Levinsohn, Rhoda | Amacunu Beverage Containers | 1983/Spring | 16 | 3 | 0 | 0 |
| Lewis-Williams, J.D. | The San Artistic Achievement | 1985/Spring | 18 | 3 | 0 | 0 |
| Lewis-Williams, J.D. | Image And Counter-Image: The Work Of The Rock Art Research Unit, University Of The Witwatersrand | 1996/Autumn | 29 | 4 | 0 | 0 |
| Liedholm, Carl | The Economics Of African Dress And Textile Arts | 1982/Spring | 15 | 3 | 0 | 0 |
| Lima, Ălvaro LuĂs | Screw the Nation! Queer Nationalism and Representations of Power in Contemporary South African Art | 2012/Winter | 45 | 4 | 46 | 57 |
| Littlefield Kasfir, Sidney | How Masks Travel: Aesthetics, Trade, War, and Authority in Eastern Nigeria, an Introduction | 2019/Spring | 52 | 1 | 15 | 17 |
| Littlefield Kasfir, Sidney | Igala's Royal Masks: Borrowed, Invented, or Stolen? | 2019/Spring | 52 | 1 | 62 | 71 |
| Liu and Liza Wataghani, Robert K | Moroccan Folk Jewelry | 1975/Winter | 8 | 2 | 0 | 0 |
| lmperato, Pascal James | Sogoni Koun | 1981/Winter | 14 | 2 | 0 | 0 |
| Lo Liyong, Taban | Anabasisa Tabanisa | 1970/Winter | 3 | 2 | 0 | 0 |
| Lorenz, Carol Ann | The Ishan Cult Of The Hand | 1987/Summer | 20 | 4 | 0 | 0 |
| Lorenz, Carol Ann | Elias Sime: Tightrope curated by Tracy L. Adler Ruth and Elmer Wellin Museum of Art, Hamilton College, Clinton, NY September 7âDecember 8, 2019 | 2020/Winter | 53 | 4 |  86 | 89 |
| Loughran, Kristyne | Jewelry, Fashion, and Identity: The Tuareg Example | 2003/Spring | 36 | 1 | 0 | 0 |
| lukhele, Senzenjani | The Night Captive | 1971/Winter | 4 | 2 | 0 | 0 |
| Lundy, Brandon D. | RĂŻm's Unrest: Issues of Secrecy and the Multivalent Use of a NalĂș Traditional Shrine Piece | 2016/Winter | 49 | 4 | 70 | 79 |
| Lunsford, John | Congo Sculpture In The Dallas Museum Of Fine Arts | 1972/Summer | 5 | 4 | 0 | 0 |
| MacGaffey, Janet | Two Kongo Potters | 1975/Autumn | 9 | 1 | 0 | 0 |
| MacGaffey, Wyatt | Ethnographic Notes on Kongo Musical Instruments | 2002/Summer | 35 | 2 | 0 | 0 |
| MacGaffey, Wyatt | Commodore Wilmot Encounters Kongo Art, 1865. | 2010/Summer | 43 | 2 | 52 | 53 |
| Mack, John | Documenting The Cultures Of Southern Zaire: The Photographs Of The Torday Expeditions 1900-1909 | 1991/Autumn | 24 | 4 | 0 | 0 |
| Macmillan, Hugh | Life And Art Of Stephen Kappata | 1997/Winter | 30 | 1 | 0 | 0 |
| Magee, Carol | Social Fabrics: Gold Mining, Diaspora, and Word and Image in the Paintings of Papa Essel. | 2010/Winter | 43 | 4 | 8 | 19 |
| Magee, Carol | Representing Africa in American Art Museums: A Century of Collecting and Display. | 2011/Winter | 44 | 4 | 93 | 94 |
| Magee, Carol | Earth Matters: Land as Material and Metaphor in the Arts of Africa. | 2014/Spring | 47 | 1 | 82 | 84 |
| Maggs, Tim & Patricia Davison | The Lydenburg Heads And The Earliest African Sculpture South Of The Equator | 1981/Winter | 14 | 2 | 0 | 0 |
| Magnin, Andre | Seydou Keita (Portfolio) | 1995/Autumn | 28 | 4 | 0 | 0 |
| Maine, Abbey | An African Theater In South Africa | 1970/Summer | 3 | 4 | 0 | 0 |
| Majeed, Risham & Paoletti, Giulia | When I Last Wrote to You About Africa. | 2011/Winter | 44 | 4 | 87 | 89 |
| Makandula, Sikhumbuzo and Eria Nsubuga | Reimagining Our Missing Histories | 2017/Summer | 50 | 2 | 68 | 83 |
| Makhubu, Nomusa | Politics of the Strange. | 2013/Spring | 46 | 1 | 50 | 61 |
| Makhubu, Nomusa | âThis House Is Not for Saleâ: Nollywood's Spatial Politics and Concepts of âHomeâ in Zina Saro-Wiwa's Art | 2016/Winter | 49 | 4 | 58 | 69 |
| Maki, Jenny | Vodou Riche: Contemporary Haitian Art. | 2008/Autumn | 41 | 3 | 88 | 89 |
| Malan, Nancy E. | Photographs In The Harmon Foundation Collection | 1973/Winter | 6 | 2 | 0 | 0 |
| Malaquais, Dominique | The Dripping Man: Art, the Ephemeral, and the Urban Soul. Part of a special issue: Ephemeral Arts I | 2009/Autumn | 42 | 3 | 28 | 41 |
| Malaquais, Dominique | On Political Terms. | 2013/Winter | 46 | 4 | 6 | 6 |
| Malaquais, Dominique | Anti-Pathos | 2020/Fall | 53 | 3 | Â 1 | 7 |
| Malaquais, Dominique & Jean-Christophe Lanquetin | Urban Now: City Life in Congo: WIELS Contemporary Art Centre Brussels May 8âAugust 14, 2016 | 2017/Winter | 50 | 4 | 85 | 87 |
| Malick Ndiaye, El Hadji & John Warne Monroe | Musée, colonisation, et restitution | 2019/Fall | 52 | 3 | 1 | 6 |
| Maltz-Leca, Leora | Spectres of the Original and the Liberties of Repetition. | 2013/Winter | 46 | 4 | 32 | 45 |
| Mandel, Jean-Jacques & Armelle Brenier-Estrine | Clay Toys Of Mopti | 1977/Winter | 10 | 2 | 0 | 0 |
| Maples, Amanda M. | Striking Iron: The Art of African Blacksmiths curated by Tom Joyce, Allen F. Roberts, Henry J. Drewal, William J. Dewey, and Marla C. Berns UCLA Fowler Museum of Cultural History June 3âDecember 30, 2018 | 2019/Winter | 52 | 4 |  90 | 93 |
| Maples, Amanda M. | African Restitution in a North American Context: A Debate, A Summary, and a Challenge | 2020/Winter | 53 | 4 | Â 10 | 15 |
| Maples, Amanda M. | Caravans of Gold, Fragments in Time: Art, Culture, and Exchange across Medieval Saharan Africa curated by Kathleen Bickford Berzock Block Museum of Art, Northwestern University January 26-July 21, 2019 | 2020/Spring | 53 | 1 |  89 | 93 |
| Maples, Amanda M. | Striking Iron: The Art of African Blacksmiths curated by Tom Joyce, Allen F. Roberts, Henry J. Drewal, William J. Dewey, and Marla C. Berns UCLA Fowler Museum of Cultural History June 3âDecember 30, 2018 | 0 | 0 | 0 | 0 | 0 |
| Maquet, Jacques | En Son Devenir, L'Africanite (In French)Â | 1970/Spring | 3 | 3 | 0 | 0 |
| Maquet, Jacques | Art By Metamorphosis | 1979/Summer | 12 | 4 | 0 | 0 |
| Mara, Cheick Omar | DARA, MALI. | 2006/Winter | 39 | 4 | 78 | 96 |
| Marcel, Olivier | Toward Data-driven Art Studies: A Social Network Analysis of Contemporary African Art | 2017/Winter | 50 | 4 | 6 | 11 |
| MARCHAND, TREVOR H. J. | The Art of Livelihood: Creating Expressive Agri-culture in Rural Mali, by Stephen Wooten. Durham, NC: Carolina Academic Press, 2009 | 2011/Spring | 44 | 1 | 88 | 89 |
| Marfurt, Luitfruid | Les Masques Africains (In French) | 1968/Winter | 1 | 2 | 0 | 0 |
| Mark, Peter | Two Carved Columns From Grand Bassam | 1987/Winter | 20 | 2 | 0 | 0 |
| Mark, Peter | Double HistoriographyâFrance and Sierra Leone: The Luso-African Ivories at the Quai Branly | 2009/Spring | 42 | 1 | 1 | 4 |
| Markwei, Matei & Donal F. Mattera | Two Young Poets | 1970/Spring | 3 | 3 | 0 | 0 |
| Marschall, Sabine | Sites of Identity and Resistance: Urban Community Murals and Rural Wall Decoration in South Africa | 2002/Autumn | 35 | 3 | 0 | 0 |
| Marschall, Sabine | Transforming Symbolic Identity: Wall Art and the South African City. | 2008/Summer | 41 | 2 | 12 | 23 |
| Martin Nagy, Rebecca | Cutting Edge of the Contemporary: KNUST, Accra, and the Ghanaian Contemporary Art Movement | 2018/Autumn | 51 | 3 | 1 | 8 |
| Martinez, Eugenia S. & Micots, Courtnay & Moon, MacKenzie & Schwartzott, Amy | Global Africa: Through the Lens of Visual Culture. | 2008/Spring | 41 | 1 | 8 | 11 |
| Martinez, Jessica Levin | Pandemic in Print: African HIV/AIDS Poster: A + D Gallery, Columbia College, Chicago / Africa.Dot.Com: Drums to Digital: Glass Curtain Gallery, Columbia College, Chicago. | 2008/Summer | 41 | 2 | 84 | 86 |
| Martinez, Jessica Levin | Ephemeral Fang Reliquaries: A Post Part of a special issue: Ephemeral Art II | 2010/Spring | 43 | 1 | 28 | 43 |
| Masefield, Thorold | The Great Benin Centenary: Benin City, February 17-23,1997 Opening Ceremony Address | 1997/Summer | 30 | 3 | 0 | 0 |
| Matrui, Ali A. | Islam And African Art | 1994/Winter | 27 | 1 | 0 | 0 |
| Matthews, Thomas | Mural Painting In South Africa | 1977/Winter | 10 | 2 | 0 | 0 |
| Matthews, Thomas | A Xhosa Mural | 1979/Spring | 12 | 3 | 0 | 0 |
| Maunick, Edouard | Fusillez-Moi (In French) | 1970/Winter | 3 | 2 | 0 | 0 |
| Mayo, David | I Married A Voodoo Altar | 1996/Spring | 29 | 2 | 0 | 0 |
| Mazonowicz, Douglas | Prehistoric Rock Painting At Tassili | 1968/Autumn | 2 | 1 | 0 | 0 |
| McCall, Daniel | A Lobi Woodcarving | 1986/Autumn | 20 | 1 | 0 | 0 |
| McCarthy Brown, Karen | Art And Resistance: Haiti'S Political Murals, October 1994 | 1996/Spring | 29 | 2 | 0 | 0 |
| McCarthy Brown, Karen | Vodou Altars From Port-Au-Prince To Westwood, California Altars Happen | 1996/Spring | 29 | 2 | 0 | 0 |
| McClusky, Pamela Z. | Earth Matters: Land as Material and Metaphor in the Arts of Africa by Karen E. Milbourne, with Allan DeSouza, Clive van den Berg, Wangechi Muti, and George Osodi New York: Monacelli Press and Washington, DC: National Museum of African Art and Smithsonian Institution Press, 2013. 320 pp., 257 ill., selected bibliography, index. $50.00, cloth. | 2015/Winter | 48 | 4 | 93 | 94 |
| McEwen, Frank | Return To Origins: New Directions For African Arts | 1968/Winter | 1 | 2 | 0 | 0 |
| McEwen, Frank | Shona Art Today | 1972/Summer | 5 | 4 | 0 | 0 |
| McGuire, Harriet C. | Woyo Pot Lids | 1980/Winter | 13 | 2 | 0 | 0 |
| McKay, Roger | Ethiopian Jewelry | 1974/Summer | 7 | 4 | 0 | 0 |
| McLeod, M.D. | Goldweights Of Asante | 1971/Autumn | 5 | 1 | 0 | 0 |
| Mclntosh, Roderick J. | Middle Niger Terracottas Before The Symplegades Gateway | 1989/Winter | 22 | 2 | 0 | 0 |
| Mclntosh, Roderick J. & Susan Keech Mclntosh | Terracotta Statuettes From Mali | 1979/Winter | 12 | 2 | 0 | 0 |
| Mclntosh, Roderick J. & Tereba Togola & Susan Keech Mclntosh | The Good Collector And The Premise Of Mutual Respect Among Nations | 1995/Autumn | 28 | 4 | 0 | 0 |
| McMahon, Kathryn | The Hargeisa Provincial Museum | 1988/Autumn | 21 | 3 | 0 | 0 |
| McNaughron, Patrick R. | Bamana Blacksmiths | 1979/Winter | 12 | 2 | 0 | 0 |
| McNaughton, Pat R. | The Throwing Knife In African History | 1970/Winter | 3 | 2 | 0 | 0 |
| McNaughton, Patrick R, | Is There History In Horizontal Masks? A Preliminary Response To The Dilemma Of Form | 1991/Spring | 24 | 2 | 0 | 0 |
| McNaughton, Patrick R. | The Shirts That Mande Hunters Wear | 1982/Spring | 15 | 3 | 0 | 0 |
| McNaughton, Patrick R. | African Borderland Sculpture | 1987/Summer | 20 | 4 | 0 | 0 |
| McNaughton, Patrick R. | From Mande Komo To Jukun Akuma: Approaching The Difficult Question Of History | 1992/Spring | 25 | 2 | 0 | 0 |
| McNaughton, Patrick R. (Guest Editor) | Malian Antiquities And Contemporary Desire | 1995/Autumn | 28 | 4 | 0 | 0 |
| Meier, Prita | Objects on the Edge: Swahili Coast Logics of Display. Part of a special issue: Art and Heritage | 2009/Winter | 42 | 4 | 8 | 23 |
| Melie, Edith & Betty Wass | Ozo Title-Taking Insignia In Onitsha | 1983/Autumn | 17 | 1 | 0 | 0 |
| Memmi, Albert | Negritude Et Judeite The Negro And The Jew (In French And English) | 1968/Summer | 1 | 4 | 0 | 0 |
| Memmi, Albert | On Dit La Mer, On Dit Le Soleil (In French) | 1967/Autumn | 1 | 1 | 0 | 0 |
| Meneghini, Mario | The Bassa Mask | 1972/Autumn | 6 | 1 | 0 | 0 |
| Meneghini, Mario | The Grebo Mask | 1974/Autumn | 8 | 1 | 0 | 0 |
| Menkiti, Ifeanyi | Poems | 1968/Autumn | 2 | 1 | 0 | 0 |
| Mensah-Brown, Kodwo | The London Africa Centre | 1970/Spring | 3 | 3 | 0 | 0 |
| Merewether, Charles | A Matter Of Recognition | 1996/Spring | 29 | 2 | 0 | 0 |
| Merlens, Tristan | Persona | 2011/Autumn | 44 | 3 | 86 | 88 |
| Merlo, Christian | Statuettes Of The Abiku Cult | 1975/Summer | 8 | 4 | 0 | 0 |
| Merminod, Vanessa | Medusa: The African Sculpture of Enchantment: MusĂ©e d'Ethnographie de GenĂȘve (MEG), Switzerland. | 2010/Summer | 43 | 2 | 78 | 79 |
| Merriam, Alan P. | Art And Economics In Basongye Raffia Basketry | 1968/Autumn | 2 | 1 | 0 | 0 |
| Merriam, Alan P. | Change In Religion And The Arts In A Zairian Village | 1974/Summer | 7 | 4 | 0 | 0 |
| Messenger, John C. | African Retentions In Montserrat | 1973/Summer | 6 | 4 | 0 | 0 |
| Metr, Gordon | Learning To Live Without The Enemy | 1996/Winter | 29 | 1 | 0 | 0 |
| Mew, Sophie | Meschac Gaba Museum of Contemporary African Art, Tate Modern July 3-September 22, 2013 | 2014/Autumn | 47 | 3 | 85 | 86 |
| Meye, Francois | Les Coupeurs De Bois (In French)Â | 1969/Summer | 2 | 4 | 0 | 0 |
| Meyer, Anthony J. | Afro-Cuban Religious Arts: Popular Expressions of Cultural Inheritance in Espiritismo and SanterĂa by Kristine Juncker Gainesville: University Press of Florida, 2014. 208 pp., 28 color ill., 20 b/w. $74.95, cloth. | 2017/Spring | 50 | 1 | 93 | 94 |
| Meyer, Piet | African Art At The Museum Rietberg, Zurich | 1981/Summer | 14 | 4 | 0 | 0 |
| Micaud, Ellen | Trois Decades D'Art Tunisien Three Decades Of Tunisian Art (In French And English) | 1968/Spring | 1 | 3 | 0 | 0 |
| Micaud, Ellen | The Craft Tradition In North Africa | 1970/Winter | 3 | 2 | 0 | 0 |
| Micheli, C. Angelo | Doubles and Twins: A New Approach to Contemporary Studio Photography in West Africa. | 2008/Spring | 41 | 1 | 66 | 85 |
| Mickelsen, Nancy R. | Tuareg Jewelry | 1976/Winter | 9 | 2 | 0 | 0 |
| Micots, Courtnay | Of Cloth and Culture: African Textiles from the Norma Canelas and William D. Roth Collection: Orlando Museum of Art, Orlando, FL / Where Symbols Meet: A Celebration of West African Achievement: Glenbow Museum, Calgary. | 2008/Winter | 41 | 4 | 82 | 84 |
| Micots, Courtnay | Performing Ferocity: Fancy Dress, Asafo, and Red Indians in Ghana. | 2012/Summer | 45 | 2 | 24 | 35 |
| Micots, Courtnay | Carnival in Ghana. | 2014/Spring | 47 | 1 | 30 | 41 |
| Milbourne, Karen E. | A History Shaped by Futures Past: Art, Artists, and the Dialogic Turn at the Smithsonian National Museum of African Art | 2017/Winter | 50 | 4 | 62 | 73 |
| Milbourne, Karen E. & Mary Nooter Roberts, and Allen F. Roberts | Senses of Time: Video and Film-Based Arts of Africa | 2015/Winter | 48 | 4 | 72 | 84 |
| Milbourne, Karen E. & Susan M. Vogel & Donald J. Cosentino | Mary âPollyâ Nooter Roberts 1959â2018 | 2019/Fall | 52 | 3 | 9 | 12 |
| Miller Chernoff, John | Andrews Ofori Danso Of Ghana | 1977/Spring | 10 | 3 | 0 | 0 |
| Miller, Ashley | Le Maroc MĂ©diĂ©val: Un Empire de l'Afrique Ă l'Espagne [Medieval Morocco: An Empire from Africa to Spain] MusĂ©e Mohammad VI d'Art Moderne et Contemporain Rabat, Morocco March 5âJune 3, 2015 | 2015/Winter | 48 | 4 | 89 | 91 |
| Miller, Kim | TRAUMA, TESTIMONY, AND TRUTH. | 2005/Autumn | 38 | 3 | 40 | 94 |
| Miller, Kim | Moms with Guns: Women's Political Agency in Anti | 2009/Summer | 42 | 2 | 68 | 75 |
| Miller, Kim | Contemporary Art/South Africa Yale University Art Gallery New Haven, CT May 9, 2014âdate | 2015/Autumn | 48 | 3 | 88 | 90 |
| Miller, Kim | Arts of Global Africa curated by Christa Clarke The Newark Museum, Newark, NJ Opened December 2017 | 2019/Fall | 52 | 3 | 78 | 79 |
| Miller, Kim & Hill, Shannen | Trauma and Representation in Africa. | 2005/Autumn | 38 | 3 | 1 | 4 |
| Mirzoeff, Nicholas | Invisible Again. | 2005/Autumn | 38 | 3 | 36 | 96 |
| Mobolade, Timothy | Ibeji Custom In Yorubaland | 1971/Spring | 4 | 3 | 0 | 0 |
| Mobolade, Timothy | The Concept Of Abiku | 1973/Autumn | 7 | 1 | 0 | 0 |
| Moffett, Dana & Stephen Mellor | The Curator-Conservator Collaboration: Remembering Roy Sieber | 2003/Summer | 36 | 2 | 0 | 0 |
| Mofshabi, Lazarus | Shortcut To Success | 1971/Winter | 4 | 2 | 0 | 0 |
| Mohammed, Ishak & El Khalifa Sherif | New York | 1968/Summer | 1 | 4 | 0 | 0 |
| Molina, Sarah | The Ease of Fiction: Contemporary Art Museum of Raleigh, Raleigh, NC March 3âJune 19, 2016 | 2017/Winter | 50 | 4 | 74 | 76 |
| Monroe, John Warne | Picasso Primitif | 2018/Winter | 51 | 4 | 92 | 94 |
| Monroe, John Warne | Restitution and the Logic of the Postcolonial Nation-State | 2019/Fall | 52 | 3 | 6 | 8 |
| Monts, Lester P. | Dance In The Vai Sande Society | 1984/Summer | 17 | 4 | 0 | 0 |
| Moore Apotsos, Michelle | New Meanings and Historical Messages in the Larabanga Mosque | 2016/Winter | 49 | 4 | 8 | 23 |
| Moore Foss, Susan | Urhobo Mats In Praise Of Daughters | 1978/Autumn | 12 | 1 | 0 | 0 |
| Moore Foss, Susan | She Who Sits As King: Celebrations For Young Urhobo Women | 1979/Winter | 12 | 2 | 0 | 0 |
| Moore, Allison | Man Ray, African Art and the Modernist Lens. | 2011/Summer | 44 | 2 | 94 | 95 |
| Morfimer, Robert A. | Ousmane Sembene And The Cinema Of Decolonization | 1972/Spring | 5 | 3 | 0 | 0 |
| Morgan, Trevor Vermont | Anya Fulu Ugo: Exhibition in Honor of El Anatsui and Obiora Udechukwu Nnamdi Azikiwe Library, Nsukka June 24âJuly 8, 2015 | 2016/Fall | 49 | 3 | 87 | 89 |
| Morris, Julia | Baay Fall Sufi Da'iras. | 2014/Spring | 47 | 1 | 42 | 53 |
| Morris, Rosalind C. | Jane Alexander: Surveys (from the Cape of Good Hope) Cathedral Church of St. John the Divine, New York City April 17-July 28, 2013 | 2014/Autumn | 47 | 3 | 86 | 88 |
| Morton, Elizabeth | Lamidi Olonade Fakeye 1928â2009 | 2010/Autumn | 43 | 3 | 10 | 10 |
| Morton-Williams, Peter | Two Yoruba Brass Pillars (Research Note) | 1995/Summer | 28 | 3 | 0 | 0 |
| Morton-Williams, Peter | A Superb Yoruba Horseman. | 2005/Spring | 38 | 1 | 72 | 73 |
| Moss, Juliet | Shaping Power: Luba Masterworks from the Royal Museum for Central Africa Los Angeles County Museum of Art July 7, 2013-May 4, 2014 | 2016/Winter | 49 | 4 | 90 | 91 |
| Moukory, Emmanuel E | Lettre De Douala (In French)Â | 1969/Spring | 2 | 3 | 0 | 0 |
| Moukory, Emmanuel E. & Yvette Beyissa Lantelne & Marcel Mvondo II | Trois Poetes Camerounais (In French)Â | 1969/Spring | 2 | 3 | 0 | 0 |
| Moyana, Tafirenyika | Muchongoyo: A Shangani Dance | 1976/Winter | 9 | 2 | 0 | 0 |
| Mphahlele, Ezekial | The Wanderers | 1969/Winter | 2 | 2 | 0 | 0 |
| Msanji, Francis | I Opened My Eyes To The World | 1970/Summer | 3 | 4 | 0 | 0 |
| Mubitana, Kafungulwa | Wiko Masquerades In A Zambian Town | 1971/Spring | 4 | 3 | 0 | 0 |
| Mudekereza, Patrick | Picha. | 2011/Autumn | 44 | 3 | 68 | 75 |
| Mullen Kreamer, Christine | Moba Shrine Figures | 1987/Winter | 20 | 2 | 0 | 0 |
| Mullen Kreamer, Christine | A Tribute to Roy Sieber, Part 1 | 2003/Spring | 36 | 1 | 0 | 0 |
| Mullen Kreamer, Christine | A Tribute to Roy Sieber, Part 2 | 2003/Summer | 36 | 2 | 0 | 0 |
| Muller, Jean-Claude | Inside, Outside, And Inside Out: Masks, Rulers, And Gender Among The Dii And Their Neighbors | 2001/Spring | 34 | 1 | 0 | 0 |
| Mullins, P.A. | The Romare Bearden Reader edited by Robert G. O'Meally, Durham, NC: Duke University Press, 2019. 413 pp., 10 color ill., 50 b/w ill. $28.95 | 2020/Summer | 53 | 2 |  95 | 96 |
| Mundy-Castle, A.C. and Vicki | Twins Seven Seven | 1972/Autumn | 6 | 1 | 0 | 0 |
| Mundy-Castle, Vicki | Adebisi Fabunmi Of Nigeria | 1974/Spring | 7 | 3 | 0 | 0 |
| Munonye, John | Short Story: The Bird | 1967/Autumn | 1 | 1 | 0 | 0 |
| Murphy, David | Dakar 66: Chronicles of a Pan-African Festival MusĂ©e du Quai Branly, Paris February 16âMay 15, 2016 | 2017/Spring | 50 | 1 | 80 | 82 |
| Murphy, Maureen | Moving from a Continental and Ethnic Approach to a Historical One. | 2013/Summer | 46 | 2 | 10 | 10 |
| Murphy, Maureen | Biennials' Temporality | 2019/Summer | 52 | 2 | 8 | 8 |
| Mvondo II, Marcel | Poesies (In French) | 1968/Autumn | 2 | 1 | 0 | 0 |
| Nagy, Rebecca M. | Richard Pankhurst (1927â2017) | 2018/Spring | 51 | 1 | 8 | 9 |
| Namubiru Kirumira, Rose | Reconfiguring the Omweso Board Game: Performing Narratives of Buganda Material Culture | 2019/Summer | 52 | 2 | 52 | 65 |
| Ndukaku Amankulor, J. | The First All-Ngwa Cultural Festival | 1977/Winter | 10 | 2 | 0 | 0 |
| Neaher, Nancy C. | Igbo Metalsmiths Among The Southern Edo | 1976/Summer | 9 | 4 | 0 | 0 |
| Neaher, Nancy C. | Nigerian Bronze Bells | 1979/Spring | 12 | 3 | 0 | 0 |
| Neaher, Nancy C. | An Interpretation Of Igbo Carved Doors | 1981/Autumn | 15 | 1 | 0 | 0 |
| Nelson, Steven | Writing Architecture:The Mousgoum T6Dkand Cultural SelfÂFashioning At The New Fin De Siecle | 2001/Autumn | 32 | 3 | 0 | 0 |
| Nelson, Steven | Recalling Dak'Art. | 2006/Winter | 39 | 4 | 64 | 65 |
| Nelson, Steven | Africa Remix Remix. | 2008/Autumn | 41 | 3 | 1 | 8 |
| Nelson, Steven | âDaringly Experimental and Versatileâ: African Arts and the Contemporary | 2017/Spring | 50 | 1 | 16 | 21 |
| Nesmith, Jr., Fisher H | The Jenne Bronze Question | 1984/Spring | 17 | 3 | 0 | 0 |
| Nesmith,, Fisher H. | Dogon Bronzes | 1979/Winter | 12 | 2 | 0 | 0 |
| Nettleton, Anitra | History And The Myth Of Zulu Sculpture | 1988/Autumn | 21 | 3 | 0 | 0 |
| Nettleton, Anitra | Home Is Where The Art Is: Six South African Rural Artists | 2000/Winter | 33 | 4 | 0 | 0 |
| Nettleton, Anitra | Samson Mudzunga, Dzingoma, and New Mythologies. | 2006/Winter | 39 | 4 | 68 | 96 |
| Nettleton, Anitra | Jubilee Dandies. | 2013/Spring | 46 | 1 | 36 | 49 |
| Nettleton, Anitra | Of Severed Heads and Snuff Boxes: âSurvivanceâ and Beaded Bodies in the Eastern Cape, 1897â1934 | 2015/Winter | 48 | 4 | 22 | 23 |
| Nettleton, Anitra | In Step with the Times: Mapiko Masquerades of Mozambique by Paolo Israel Athens: Ohio University Press, 294 pages, 21 b/w illustrations, glossary, list of Mapiko and other dance genres, 2 maps, bibliography, index. $32.95, paper | 2016/Winter | 49 | 4 | 92 | 93 |
| Nettleton, Anitra | Realism, Rurality and Modernity: Samuel Makoanyane, Julius Mfete, Zolani Mapente | 2020/Summer | 53 | 2 | Â 66 | 79 |
| Nettleton, Anitra C.E. | The Venda Model Hut | 1985/Spring | 18 | 3 | 0 | 0 |
| Nevadomsky, Joseph | Kingship Succession Rituals In Benin Part 2: The Big Things | 1984/Winter | 17 | 2 | 0 | 0 |
| Nevadomsky, Joseph | Kingship Succession Rituals In Benin Part 3: The Coronation Of The Oba | 1984/Spring | 17 | 3 | 0 | 0 |
| Nevadomsky, Joseph | The Benin Bronze Horseman As The Ata Of Idah | 1986/Summer | 19 | 4 | 0 | 0 |
| Nevadomsky, Joseph | Kemwin-Kemwin:The Apothecary Shop In Benin City | 1988/Autumn | 22 | 1 | 0 | 0 |
| Nevadomsky, Joseph | The Clothing Of Political Identity: Costume And Scarification In The Benin Kingdom | 1995/Winter | 28 | 1 | 0 | 0 |
| Nevadomsky, Joseph | Casting in Contemporary Benin Art. | 2005/Summer | 38 | 2 | 66 | 95 |
| Nevadomsky, Joseph | Rosalinde Gregor Wilcox: March 30, 1936 Obituary | 2009/Winter | 42 | 4 | 6 | 7 |
| Nevadomsky, Joseph | Iconoclash or Iconoconstrain. | 2012/Autumn | 45 | 3 | 14 | 27 |
| Nevadomsky, Joseph | The Vigango Affair: The Enterprise of Repatriating Mijikenda Memorial Figures to Kenya | 2018/Summer | 51 | 2 | 58 | 69 |
| Nevadomsky, Joseph | The Identification of the âBird of Prophecyâ in Benin Kingdom Art | 2020/Spring | 53 | 1 | Â 76 | 81 |
| Nevadomsky, Joseph & Daniel E. Inneh | Kingship Succession Rituals In Benin Part 1: Becoming A Crown Prince | 1983/Autumn | 17 | 1 | 0 | 0 |
| Nevadomsky, Joseph (Guest Editor) | Studies Of Benin Art And Material Culture, 1897-1997 | 1997/Summer | 30 | 3 | 0 | 0 |
| Nevadomsky, Joseph (Guest Editor) | Contemporary Art And Artists In Benin City | 1997/Autumn | 30 | 4 | 0 | 0 |
| Newbury, Darren | Relocating the Heseltine Photographic Collection at District Six Museum | 2015/Summer | 48 | 2 | 64 | 77 |
| Ngaji | Healing vessel [art reproduction]. | 2010/Spring | 43 | 1 | 9 | 9 |
| Ngakane, Lionel | Dumile: A Profile | 1970/Winter | 3 | 2 | 0 | 0 |
| Ng'weno, Hilary | Letter From Nairobi | 1968/Winter | 1 | 2 | 0 | 0 |
| Nicholls, Robert W. | Igede Funeral Masquerades | 1984/Spring | 17 | 3 | 0 | 0 |
| Nicholls, Robert W. | The Mocko Jumbie Of The U.S. Virgin Islands: History And Antecedents | 1999/Autumn | 32 | 3 | 0 | 0 |
| Nicklin, Keith | The Ibibio Musical Pot | 1973/Autumn | 7 | 1 | 0 | 0 |
| Nicklin, Keith | Nigerian Skin-Covered Masks | 1974/Spring | 7 | 3 | 0 | 0 |
| Nicklin, Keith | Ibibio Metalwork | 1976/Autumn | 10 | 1 | 0 | 0 |
| Nicklin, Keith | Skin-Covered Masks Of Cameroon | 1979/Winter | 12 | 2 | 0 | 0 |
| Nicklin, Keith | Kuyu Sculpture At The Powell-Cotton Museum | 1983/Autumn | 17 | 1 | 0 | 0 |
| Nicklin, Keith | Cross River Studies | 1984/Autumn | 18 | 1 | 0 | 0 |
| Nicklin, Keith & Jill Salmons | Cross River Art Styles | 1984/Autumn | 18 | 1 | 0 | 0 |
| Nicklin, Keith & Salmons, Jill | Hippies of Elmina. | 2005/Summer | 38 | 2 | 60 | 95 |
| Nicklin, Keith (Guest Editor) | A Tribute To John Povey | 1994/Winter | 27 | 1 | 0 | 0 |
| Nicklin, Keith and Jill Salmons | S.J. Akpan Of Nigeria | 1977/Autumn | 11 | 1 | 0 | 0 |
| Niederstadt, Leah | Fighting HIV with Juggling Clubs: An Introduction to Ethiopia's Circuses. Part of a special issue: Contemporary Expressive Culture in Ethiopia | 2009/Spring | 42 | 1 | 76 | 87 |
| Niederstadt, Leah | Visualizing Marriage in Northern Ethiopia: The Production and Consumption of Gama | 2018/Autumn | 51 | 3 | 52 | 73 |
| Nimism Ărika | Small Archives and the Silences of Algerian History | 2015/Summer | 48 | 2 | 26 | 39 |
| Nolasco, Ana | Gazes from the South: The Tchiloli and the Work of René Tavares | 2020/Fall | 53 | 3 |  44 | 57 |
| Nolte, Jacqueline | The Drawings Of Bongi Bengu | 2000/Summer | 33 | 2 | 0 | 0 |
| Nooter Roberts, Mary | The Naming Game: Ideologies Of Luba Artistic Identity | 1997/Autumn | 30 | 4 | 0 | 0 |
| Nooter Roberts, Mary | The Inner Eye: Vision and Transcendence in African Arts | 2017/Spring | 50 | 1 | 60 | 79 |
| Nooter Roberts, Mary & Allen f. Roberts | Memory: Luba Art And The Making Of History (Exhibition Preview) | 1996/Winter | 29 | 1 | 0 | 0 |
| Nooter, Mary H. | Secrecy: African Art That Conceals And Reveals (Exhibition Preview) | 1993/Winter | 26 | 1 | 0 | 0 |
| Nooter, Robert and Nancy | Eliot Elisofon: Photographer Of Africa | 1974/Autumn | 8 | 1 | 0 | 0 |
| Noret, Joël | Between Authenticity and Nostalgia: The Making of a Yoruba Tradition in Southern Benin. | 2008/Winter | 41 | 4 | 26 | 31 |
| Northern, Tamara | The African Collection At The Museum Of Primitive Art | 1971/Autumn | 5 | 1 | 0 | 0 |
| NTARANGWI, MWENDA | Street Dreams and Hip Hop Barbershops: Global Fantasy in Urban Tanzania. | 2011/Spring | 44 | 1 | 90 | 91 |
| Nugent, Gabriella | Mining Time in Sammy Baloji's MĂ©moire | 2019/Fall | 52 | 3 | 62 | 71 |
| Nunley, John | The Fancy And The Fierce: Yoruba Masking Traditions Of Sierra Leone | 1981/Winter | 14 | 2 | 0 | 0 |
| Nunley, John | Images And Printed Words In Freetown Masquerades | 1982/Summer | 15 | 4 | 0 | 0 |
| Nunley, John W, | Caribbean Festival Arts: Each And Every Bit Of Difference | 1989/Spring | 22 | 3 | 0 | 0 |
| Nunley, John W. | Sikilen: Transformation Of A Sisala Masquerade | 1977/Autumn | 11 | 1 | 0 | 0 |
| Nunley, John W. | Ntowie: Sisala Carver | 1979/Autumn | 13 | 1 | 0 | 0 |
| Nunley, John W. | The Lantern Festival In Sierra Leone | 1985/Winter | 18 | 2 | 0 | 0 |
| Nunoo, Richard B. | Canoe Decoration In Ghana | 1974/Spring | 7 | 3 | 0 | 0 |
| Nwafor, Okechukwu | Beyond Borders: Global Africa curated by Laura de Becker A. Alfred Taubman Gallery, University of Michigan Museum of Art August 11âNovember 25, 2018 | 2019/Fall | 52 | 3 | 75 | 77 |
| Nwafor, Okechukwu | Chike C. Aniakor: The Community and a Congregation of Figural Elements | 2020/Winter | 53 | 4 | Â 58 | 67 |
| Nwapa, Flora | Idu | 1968/Summer | 1 | 4 | 0 | 0 |
| Nygaard Mickelson, Amy | South Africa: The Art of a Nation | 2018/Autumn | 51 | 3 | 93 | 94 |
| Nzewi, Meki | Ancestral Polyphony | 1978/Summer | 11 | 4 | 0 | 0 |
| NZEWI, UGOCHUKWU | Dak'Art 2010. | 2011/Summer | 44 | 2 | 80 | 81 |
| Nzewi, Ugochukwu & Thompson, Carol & Mejorado, Rebekah | Embodying the Sacred in Yoruba Art: Featuring the Bernard and Patricia Wagner Collection: A Case Study in Museum Practice. | 2009/Summer | 42 | 2 | 32 | 43 |
| Nzewi, Ugochukwu-Smooth C. | documenta 14: Learning from Athens | 2018/Winter | 51 | 4 | 89 | 91 |
| Nzewim Ugochukwu-Smooth C. | In the Long Shadows of Euro-America, or, What is Global Contemporary? | 2015/Summer | 48 | 2 | 10 | 11 |
| O'Connell, Patricia | Bandi Silver Jewelry | 1978/Autumn | 12 | 1 | 0 | 0 |
| Odiboh, Freeborn O. | Creative Reformation of African Art Traditions: The iconography of Abayomi Barber Art School. | 2009/Summer | 42 | 2 | 76 | 83 |
| Ogbechie, Sylvester Okwunodu | The Historical Life of Objects. | 2005/Winter | 38 | 4 | 62 | 95 |
| Ogbechie, Sylvester Okwunodu | More on Nationalism and Nigerian Art. | 2009/Autumn | 42 | 3 | 9 | 9 |
| Ogbechie, Sylvester Okwunodu | Yoruba Art and Language: Seeking the African in African Art by Rowland Abiodun Cambridge: Cambridge University Press, 2014. 409 pp., 73 b/w, 67 color ill. $92 cloth | 2016/Summer | 49 | 2 | 93 | 94 |
| Ogene, John | The Politics of Patronage and the Igun Artworker in Benin City. | 2012/Spring | 45 | 1 | 42 | 49 |
| Ogun wale, Titus A. | Traditional Hairdressing In Nigeria | 1972/Spring | 5 | 3 | 0 | 0 |
| Ogunlusi, Jola | The Olosunta Festival | 1969/Autumn | 3 | 1 | 0 | 0 |
| Ogunlusi, Jola | Three Nigerian Festivals: Igunnuko Festival | 1971/Summer | 4 | 4 | 0 | 0 |
| Ogunnaike, Oludamini | Performing Realization: The Sufi Music Videos of the Taalibe Baye of Dakar | 2018/Autumn | 51 | 3 | 26 | 39 |
| Ogunwale, Titus A. | Lamidi Fakeye: Nigerian Traditional Sculptor | 1971/Winter | 4 | 2 | 0 | 0 |
| Ogunwale, TItus A. | Three Nigerian Festivals: Oshun Festival | 1971/Summer | 4 | 4 | 0 | 0 |
| Ogunyemi, Wale | The Vow | 1972/Winter | 5 | 2 | 0 | 0 |
| O'Hear, Ann | Ilorin Lantana Beads | 1986/Summer | 19 | 4 | 0 | 0 |
| Ojo, J.R.O. | Ogboni Drums | 1973/Spring | 6 | 3 | 0 | 0 |
| Ojo, R.O. | A Bronze Stool Collected At Ijebu Ode | 1975/Autumn | 9 | 1 | 0 | 0 |
| Okai, John | Fugue For Waterfrogs: A Poem In Three Movements | 1969/Summer | 2 | 4 | 0 | 0 |
| Okeke, Uche | Ekeama | 1972/Winter | 5 | 2 | 0 | 0 |
| Okeke-Agulu, Chika | The Challenge of the Modern. | 2006/Spring | 39 | 1 | 14 | 91 |
| Okeke-Agulu, Chika & John Picton | nalism and the Rhetoric of Modernism in Nigeria: The Art of Uche Okeke and Demas Nwoko, 1960â1968 | 2006/Spring | 39 | 1 | 26 | 93 |
| Okoye, Ikem Stanley | GONE CONTEMPORARY. | 2013/Autumn | 46 | 3 | 8 | 9 |
| Okpewho, Isidore | The Last Duty | 1973/Winter | 6 | 2 | 0 | 0 |
| Okwesa, Kenneth | Abdulla, Sudanese Potter | 1970/Winter | 3 | 2 | 0 | 0 |
| Okwuosa, Tobenna | Celebrating African Arts at 50 and Its Place in Africa | 2017/Spring | 50 | 1 | 1 | 4 |
| Ola, Yomi | Humor and Violence: Seeing Europeans in Central African Art by Z.S. Strother Bloomington: Indiana University Press, 2016. 344 pp., 118 color ill., biblio., index. $50.00, paperback | 2019/Winter | 52 | 4 |  95 | 96 |
| Ola, Yomi | Humor and Violence: Seeing Europeans in Central African Art by Z.S. Strother Bloomington: Indiana University Press, 2016. 344 pp., 118 color ill., biblio., index. $50.00, paperback | 0 | 0 | 0 | 0 | 0 |
| Oloruntoba, Z.K. & Gretchen Dihoff & Michael W. Peplow | A Dream Of King Marapaka | 1970/Summer | 3 | 4 | 0 | 0 |
| Olufemi Richards, J. V. | The Sande Mask | 1974/Winter | 7 | 2 | 0 | 0 |
| Omojola, Bode | The YorĂčbĂĄ God of Drumming: Transatlantic Perspectives on the Wood that Talks edited by Amanda Villepastour Jackson: University Press of Mississippi, 2015 312pp., 16 b/w ill, 9 figs., 4 tables; $65.00 hardcover, $30.00 paper | 2020/Fall | 53 | 3 |  93 | 94 |
| Onuzulike, Ozioma | Kofi Setordji: Retrospective, 1997 | 2014/Spring | 47 | 1 | 85 | 87 |
| Onyile, Onyile Bassey | Okpo Ekak: Paradox of Passion and Individuality among the Efik | 2016/Fall | 49 | 3 | 48 | 61 |
| Oquibe, Olu | El Anatsui: Beyond Death And Nothingness | 1998/Winter | 31 | 1 | 0 | 0 |
| Oram, Jenny | Float Traditions In Sierra Leone And The Gambia (Research Note) | 1998/Summer | 31 | 3 | 0 | 0 |
| Osasona, Cordelia O. | The Ile Nla: A Colonial Town Hall In Ile-Ife, Nigeria (Research Note) | 2001/Spring | 34 | 1 | 0 | 0 |
| Osayimwese, Itohan | Invisible Woman: Reclaiming Josephine Ifueko Osayimwese Omigie in the History of the Zaria Art Society and Postcolonial Modernism in Nigeria | 2019/Summer | 52 | 2 | 66 | 79 |
| Osinulu, Damola | Painters, Blacksmiths and Wordsmiths: Building Molues in Lagos. | 2008/Autumn | 41 | 3 | 44 | 53 |
| Osman, Fathi | The First Sudanese Artists' Forum 2008. | 2010/Spring | 43 | 1 | 10 | 10 |
| Ottenberg, Simon | The House Of Men | 1972/Summer | 5 | 4 | 0 | 0 |
| Ottenberg, Simon | Afikpo Masquerades: Audience And Performers | 1973/Summer | 6 | 4 | 0 | 0 |
| Ottenberg, Simon | Igbo And Yoruba Art Contrasted | 1983/Winter | 16 | 2 | 0 | 0 |
| Ottenberg, Simon | We Are Becoming Art Minded: Afikpo Arts 1988 | 1989/Summer | 22 | 4 | 0 | 0 |
| Ottenberg, Simon | The Beaded Bands Of Bafodea | 1992/Spring | 25 | 2 | 0 | 0 |
| Ottenberg, Simon | Sources and Themes in the Art of Obiora Udechukwu | 2002/Summer | 35 | 2 | 0 | 0 |
| Ottenberg, Simon | The Shattered Gourd: Yoruba Forms in Twentieth Century American Art by Moyo Okediji No Access | 2005/Winter | 38 | 3 | 10 | 90 |
| Ottenberg, Simon | African Art and Culture in Maine. | 2006/Spring | 39 | 1 | 1 | 96 |
| Ottenberg, Simon | Decorated Hu Ronko Shirts from Northern Sierra Leone: Birth, Life and Decline | 2007/Winter | 40 | 4 | 0 | 0 |
| Ottenberg, Simon | Objects from a Colonial War: The Dyer Collection. | 2012/Summer | 45 | 2 | 70 | 81 |
| Ottenberg, Simon | African Art Studies: Are they No Longer Taking the Paths Less Traveled? | 2013/Winter | 46 | 4 | 7 | 7 |
| Ottenberg, Simon & Linda Knudsen | Leopard Society Masquerades: Symbolism And Diffusion | 1985/Winter | 18 | 2 | 0 | 0 |
| Ottenberq, Simon | Psychological Aspects Of Igbo Art | 1988/Winter | 21 | 2 | 0 | 0 |
| Ouinn, Charlotte A. | African Art At The Naprstek Museum | 1978/Summer | 11 | 4 | 0 | 0 |
| Oumar Konard, Alpha | Toward More Efficient International Collaboration | 1995/Autumn | 28 | 4 | 0 | 0 |
| Owen, Evelyn | Art for Sale: Covering the Contemporary, Courting the Commercial | 2018/Winter | 51 | 4 | 1 | 4 |
| Owiti , Hezbon Edward | Painting Is A Creation | 1969/Spring | 2 | 3 | 0 | 0 |
| Palmeirim, Manuela | Masks, Myths, Novels, and Symbolic Ambiguity: Dialogues Between Verbal and Visual Arts. | 2008/Autumn | 41 | 3 | 74 | 77 |
| Palmié, Stephan | Intangible Cultural Property, Semiotic Ideology, and the Vagaries of Ethnoculinary Recognition. Part of a special issue: Art and Heritage | 2009/Winter | 42 | 4 | 54 | 61 |
| Pankhurst, Richard | Ethiopian Painting of King Takla Haymanot's War with the Dervishes. | 2006/Summer | 39 | 2 | 64 | 67 |
| Pankhurst, Rita & Richard Pankhurst | Ethiopian Figurines from Mugar Monastery in shawa | 2004/Autumn | 37 | 3 | 0 | 0 |
| Paoletti, Giulia | Paradise Lost: Revisiting the Niger Delta: Center for Contemporary Art Lagos, Lagos, Nigeria. | 2009/Winter | 42 | 4 | 80 | 81 |
| Papageorge Kouroupas, Maria | U.S. Efforts To Protect Cultural Property: Implementation Of The 1970 Unesco Convention | 1995/Autumn | 28 | 4 | 0 | 0 |
| Papini, Robert | Dance Uniform History in the Church of Nazareth Baptists: The Move to Tradition | 2004/Autumn | 37 | 3 | 0 | 0 |
| Paraux, Bernard | Senegalese Art Today | 1974/Autumn | 8 | 1 | 0 | 0 |
| Parisel, Philippe & Lelo Nzuzi | Kinshasa Walls That Speak | 1995/Summer | 28 | 3 | 0 | 0 |
| Parodi da Passano, Giovanna | Between Cultural Lag and Confusion: The Reception of African Art in Italy. | 2010/Summer | 43 | 2 | 9 | 14 |
| Patton, Sharon f. | The Stool And Asante Chieftaincy | 1979/Autumn | 13 | 1 | 0 | 0 |
| Patton, Sharon F. | The Asante Umbrella | 1984/Summer | 17 | 4 | 0 | 0 |
| Paulme, Denise | The Paulme-Lifchitz Collection At The Musee De L'Homme | 1988/Summer | 21 | 4 | 0 | 0 |
| p'Birek, Okor | Horn Of My Love | 1973/Autumn | 7 | 1 | 0 | 0 |
| Peek, Phil & N. E. Owheibor | Isoko Songs Of Ilue-Ologbo | 1971/Winter | 4 | 2 | 0 | 0 |
| Peek, Philip | African Worlds. | 2006/Summer | 39 | 2 | 68 | 73 |
| Peek, Philip | African art in unusual places. | 2014/Summer | 47 | 2 | 96 | 96 |
| Peek, Philip M. | Isoko Sacred Mud Sculpture | 1976/Summer | 9 | 4 | 0 | 0 |
| Peek, Philip M. | Isoko Artists And Their Audiences | 1980/Spring | 13 | 3 | 0 | 0 |
| Peek, Philip M. | Isoko Bronzes And The Lower Niger Bronze Industries | 1980/Summer | 13 | 4 | 0 | 0 |
| Peek, Philip M. | Sexual References In Southern Nigerian Verbal Art Forms | 1982/Winter | 15 | 2 | 0 | 0 |
| Peek, Philip M. | The Celebration Of Oworu Among The Isoko | 1983/Winter | 16 | 2 | 0 | 0 |
| Peek, Philip M. | Ovia Idah And Eture Egbede: Traditional Nigerian Artists | 1985/Winter | 18 | 2 | 0 | 0 |
| Peek, Philip M. | The Isoko Ethos Of Ivri | 1986/Autumn | 20 | 1 | 0 | 0 |
| Peek, Philip M. | Couples or Doubles? Representations of Twins in the Arts of Africa. | 2008/Spring | 41 | 1 | 14 | 23 |
| Peek, Philip M. | Auto-Graphics: Works by Victor Ekpuk Ukara: Ritual Cloth of the Ekpe Secret Society Hood Museum of Art Dartmouth College April 28âAugust 2, 2015 | 2016/Summer | 49 | 2 | 84 | 86 |
| Peek, Philip M. and John Picton | The Resonance of Osun across a Millennium of Lower Niger History | 2016/Spring | 49 | 1 | 40 | 55 |
| Peek, Philip M. & Arnoldi, Mary Jo | In memoriam : Warren Leonard d'Azevedo 1920-2014 | 2014/Winter | 47 | 4 | 7 | 9 |
| Peek, Philip M. & Barry Hallen | In Memoriam: Keith Nicklin (1946-2002) | 2002/Winter | 35 | 4 | 0 | 0 |
| Peffer, John | Notes on African Art, History, and Diasporas Within. | 2005/Winter | 38 | 4 | 70 | 96 |
| Peffer, John | Calling Home. Part of a special section: Dialogue | 2009/Summer | 42 | 2 | 8 | 9 |
| Pelos, Carollee | Place In The Sun: Photographing Traditional Mud Architecture | 1985/Summer | 18 | 4 | 0 | 0 |
| Pemberton II, John | Egungun Masquerades Of The Igbomina Yoruba | 1978/Spring | 11 | 3 | 0 | 0 |
| Pemberton III, John | Eshu-Elegba: The Yoruba Trickster God | 1975/Autumn | 9 | 1 | 0 | 0 |
| Peplow, Michael & Z.K. Dloruntoba | King Marapaka'S Dream | 1975/Summer | 8 | 4 | 0 | 0 |
| Perani and Norma, Judith | Embroidered Gown And Equestrian Ensembles Of The Kano Aristocracy | 1992/Summer | 25 | 3 | 0 | 0 |
| Perani, Judith | Nupe Costume Crafts | 1979/Spring | 12 | 3 | 0 | 0 |
| Perani, Judith | Patronage And Nupe Craft Industries | 1980/Spring | 13 | 3 | 0 | 0 |
| Perani, Judith | Hausa Calabash Decoration | 1986/Spring | 19 | 3 | 0 | 0 |
| Perrill, Elizabeth | Three Moments of Fixed Attention: A Multi-Site Review of âDisguise: Masks and Global African Artâ | 2017/Autumn | 50 | 3 | 85 | 85 |
"| Perrill, Elizabeth & Katherine Mpeshi McKee & Carlee Forbes & Laurel Kilgore
| Room to Grow: Re-Installing the NCMA Permanent Collection | 2017/Winter | 50 | 4 | 46 | 61 |
"
| Peruski, Jenny | Cracks in the Dome: Fractured Histories of Empire in the Zanzibar Museum, 1897â1964, by Sarah Longair, New York: Routledge, 2015. 265 pp.; 53 b/w ill., table, appendix, bibliography, index. $145.00, cloth, $57.95 ebook | 2019/Summer | 52 | 2 | 91 | 92 |
| Peruski, Jenny | Fetishizing the Foot: Mobility and Meaning in Indian Ocean Sandals | 2020/Fall | 53 | 3 | Â 58 | 71 |
| Peter, Judy | Photography of Personal Adornment: Photographic Techniques for Jewelry/Artwear, Craftspeople, Researchers, Scholars and Museum/Gallery Staff | 2017/Winter | 50 | 4 | 94 | 95 |
| Petridis, Constantine | Luluwa Masks | 1999/Autumn | 32 | 3 | 0 | 0 |
| Petridis, Constantine | BWADI BWA CHIKWANCA A Ram Mask of the Bakwa Luntu. | 2005/Summer | 38 | 2 | 50 | 95 |
| Petridis, Constantine | Buffalo Helmets of Tussian and Siemu Peoples of Burkina Faso. | 2008/Autumn | 41 | 3 | 26 | 43 |
| Petridis, Constantine | A "Harley Mask" at the Cleveland Museum of Art. | 2012/Spring | 45 | 1 | 16 | 31 |
| Petridis, Constantine & Kirstin Krause Gotway | Art of Central Africa at the Indianapolis Museum of Art | 2018/Winter | 51 | 4 | 34 | 47 |
| Petty, Sheila | African Film: New Forms of Aesthetics and Politics. | 2011/Winter | 44 | 4 | 94 | 95 |
| Phaniso C. Moyo, Steven | The Last Prerogative: A Play Of Common Men | 1970/Spring | 3 | 3 | 0 | 0 |
| Phillips, Tom | Africa: The Art Of A Continent | 1996/Summer | 29 | 3 | 0 | 0 |
| Philombe, Rend | Poemes (In French)Â | 1969/Autumn | 3 | 1 | 0 | 0 |
| Picker, Elliot | The Animal Horn In African Art | 1971/Summer | 4 | 4 | 0 | 0 |
| Picton, John | Masks And The Igbirra | 1974/Winter | 7 | 2 | 0 | 0 |
| Picton, John | Ekpeye Masks And Masking | 1988/Winter | 21 | 2 | 0 | 0 |
| Picton, John | On Artifact And Identity At The Niger-Benue Confluence | 1991/Summer | 24 | 3 | 0 | 0 |
| Picton, John | Sculptors Of Opin | 1994/Summer | 27 | 3 | 0 | 0 |
| Picton, John | Africa95 And The Royal Academy | 1996/Summer | 29 | 3 | 0 | 0 |
| Picton, John | Edo Art, Dynastic Myth, And Intellectual Aporia | 1997/Autumn | 30 | 4 | 0 | 0 |
| Picton, John | Undressing Ethnicity | 2001/Autumn | 32 | 3 | 0 | 0 |
| Picton, John | Commentary. | 2006/Spring | 39 | 1 | 37 | 37 |
| Picton, John | Frank Willett: 1925â2006 | 2007/Summer | 40 | 2 | 0 | 0 |
| Picton, John | To See or Not To See! That is the Question. | 2010/Winter | 43 | 4 | 1 | 6 |
| Picton, John | Art and Risk in Ancient Yoruba: Ife History, Power, and Identity, c. 1300 | 2018/Summer | 51 | 2 | 92 | 95 |
| Picton, John | The Benin Plaques: A 16th Century Imperial Monument by Kathryn Wysocki Gunsch New York: Routledge, 2018, 245 pp., 150 b&w ill., glossary, biblio, index. ÂŁ115, hardcover | 2019/Fall | 52 | 3 | 89 | 90 |
| Picton, John (Guest Editor) | A Tribute To William Fagg | 1994/Summer | 27 | 3 | 0 | 0 |
| Pieterse, Cosmo & Ismail Choonara & Harold Kimmel &Arthur Nortje | Writers In Exile: South Africans In London | 1968/Summer | 1 | 4 | 0 | 0 |
| Piñón, Javier López | La dynamique des masques en Afrique occidentale/Dynamics of Masks in West Africa edited by Anne-Marie Bouttiaux Tervuren: Royal Museum for Central Africa, 2013. Studies in Social Sciences and Humanities, Vol. 176. 213 pp., 77 color ill., map, bibliography, index. 45, paper | 2016/Fall | 49 | 3 | 95 | 96 |
| Piñón, Javier López | Visions from the Forests: The Art of Liberia and Sierra Leone | 2017/Winter | 50 | 4 | 92 | 93 |
| Plankensteiner, Barbara | African Art at the Museum fĂŒr Völkerkunde in Vienna. (Cover story) | 2005/Summer | 38 | 2 | 12 | 92 |
| Plankensteiner, Barbara | BeninâKings and Rituals: Court Arts from Nigeria | 2007/Winter | 40 | 4 | 0 | 0 |
| Plankensteiner, Barbara | Dynasty and Davinity: Ife Art in Ancient Nigeria. | 2011/Autumn | 44 | 3 | 84 | 86 |
| Polakoff, Claire | The Art Of Tie And Dye In Africa | 1971/Spring | 4 | 3 | 0 | 0 |
| Polakoff, Claire | Contemporary Shona Sculpture At The Musee Rodin, Paris | 1972/Spring | 5 | 3 | 0 | 0 |
| Polakoff, Claire | Crafts And The Concept Of Art In Africa | 1978/Autumn | 12 | 1 | 0 | 0 |
| Posnansky, Merrick | Dating Ghana'S Earliest Art | 1979/Autumn | 13 | 1 | 0 | 0 |
| Posnansky, Merrick | Propaganda for the Millions: Images from Africa | 2004/Summer | 37 | 2 | 0 | 0 |
| Posnansky, Merrick | Jacques Jerome Maquet. | 2013/Winter | 46 | 4 | 4 | 5 |
| Posnansky, Merrick & Doran H. Ross | Timothy Francis Garrard April 28, 1943âMay 17, 2007 | 2007/Winter | 40 | 4 | 0 | 0 |
| Povey, John | The Mufwankolo Theater | 1975/Summer | 8 | 4 | 0 | 0 |
| Povey, John & Justine Cordwell & Paul Bohannan & al. | Robert Plant Armstrong: A Memorial | 1986/Autumn | 20 | 1 | 0 | 0 |
| Powell, Amy L. | MULTI | 2011/Summer | 44 | 2 | 83 | 85 |
| Powell, Richard J. | African Art At The Field Museum | 1985/Winter | 18 | 2 | 0 | 0 |
| Powers, Holiday | When Arts Become Liberty: The Egyptian Surrealists (1938â1965) | 2018/Spring | 51 | 1 | 89 | 91 |
| Poynor, Robin | Edo Influence On The Arts Of Owo | 1976/Summer | 9 | 4 | 0 | 0 |
| Poynor, Robin | The Egungun Of Owo | 1978/Spring | 11 | 3 | 0 | 0 |
| Poynor, Robin | Traditional Textiles In Owo, Nigeria | 1980/Autumn | 14 | 1 | 0 | 0 |
| Poynor, Robin | Naturalism And Abstraction In Owo Masks | 1987/Summer | 20 | 4 | 0 | 0 |
| Poynor, Robin | Ako Figures Of Owo And Second Burials In Southern Nigeria | 1987/Autumn | 21 | 1 | 0 | 0 |
| Poynor, Robin | Ancestors and Elders: Personal Reflections of an Africanist Art Historian | 2017/Autumn | 50 | 3 | 8 | 21 |
| Pratten, David | Masking Youth: Transformation and Transgression in Annang Performance. | 2008/Winter | 41 | 4 | 44 | 59 |
| Pressley-Sanon, Toni | Exile, Return, Ouidah, and Haiti. | 2013/Autumn | 46 | 3 | 40 | 53 |
| Prestan-Whyte, Eleanor | Zulu Bead Sculptors | 1991/Winter | 24 | 1 | 0 | 0 |
| Preston Blier, Suzanne | Antelopes And Anvils: Tamberma Works Of Iron | 1984/Spring | 17 | 3 | 0 | 0 |
| Preston Blier, Suzanne | King Glele Of Danhome, Part One: Divination Portraits Of A Lion King And Man Of Iron | 1990/Autumn | 23 | 4 | 0 | 0 |
| Preston Blier, Suzanne | King Glele Of Danhome, Part Two: Dynasty And Destiny | 1991/Winter | 24 | 1 | 0 | 0 |
| Preston Blier, Suzanne | African Creation Myths as Political Strategy | 2004/Spring | 37 | 1 | 0 | 0 |
| Preston, George Nelson | Perseus And Medusa In Africa: Military Art In Fanteland 1834-1972 | 1975/Spring | 8 | 3 | 0 | 0 |
| Preston, George Nelson | People Making Portraits Making People: Living Icons Of The Akan | 1990/Summer | 23 | 3 | 0 | 0 |
| Price, Tanya Y. | âTo Preserve the Tradition Wellâ: An Interview with Mamady KeĂŻta, Master Djembefola of the Malinke | 2015/Winter | 48 | 4 | 60 | 71 |
| Priebatsch, Suzanne & Natalie Knight | Traditional Ndebele Beadwork | 1978/Winter | 11 | 2 | 0 | 0 |
| Priebatsch, Suzanne & Natalie Knight | Ndebele Figurative Art | 1979/Winter | 12 | 2 | 0 | 0 |
| Pritchett, Jack | Nigerian Truck Art | 1979/Winter | 12 | 2 | 0 | 0 |
| Probst, Peter | Yoruba Heritage as Project: Reauthenticating the Osun Grove in Osogbo, Nigeria. Part of a special issue: Art and Heritage | 2009/Winter | 42 | 4 | 24 | 37 |
| Probst, Peter | Troubled Waters: On Otherness and Ownership. Discussion of D. Stokes, Fish/Fetish(!?): A Note on ĂąâŹĆMami Wata: Arts for Water Spirits in Africa and Its DiasporasĂąâŹÂ and H. J. Drewal, Response to Deborah Stokes | 2010/Autumn | 43 | 3 | 8 | 8 |
| Probst, Peter | Iconoclash in the Age of Heritage. | 2012/Autumn | 45 | 3 | 10 | 13 |
| Probst, Peter | Determining Value and the Politics of Presence. | 2013/Summer | 46 | 2 | 11 | 11 |
| Prochaska, David | Fantasia Of The Phototheque French Postcard Views Of Colonial Senegal | 1991/Autumn | 24 | 4 | 0 | 0 |
| Prussin, Labelle | The Architecture Of Islam In West Africa | 1968/Winter | 1 | 2 | 0 | 0 |
| Prussin, Labelle | Sudanese Architecture And The Manding | 1970/Summer | 3 | 4 | 0 | 0 |
| Prussin, Labelle | Fulani-Hausa Architecture | 1976/Autumn | 10 | 1 | 0 | 0 |
| Prussin, Labelle | Traditional Asante Architecture | 1980/Winter | 13 | 2 | 0 | 0 |
| Prussin, Labelle | Gabra Containers | 1987/Winter | 20 | 2 | 0 | 0 |
| Purdy, Janet | World on the Horizon: Swahili Arts Across the Indian Ocean edited by Prita Meier and Allyson Purpura Champaign, IL Krannert Art Museum and Kinkead Pavilion, 2018. 384 pp., 100 color ill., 28 b/w ill., 2 maps, checklist of the exhibition. $50.00, paper | 2019/Winter | 52 | 4 |  93 | 94 |
| Purdy, Janet | World on the Horizon: Swahili Arts Across the Indian Ocean edited by Prita Meier and Allyson Purpura Champaign, IL Krannert Art Museum and Kinkead Pavilion, 2018. 384 pp., 100 color ill., 28 b/w ill., 2 maps, checklist of the exhibition. $50.00, paper | 0 | 0 | 0 | 0 | 0 |
| Purdy, Janet M. | Design for Mobile Living: Art From East Africa Reinstallation and Renovated Galleries for African Art | 2017/Autumn | 50 | 3 | 82 | 84 |
| Purpura, Allyson | Framing the Ephemeral. | 2009/Autumn | 42 | 3 | 11 | 0 |
| Purpura, Allyson | On the Verge: Ephemeral Art Part II. Introduction to special issue | 2010/Spring | 43 | 1 | 12 | 13 |
| Quarcoopome, E. Nii | Self-Decoration And Religious Power In Dangme Culture | 1991/Summer | 24 | 3 | 0 | 0 |
| Quarcoopome, Nii O. | Commentary. | 2006/Spring | 39 | 1 | 25 | 25 |
| Quartey, Fred Rex | Poems | 1971/Winter | 4 | 2 | 0 | 0 |
| Quinn, Frederick | Mardi Soir Vers 7 Heures Tuesday Evening At 7 O'Clock (In French And English) | 1969/Spring | 2 | 3 | 0 | 0 |
| Quinn, Frederick | Abbia Stones | 1971/Summer | 4 | 4 | 0 | 0 |
| Quinn, Frederick | Eight Beti Songs | 1971/Summer | 4 | 4 | 0 | 0 |
| Radebe, Sandile | Zulu Beer Vessels in the Twentieth Century: Their History, Classification, and Geographical Distribution by Frank Jolles New York: Arnoldische, 2015. 272 pp., 300 color, 100 b/w ill. $85 paper | 2016/Fall | 49 | 3 | 94 | 95 |
| Rakgoathe, Dan | Notes On My Work | 1971/Autumn | 5 | 1 | 0 | 0 |
| Rakgoathe, Dan | Cyprian Shilakoe: In Memoriam | 1973/Autumn | 7 | 1 | 0 | 0 |
| Ralekiii Thage, Johannes | It Came Like A Windfall | 1971/Spring | 4 | 3 | 0 | 0 |
| Rarey, Matthew Francis | Shine: The Visual Economy of Light in African Diasporic Aesthetic Practice | 2017/Winter | 50 | 4 | 90 | 92 |
| Rarey, Matthew Francis | Assemblage, Occlusion, and the Art of Survival in the Black Atlantic | 2018/Winter | 51 | 4 | 20 | 33 |
| Rarey, Matthew Francis & Henry John Drewal | Never at Rest: African Art at the University of Wisconsin | 2020/Winter | 53 | 4 | Â 68 | 85 |
| Rassool, Ciraj | Biko's Ghost: The Iconography of Black Consciousness by Shannen Hill Minneapolis: University of Minnesota Press, 2015. 366 pages, 26 color illustrations, 95 b/w illustrations, abbreviations, glossary, bibliography, index. $29.95 paper, $105.00 cloth | 2016/Winter | 49 | 4 | 94 | 95 |
| Ravenhill, Philip L, | Likeness And Nearness: The Intentionality Of The Head In Baule Art | 2000/Summer | 33 | 2 | 0 | 0 |
| Ravenhill, Philip L. | The Art Of The Personal Object (Exhibition Preview) | 1992/Winter | 25 | 1 | 0 | 0 |
| Ravenhill, Philip L. | Beyond Reaction And Denunciation; Appropriate Action To The Crisis Of Archaeological Pillage | 1995/Autumn | 28 | 4 | 0 | 0 |
| Razakandraina, Dox & Jean-Joseph Rabearivelo | Poetes De Madagascar (In French) | 1970/Spring | 3 | 3 | 0 | 0 |
| Rea, Will | Making History: The Modernity of Masquerade in Ikole Ekiti. | 2008/Winter | 41 | 4 | 10 | 25 |
| Rea, Will | KASFIR DIALOGUE: A RESPONSE. | 2013/Autumn | 46 | 3 | 9 | 9 |
| Rea, Will | The áșžpa Masquerades of ĂkĂŹtĂŹ: A Structural Approach | 2019/Fall | 52 | 3 | 16 | 27 |
| Rea, Will | Legacies of Biafra guest curator Louisa Egbunike Brunei Gallery, School of Oriental and African Studies, London January 11-March 24, 2018 | 2020/Spring | 53 | 1 |  82 | 84 |
| Reed, Bess | Playing With Prohibitions: Women, Agency, And Masquerades (Research Note) | 1998/Spring | 31 | 2 | 0 | 0 |
| Reed, Bess | SPIRITS INCARNATE Cultural Revitalization in a Nigerian Masquerade Festival. | 2005/Spring | 38 | 1 | 50 | 95 |
| Reed, Daniel B. | Drums, Dance, Dreams, and Remittance: Transnational Interconnections in Ivorian Immigrant Mask Performance in the USA | 2016/Winter | 49 | 4 | 36 | 47 |
| Reefe, Thomas Q. | Lukasa: A Luba Memory Device | 1977/Summer | 10 | 4 | 0 | 0 |
| Regis, Helen A. | Producing Africa at the New Orleans Jazz & Heritage Festival. | 2013/Summer | 46 | 2 | 70 | 85 |
| Renne, Elisha P. | The Thierry Collection Of Hausa Artifacts At The Field Museum | 1986/Summer | 19 | 4 | 0 | 0 |
| Renne, Elisha P. | Aso Ipo, Red Cloth From Bunu | 1992/Summer | 25 | 3 | 0 | 0 |
| Renne, Elisha P. & Dakyes S. Usman | Bicycle Decoration And Everyday Aesthetics In Northern Nigeria | 1999/Summer | 32 | 2 | 0 | 0 |
| Repetti, Massimo | African Wave: Specificity and Cosmopolitanism in African Comics | 2007/Summer | 40 | 2 | 0 | 0 |
| Reswick, lrmtraud | Traditional Textiles Of Tunisia | 1981/Spring | 14 | 3 | 0 | 0 |
| Richards, Christopher | âThe Models for Africaâ: Accra's Independence-Era Fashion Culture and the Creations of Chez Julie | 2016/Fall | 49 | 3 | 8 | 21 |
| Richards, Christopher | Disguise: Masks and Global African Art | 2017/Autumn | 50 | 3 | 88 | 91 |
| Richards, Christopher | Good as Gold: Fashioning Senegalese Women curated by Amanda Maples and Kevin Dumouchelle National Museum of African Art October 24, 2018âSeptember 29, 2019 | 2019/Winter | 52 | 4 |  84 | 86 |
| Richards, Christopher | Good as Gold: Fashioning Senegalese Women curated by Amanda Maples and Kevin Dumouchelle National Museum of African Art October 24, 2018âSeptember 29, 2019 | 0 | 0 | 0 | 0 | 0 |
| Richards, Colin | The Double Agent. | 2006/Spring | 39 | 1 | 60 | 96 |
| Richards, Polly | Masques Dogons in a Challenging World. | 2005/Winter | 38 | 4 | 46 | 93 |
| Richter, Dolores | Senufo Mask Classification | 1979/Spring | 12 | 3 | 0 | 0 |
| Riep, David M.M. | Hot Women!: South Sotho Female Arts in Context | 2014/Autumn | 47 | 3 | 24 | 39 |
| Rinder, Lindsey | African Art At Stanford University | 1998/Autumn | 31 | 4 | 0 | 0 |
| Roache, Evelyn | Art Of The Ifa Oracle | 1974/Autumn | 8 | 1 | 0 | 0 |
| Roache, L.E | Psychophysical Attributes Of The Ogboni Edan | 1971/Winter | 4 | 2 | 0 | 0 |
| Roache, t.E | The De La Burde Collection | 1972/Winter | 5 | 2 | 0 | 0 |
| Robert, Polly Nooter & Hughes, Henry Meyric & Brown, Carol & Diba, Viy?Âź & Nelson, Steven & Van Rensburg, Storm Janse | DAK'ART 2006 POSITIONS AND PERSPECTIVES. | 2006/Winter | 39 | 4 | 54 | 57 |
| Roberts, Allen F | Of Dogon Crooks And Thieves | 1988/Summer | 21 | 4 | 0 | 0 |
| Roberts, Allen f. | Duality In Tabwa Art | 1986/Summer | 19 | 4 | 0 | 0 |
| Roberts, Allen F. | Tabwa Masks: An Old Trick Of The Human Race | 1990/Spring | 23 | 2 | 0 | 0 |
| Roberts, Allen F. | Chance Encounters, Ironic Collage | 1992/Spring | 25 | 2 | 0 | 0 |
| Roberts, Allen F. | Break The Silence'; Art And Hiv/Aids In Kwazulu-Natal | 2001/Spring | 34 | 1 | 0 | 0 |
| Roberts, Allen F. | âImage Ethicsâ in and about Africa. | 2008/Summer | 41 | 2 | 1 | 8 |
| Roberts, Allen F. | Recolonization of an African Visual Economy. | 2010/Spring | 43 | 1 | 1 | 8 |
| Roberts, Allen F. | Luc de Heusch. | 2013/Autumn | 46 | 3 | 4 | 5 |
| Roberts, Allen F. | âRelations Between Thoughts and Handsâ: Expressive Themes of African Arts | 2017/Spring | 50 | 1 | 32 | 41 |
| Roberts, Allen F. | Is Repatriation Inevitable? | 2019/Spring | 52 | 1 | 1 | 7 |
| Roberts, Allen F. | Daniel P. Biebuyck: 1925â2019 | 2020/Winter | 53 | 4 | Â 15 | 16 |
| Roberts, Allen F. and Marla C. Berns | Striking Iron: The Art of African Blacksmiths | 2018/Spring | 51 | 1 | 66 | 85 |
| Roberts, Allen F. & Mary Nooter Roberts | Papisto Boy' (Portfolio) | 2000/Summer | 33 | 2 | 0 | 0 |
| Roberts, Mary (Polly) Nooter | New Directions in African Art(s). | 2005/Winter | 38 | 4 | 1 | 91 |
| Roberts, Mary (Polly) Nooter | Memory and Identity at the Threshold in Gregory Maqoma's Beautiful Me. | 2011/Winter | 44 | 4 | 76 | 81 |
| Roberts, Mary (Polly) Nooter | Tradition Is Always Now. | 2012/Spring | 45 | 1 | 1 | 7 |
| Roberts, Mary Nooter | The King is a Woman. | 2013/Autumn | 46 | 3 | 68 | 81 |
| Roberts,Allen F. & Mary Nooter Roberts | A Saint in the City Sufi Arts of Urban Senegal | 2002/Winter | 35 | 4 | 0 | 0 |
| Rodatus, Verena & Kathleen Reinhardt | Dak'Artâ12th Biennale of Contemporary African Art âReenchantments: The City in the Blue Daylightâ May 3âJune 2, 2016 Dakar, Senegal | 2017/Spring | 50 | 1 | 82 | 86 |
| Rödlach, Alexander | Popular Images of the AIDS Epidemic: Contemporary Wood Sculptures from Southern Zimbabwe. | 2010/Summer | 43 | 2 | 54 | 67 |
| Rogers, Amanda E. | La Maison de la Photographie. | 2012/Summer | 45 | 2 | 88 | 89 |
| Rohrmann, G.F. | House Decoration In South Africa | 1974/Spring | 7 | 3 | 0 | 0 |
| Rood, Armistead P. | Bete Masked Dance: A View From Within | 1969/Spring | 2 | 3 | 0 | 0 |
| Röschenthaler, Ute | Getting Pictures Right: A Symposium Honoring Paul Jenkins | 2004/Spring | 37 | 1 | 0 | 0 |
| Roschenthaler, Ute M | Max Esser'S "Bakundu Fetishes' (Research Note) | 1999/Winter | 32 | 4 | 0 | 0 |
| Roschenthaler, Ute M. | Honoring Ejagham Women | 1998/Spring | 31 | 2 | 0 | 0 |
| Rosen, Norma | Chalk Iconography In Olokun Worship | 1989/Spring | 22 | 3 | 0 | 0 |
| Rosenberg, Aaron Louis | African Filmmaking: Five Formations edited by Kenneth W. Harrow East Lansing: Michigan State University Press, 2017. 301 pp., chapter bibliographies and filmographies, index. $32.95 paper | 2019/Fall | 52 | 3 | 95 | 95 |
| Rosenwald, Jean B. | Kuba King Figures | 1974/Spring | 7 | 3 | 0 | 0 |
| Rosevear, D.R. | Cross River Tombstones | 1984/Autumn | 18 | 1 | 0 | 0 |
| Ross, Doran H. | Ghanaian Forowa | 1974/Autumn | 8 | 1 | 0 | 0 |
| Ross, Doran H. | The Iconography Of Asante Sword Ornaments | 1977/Autumn | 11 | 1 | 0 | 0 |
| Ross, Doran H. | The Verbal Art Of Akan Linguist Staffs | 1982/Autumn | 16 | 1 | 0 | 0 |
| Ross, Doran H. | The Art Of Osei Bonsu | 1984/Winter | 17 | 2 | 0 | 0 |
| Ross, Doran H. | Interview With Roy Sieber | 1992/Autumn | 25 | 4 | 0 | 0 |
| Ross, Doran H. | Elephant: The Animal And Its Ivory In African Culture (Exhibition Preview) | 1992/Autumn | 25 | 4 | 0 | 0 |
| Ross, Doran H. | Carnaval Masquerades In Guinea-Bissau (Photo Essay) | 1993/Summer | 26 | 3 | 0 | 0 |
| Ross, Doran H. | George Hughes (Portfolio) | 2001/Spring | 34 | 1 | 0 | 0 |
| Ross, Doran H. | African Art at the Museum of Fine Arts, Houston | 2003/Autumn | 36 | 3 | 0 | 0 |
| Ross, Doran H. | Artists Advertising Themselves: Contemporary Studio Façades in Ghana | 2004/Autumn | 37 | 3 | 0 | 0 |
| Ross, Doran H. | âCome and Tryâ: Towards a History of Fante Military Shrines | 2007/Autumn | 40 | 3 | 0 | 0 |
| Ross, Doran H. | Clarification. To Doran H. Ross, âCome and Tryâ: Towards a History of Fante Military Shrines | 2008/Spring | 41 | 1 | 13 | 13 |
| Ross, Doran H. | True Colours, Faux Flags, and Tattered Sales. | 2010/Summer | 43 | 2 | 1 | 7 |
| Ross, Doran H. | African art in unusual places. | 2013/Summer | 46 | 2 | 106 | 106 |
| Ross, Doran H. | THE ART of ALMIGHTY GOD in HIS OWN WORDS. | 2014/Summer | 47 | 2 | 8 | 27 |
| Ross, Doran H. | Almighty God Says Stop Smoking | 2014/Autumn | 47 | 3 | 66 | 75 |
| Ross, Doran H. | African art in unusual places. | 2014/Spring | 47 | 1 | 96 | 96 |
| Rotimi, Olawale | The Gods Are Not To Blame | 1970/Winter | 3 | 2 | 0 | 0 |
| Rovine, Victoria | Bogolanfini In Bamako: The Biography Of A Malian Textile | 1997/Winter | 30 | 1 | 0 | 0 |
| Rovine, Victoria | Baba Wague Diakiti (Portfolio) | 2001/Summer | 34 | 2 | 0 | 0 |
| Rovine, Victoria L. | South Africa from North America: Exporting Identities through Art | 2004/Winter | 37 | 4 | 0 | 0 |
| Rovine, Victoria L. | FIMA and the Future of African Fashion. | 2010/Autumn | 43 | 3 | 1 | 7 |
| Rovine, Victoria L. | STEAMed Up: Or, A Defense of the Humanities through African Art History | 2016/Winter | 49 | 4 | 1 | 0 |
| Rovine, Victoria L. | A Wider Loom? French Colonial Preoccupations with West African Weaving | 2019/Winter | 52 | 4 | Â 66 | 83 |
| Rovine, Victoria L. | African Visual Cultures and Colonial Histories: An Expanding Field | 2019/Winter | 52 | 4 | Â 12 | 17 |
| Rovine, Victoria L. | African Visual Cultures and Colonial Histories: An Expanding Field | 0 | 0 | 0 | 0 | 0 |
| Rovine, Victoria L. | A Wider Loom? French Colonial Preoccupations with West African Weaving | 0 | 0 | 0 | 0 | 0 |
| Roy, Christopher | The Engine that Drives Scholarship Is Curiosity, not Theory. | 2013/Summer | 46 | 2 | 10 | 11 |
| Roy, Christopher D. | Mossi Zazaido | 1980/Spring | 13 | 3 | 0 | 0 |
| Roy, Christopher D. | Mossi Dolls | 1981/Summer | 14 | 4 | 0 | 0 |
| Roy, Christopher D. | Mossi Weaving | 1982/Spring | 15 | 3 | 0 | 0 |
| Roy, Christopher D. | Mossi Chiefs' Figures | 1982/Summer | 15 | 4 | 0 | 0 |
| Roy, Christopher D. | African Art In The Stanley Collection | 1983/Spring | 16 | 3 | 0 | 0 |
| Roy, Christopher D. | The Spread Of Mask Styles In The Black Volta Basin | 1987/Summer | 20 | 4 | 0 | 0 |
| Roy, Christopher D. | African Art From The Bareiss Collection | 1999/Summer | 32 | 2 | 0 | 0 |
| Rubin, Arnold | Uta And Utumu: Kutep Mud Sculpture | 1968/Spring | 1 | 3 | 0 | 0 |
| Rubin, Arnold | Akuma: Carving The Masks At Takum | 1985/Winter | 18 | 2 | 0 | 0 |
| Rubin, Barbara | Calabash Decoration In North East State, Nigeria | 1970/Autumn | 4 | 1 | 0 | 0 |
| Rush, Dana | Eternal Potential: Chromolithographs In Vodunland | 1999/Winter | 32 | 4 | 0 | 0 |
| Rush, Dana | Contemporary Vodun Arts Of Ouidah, Benin | 2001/Winter | 32 | 4 | 0 | 0 |
| Rush, Dana | Ephemerality and the "Unfinished" in Vodun Aesthetics. Part of a special issue: Ephemeral Art II | 2010/Spring | 43 | 1 | 60 | 0 |
| Rush, Dana | Africa: Tropenmuseum, Amsterdam. | 2010/Autumn | 43 | 3 | 88 | 92 |
| Ryan, MacKenzie Moon | Kabas and Couture: Contemporary Ghanaian Fashion Ham Museum of Art Gainesville, FL February 24âAugust 23, 2015 | 2016/Summer | 49 | 2 | 86 | 89 |
| Salami, Gitti | Umor Revisited: A Diachronic Study of Sacrosanct Principles Embedded in the Yakurr Leboku Festival. Twins, Hermaphrodites, and an Androgynous Albino Deity: Twins and Sculpted Twin Figures among the Bamana and Maninka of Mali. | 2008/Autumn | 41 | 3 | 3 | 73 |
| Salami, Gitti | Through African Eyes; The European in African Art, 1500 to Present. | 2011/Autumn | 44 | 3 | 88 | 91 |
| Salami, Gitti | THE OLD AND THE NEW: "THERE IS A BIG LINK". | 2013/Autumn | 46 | 3 | 5 | 5 |
| Salami, Gitti | Cameroon Thoughts and Memories: Ethnological Research in Oku and Kembong 1975 | 2014/Spring | 47 | 1 | 93 | 94 |
| Salami, Gitti | The Materiality of Cement in the Cultural Matrix of the Middle Cross River Region | 2016/Fall | 49 | 3 | 32 | 47 |
| Salley, Raël | Zanele Muholi's Elements of Survival. | 2012/Winter | 45 | 4 | 58 | 69 |
| Salmons, Jill | Mammy Wata | 1977/Spring | 10 | 3 | 0 | 0 |
| Salmons, Jill | Martial Arts Of The Annang | 1985/Autumn | 19 | 1 | 0 | 0 |
| Sankawulo, Wilton | The Evil Forest | 1971/Summer | 4 | 4 | 0 | 0 |
| Sankawulo, Wilton | Why Nobody Knows When He Will Die | 1973/Spring | 6 | 3 | 0 | 0 |
| Sanwo, Jumoke | Bisi Silva 1962â2019 | 2019/Winter | 52 | 4 | Â 9 | 11 |
| Sanwo, Jumoke | Bisi Silva 1962â2019 | 0 | 0 | 0 | 0 | 0 |
| Sanwogou, Lardja | Gurmatche Tales | 1976/Summer | 9 | 4 | 0 | 0 |
| Sanyal, Sunanda K. | Kabiito Richard's Paintings: A Local Reinvention in a Global Perspective | 2004/Summer | 37 | 2 | 0 | 0 |
| Sanyal, Sunanda K. | Modernism and Cultural Politics in East Africa. | 2006/Spring | 39 | 1 | 50 | 94 |
| SANYAL, SUNANDA K. | Ben Enwonwou: The Making of an African Modernist. | 2011/Spring | 44 | 1 | 93 | 94 |
| Sanyal, Sunanda K. | âGlobalâ: A View from the Margin | 2015/Spring | 48 | 1 | 1 | 0 |
| Sarif Easmon, R. | Genevieve | 1969/Winter | 2 | 2 | 0 | 0 |
| Savage, Polly | Playing to the Gallery: Masks, Masquerade, and Museums. | 2008/Winter | 41 | 4 | 4 | 81 |
| Scanlon, George T. | Slip-Painted Pottery From Wizz La Poterie Engobee De Wizz (In English And French) | 1968/Autumn | 2 | 1 | 0 | 0 |
| Schankweiler, Kerstin | The Relational Archive of Georges Adéagbo | 2015/Summer | 48 | 2 | 40 | 51 |
| Scheub, Harold | Interviews At New Brighton | 1970/Summer | 3 | 4 | 0 | 0 |
| Schildkrout, Enid | The Spectacle Of Africa Through The Lens Of Herbert Lang: Belgian Congo Photographs 1909-1915 | 1991/Autumn | 24 | 4 | 0 | 0 |
| Schildkrout, Enid | Revisiting Emil Torday'S Congo: "Images Of Africa" At The British Museum (Review/Article) | 1992/Winter | 25 | 1 | 0 | 0 |
| Schildkrout, Enid | Drawing Tradition: Dogon Children's Art in the Age of Tourism | 2004/Spring | 37 | 1 | 0 | 0 |
| Schildkrout, Enid | Twins in African and Diaspora Cultures: Double Trouble, Twice Blessed Edited by Philip M. Peek | 2015/Autumn | 48 | 3 | 93 | 94 |
| Schildkrout, Enid & Jill Hellman & Curtis Keim | Mangbetu Pottery: Tradition And Innovation In Northeast Zaire | 1989/Winter | 22 | 2 | 0 | 0 |
| Schildkrout, Enid & Rosengarten, Dale & Rosengarten, Theodore | Grass Roots: African Origins of an American Art. | 2009/Summer | 42 | 2 | 44 | 55 |
| Schiltz, Marc | Egungun Masquerades In Iganna | 1978/Spring | 11 | 3 | 0 | 0 |
| Schmahmann, Brenda | STITCHES AS SUTURES. | 2005/Autumn | 38 | 3 | 52 | 96 |
| Schmahmann, Brenda | A Framework for Recuperation: HIV/AIDS and the Keiskamma Altarpiece. | 2010/Autumn | 43 | 3 | 34 | 51 |
| Schmahmann, Brenda | Developing Images of Self. | 2012/Winter | 45 | 4 | 8 | 21 |
| Schmahmann, Brenda | Patching Up a Community in Distress: HIV/AIDS and the Keiskamma Guernica | 2015/Winter | 48 | 4 | 6 | 21 |
| Schmahmann, Brenda | An Arresting Portrayal: Marco Cianfanelli's Release at the Nelson Mandela Capture Site | 2018/Winter | 51 | 4 | 56 | 69 |
| Schneider, Betty | Malangatana Of Mozambique | 1972/Winter | 5 | 2 | 0 | 0 |
| Schneider, Betty | Body Decoration In Mozambique | 1973/Winter | 6 | 2 | 0 | 0 |
| Schneider, Betty | Massinguitana Of Mozambique | 1976/Autumn | 10 | 1 | 0 | 0 |
| Schneider, Elizabeth Ann | Ndebele Mural Art | 1985/Spring | 18 | 3 | 0 | 0 |
| Schneider, Elizabeth Ann | Malangatana: Artist Of The Revolution | 1988/Autumn | 21 | 3 | 0 | 0 |
| Schneider, Gilbert D. | Celebrating The Achievements Of Nyangabo: The Funeral Of A Kom Elder (Photo Essay) | 1995/Spring | 28 | 2 | 0 | 0 |
| Schwartz, Erin | Art World City: The Creative Economy of Artists and Urban Life in Dakar, by Joanna Grabski, Bloomington: Indiana University Press, 2017. 308 pp., 57 color ill. $45.00 paper | 2019/Summer | 52 | 2 | 95 | 96 |
| Scott, Victoria | Nike Olaniyi | 1983/Winter | 16 | 2 | 0 | 0 |
| Seligman, Thomas K. | African Art At The De Young Museum | 1974/Summer | 7 | 4 | 0 | 0 |
| Seligman, Thomas K. | Going Global. | 2006/Summer | 39 | 2 | 48 | 63 |
| Seligman, Thomas K. | ART OF BEING TUAREG. | 2006/Autumn | 39 | 3 | 56 | 79 |
| Senghor, LĂ©opold Sedar | Standards Critiques De LâArt Africain (In French)Â | 1967/Autumn | 1 | 1 | 0 | 0 |
| Senghor, LĂ©opold SĂ©dar and Brian Quinn | Critical Standards of African Art | 2017/Spring | 50 | 1 | 10 | 15 |
| Seriff, Suzanne | Recycled, Re-Seen: Folk Art From The Global Scrap Heap (Exhibition Preview) | 1996/Autumn | 29 | 4 | 0 | 0 |
| Serumaga, Robert & Janet Johnson | Uganda'S Experimental Theater | 1970/Spring | 3 | 3 | 0 | 0 |
| Shanahan, Maureen G. | Battles for Hearts and Minds: The Nogent Mosque During World War I | 2019/Winter | 52 | 4 | Â 18 | 33 |
| Shanahan, Maureen G. | Battles for Hearts and Minds: The Nogent Mosque During World War I | 0 | 0 | 0 | 0 | 0 |
| Shanklin, Eugenia | The Odyssey Of The Afo-A-Kom | 1990/Autumn | 23 | 4 | 0 | 0 |
| Shapiro, Daniel | The Ban On Malian Antiquities: A Matter Of Law | 1995/Autumn | 28 | 4 | 0 | 0 |
| Shaw, Thurstan | The Igbo-Ukwu Bronzes | 1973/Summer | 6 | 4 | 0 | 0 |
| Sheehan, Tanya | Africa in the American Imagination: Popular Culture, Racialized Identities, and African Visual Culture. | 2014/Spring | 47 | 1 | 89 | 91 |
| Sheikh-Miller, Nasira | From the Studio to the Front-line: The Emergence, Development, and Impact of Asian Photographers in Colonial and Independent East Africa | 2015/Autumn | 48 | 3 | 38 | 47 |
| Shirey, Heather | Dreams of Home in Expanding Diasporas. Part of a special section: Dialogue | 2009/Summer | 42 | 2 | 8 | 8 |
| Shirey, Heather | Transforming the Orixås: Candomblé in Sacred and Secular Spaces in Salvador da Bahia, Brazil. Part of a special issue: Art and Heritage | 2009/Winter | 42 | 4 | 62 | 79 |
| Shirey, Heather | Life Has Not Even Begun: Glass Curtain Gallery, Columbia College, Chicago. | 2010/Winter | 43 | 4 | 84 | 87 |
| Shore-Bos, Megchelina | Modern Makonde: A Discovery In East African Art | 1969/Autumn | 3 | 1 | 0 | 0 |
| Shroff, Beheroze | "Goma Is Going On.". | 2013/Spring | 46 | 1 | 18 | 25 |
| Sidibe, Samuel | The Pillage Of Archaeological Sites In Mali | 1995/Autumn | 28 | 4 | 0 | 0 |
| Sieber, Roy | Ede: Crafts And Surveys | 1973/Summer | 6 | 4 | 0 | 0 |
| Sieber, Roy | African Furniture And Household Goods | 1979/Summer | 12 | 4 | 0 | 0 |
| Sieber, Roy & Frank Herreman | Hair In African Art And Culture (Exhibition Preview) | 2000/Autumn | 33 | 3 | 0 | 0 |
| Siegenthaler, Fiona | Art and Trauma in Africa: Representations of Reconciliation in Music, Visual Arts, Literature, and Film edited by Lizelle Bisschoff and Stefanie Van de Peer London: I.B. Tauris, 2013. 264 pages, 20 b/w illustrations, bibliography, discography, filmography, index. ÂŁ68, $95, cloth | 2016/Fall | 49 | 3 | 92 | 93 |
| Siegert, Nadine | A Summer of Art? | 2018/Spring | 51 | 1 | 1 | 7 |
| Siegmann, William & Judith Perani | Men'S Masquerades Of Sierra Leone And Liberia | 1976/Spring | 9 | 3 | 0 | 0 |
| Sigel, Linda | A Private Collection At The Art Institute Of Chicago | 1971/Autumn | 5 | 1 | 0 | 0 |
| Silver, Harry R. | Foreign Art And Asante Aesthetics | 1983/Spring | 16 | 3 | 0 | 0 |
| Silverman, Raymond A. | Bono Brass Casting | 1986/Summer | 19 | 4 | 0 | 0 |
| Silverman, Raymond A. | All That'S Gold Does Not Glitter: "Gold Of Africa" From The Barbier-Mueller Museum (Review/Article) | 1990/Spring | 23 | 2 | 0 | 0 |
| Silverman, Raymond A. | A Portrait "Mask" Of President Nnamdi Azikiwe (Research Note) | 1990/Autumn | 23 | 4 | 0 | 0 |
| Silverman, Raymond A. | Zerihun Yetmgeta (Portfolio) | 1997/Winter | 30 | 1 | 0 | 0 |
| Simbao, Ruth | Dialectics of Dance and Dress: The Performative Negotiation of Soli Girl Initiates (Moye) in Zambia. | 2010/Autumn | 43 | 3 | 64 | 85 |
| Simbao, Ruth | China-Africa Relations: Research Approaches | 2012/Summer | 45 | 2 | 1 | 7 |
| Simbao, Ruth | Cosmological Efficacy and the Politics of Sacred Place: Soli Rainmaking in Contemporary Zambia | 2014/Autumn | 47 | 3 | 40 | 57 |
| Simbao, Ruth | Situating Africa | 2017/Summer | 50 | 2 | 1 | 9 |
| Simbao, Ruth | David Nthubu Koloane (1938â2019) | 2020/Summer | 53 | 2 | Â 6 | 9 |
| Simbao, Ruth & al. | Reaching Sideways, Writing Our Ways | 2017/Summer | 50 | 2 | 10 | 29 |
| Simbao, Ruth Kerkham | A Crown on the Move. | 2006/Autumn | 39 | 3 | 26 | 93 |
| Simbao, Ruth, Koyo Kouoh, Ugochukwu-Smooth Nzewi, Suzana Sousa & Emi Koide | Condition Report 3: Art History in Africa: Debating Localization, Legitimization and New Solidarities | 2019/Summer | 52 | 2 | 10 | 17 |
| Simbao, Ruth, Raphael Chikukwam Jimmy Ogonga, Berry Bicklem Marie HĂ©lĂšne Pereira, Dulcie Abrahams Altass, Mhoze Chikowero and N'GonĂ© Fall | Zimbabwe Mobilizes: ICAC's Shift from Coup de GrÄce to Cultural Coup | 2018/Summer | 51 | 2 | 4 | 17 |
| Simmons, Briana B. | Christian Chromolithographs in Ethiopia. Part of a special issue: Contemporary Expressive Culture in Ethiopia | 2009/Spring | 42 | 1 | 46 | 53 |
| Simon, Kavuna translated by Wyatt MacGaffey | Northern Kongo Ancestor Figures | 1995/Spring | 28 | 2 | 0 | 0 |
| Siroto, Leon | The Face Of The Bwiiti | 1968/Spring | 1 | 3 | 0 | 0 |
| Siroto, Leon | Njom: The Magical Bridge Of The Beti And Bulu Of Southern Cameroon | 1977/Winter | 10 | 2 | 0 | 0 |
| Slogar, Christopher | Carved Ogboni Figures from Abeokuta, Nigeria | 2002/Winter | 35 | 4 | 0 | 0 |
| Slogar, Christopher | Early Ceramics from Calabar, Nigeria: Towards a History of Nsibidi | 2007/Spring | 40 | 1 | 0 | 0 |
| Slogar, Christopher | An Artful Life. | 2012/Spring | 45 | 1 | 12 | 14 |
| Slye, Jonathan | Mwona Figurines | 1977/Summer | 10 | 4 | 0 | 0 |
| Smith Omari, Mikelle | The Role Of The Gods In Afro-Brazilian Ancestral Ritual | 1989/Autumn | 23 | 1 | 0 | 0 |
| Smith Omari, Mikelle | Completing The Circle: Notes On African Art, Society, And Religion In Oyotunji, South Carolina | 1991/Summer | 24 | 3 | 0 | 0 |
| Smith, Felipe | "Things You'd Imagine Zulu Tribes to Do": The Zulu Parade in New Orleans Carnival. | 2013/Summer | 46 | 2 | 22 | 35 |
| Smith, Fred T | Symbols Of Conflict And Integration In Frafra Funerals | 1987/Autumn | 21 | 1 | 0 | 0 |
| Smith, Fred T. | Gurensi Wall Painting | 1978/Summer | 11 | 4 | 0 | 0 |
| Smith, Fred T. | Gurensi Basketry And Pottery | 1978/Autumn | 12 | 1 | 0 | 0 |
| Smith, Fred T. | Frafra Dress | 1982/Spring | 15 | 3 | 0 | 0 |
| Smith, Fred T. | Male And Female Artistry In Africa | 1986/Spring | 19 | 3 | 0 | 0 |
| Smith, Fred T. | Compound Entryway Decoration: Male Space And Female Creativity | 1986/Spring | 19 | 3 | 0 | 0 |
| Smith, Fred T. | Death, Ritual, And Art In Africa | 1987/Autumn | 21 | 1 | 0 | 0 |
| Smith, Fred T. | Earth, Vessels, And Harmony Among The Gurensi | 1989/Winter | 22 | 2 | 0 | 0 |
| Smith, Fred T. Joanne B. Eicher | The Systematic Study Of African Dress And Textiles | 1982/Spring | 15 | 3 | 0 | 0 |
| Sobania, Neal & Silverman, Raymond | Icons of Devotion / Icons of Trade: Creativity and Entrepreneurship in Contemporary "Traditional" Ethiopian Painting. Part of a special issue: Contemporary Expressive Culture in Ethiopia | 2009/Spring | 42 | 1 | 26 | 37 |
| Soderberg, Bertil | Ornamentation Of The Sansa | 1972/Summer | 5 | 4 | 0 | 0 |
| Soelle, Ebongue | Echo Du Festival D'Alger: Interview Du R.P. Mveng | 1970/Spring | 3 | 3 | 0 | 0 |
| Sohier, Estelle | Hybrid Images: From Photography to Church Painting: Iconographic Narratives at the Court of the Ethiopian King of Kings, Menelik II (1880sâ1913) | 2016/Spring | 49 | 1 | 26 | 39 |
| Sonne Dipoko, Mbella | Overseas | 1970/Summer | 3 | 4 | 0 | 0 |
| Soppelsa, Robert T. | A Mma In The Metropolitan Museum Of Art (Research Note) | 1990/Summer | 23 | 3 | 0 | 0 |
| Soppelsa, Robert T. | Art and Power in the Central African Savanna: Sculpture of the Songye, Luba, Luluwa and Chokwe Peoples: The Menil Collection, Houston; The Cleveland Museum of Art; The de Young Museum, Fine Arts Museums of San Francisco. | 2009/Winter | 42 | 4 | 84 | 86 |
| Soppelsa, Robert T. | Mud Masons of Mali Smithsonian Institution/National Museum of Natural History Washington, DC August 31, 2013âcontinuing | 2016/Summer | 49 | 2 | 90 | 91 |
| Soumanou Vieyra, Paulin | Le Film Africain D'Expression Francaise (In French) | 1968/Spring | 1 | 3 | 0 | 0 |
| Southern, A.E. & S. Milburn & Michael Cardew & al. | Kenneth Murray Through The Eyes Of His Friends | 1973/Summer | 6 | 4 | 0 | 0 |
| Southwell Wahlman, Maude | African Symbolism In Afro-American Quilts | 1986/Autumn | 20 | 1 | 0 | 0 |
| Spies, Bertha M. | Saartjie. | 2014/Summer | 47 | 2 | 66 | 75 |
| Spindel, Carol | Kpeenbele Senufo Potters | 1989/Winter | 22 | 2 | 0 | 0 |
| Sprague, Stephen f. | Yoruba Photography: How The Yoruba See Themselves | 1978/Autumn | 12 | 1 | 0 | 0 |
| Spring, Christopher & Julie Hudson | Urban Textile Traditions of Tunisia | 2004/Autumn | 37 | 3 | 0 | 0 |
| Spring, Christopher & Julie Hudson & John Mack & Nigel Barley | Africa 95 At The Museum Of Mankind | 1996/Summer | 29 | 3 | 0 | 0 |
| Spring, Christopher & Nigel Barley & Julie Hudson | The Sainsbury African Galleries At The British Museum | 2001/Autumn | 32 | 3 | 0 | 0 |
| Stahl, Ann B. | Archaeological Insights into Aesthetic Communities of Practice in the Western Volta Basin. | 2013/Autumn | 46 | 3 | 54 | 67 |
| Stahl, Jolie | Doctors and Lawyers [art reproduction]. | 2010/Spring | 43 | 1 | Inside fro | 0 |
| Stahl, Jolie | Doin' Business [art reproduction]. | 2010/Summer | 43 | 2 | Inside fro | 0 |
| Stahl, Jolie | Medical Malpractice [art reproduction]. | 2010/Autumn | 43 | 3 | Inside Fro | 0 |
| Stanley, Janet | The Benin leopards of Dupont Circle | 2015/Winter | 48 | 4 | 94 | 96 |
| Stark, Trevor | All the World's Futures: The 55th Venice Biennale May 9âNovember 22, 2015 multiple venues, Venice, Italy | 2016/Fall | 49 | 3 | 86 | 87 |
| Stedman, Susan | Peabody Museum Of Salem | 1976/Autumn | 10 | 1 | 0 | 0 |
| Steele, John | Cultural Heritage in the Work of Two Xhosa-speaking Ceramic Artists Gcinikhaya Dase, Siziwe Sotewu | 2007/Autumn | 40 | 3 | 0 | 0 |
| Stefanos, Yirga-Mengistu | Humour Tips | 1973/Spring | 6 | 3 | 0 | 0 |
| Steiner, Christopher B. | The Trade In West African Art | 1991/Winter | 24 | 1 | 0 | 0 |
| Stelzig, Christine | Von Perlen, Rost und Meeresschnecken: Drehscheibe Sahel: Senckenberg Naturmuseum, Frankfurt am Main, Germany; Muséee National de Ouagadougou, Burkina Faso. | 2008/Winter | 41 | 4 | 87 | 89 |
| Stelzig, Christine | Cameroon's Art and Kings: Museum Rietberg, Zurich. | 2009/Spring | 42 | 1 | 104 | 106 |
| Sterling, Cheryl | Tristes Tropique in Jacqueline Bishop's Patchwork Aesthetics | 2020/Spring | 53 | 1 | Â 38 | 49 |
| Stevens, Jr., Phillips | The Nupe Elo Masquerade | 1973/Summer | 6 | 4 | 0 | 0 |
| Stevens, Jr., Phillips | The Danubi Ancestral Shrine | 1976/Autumn | 10 | 1 | 0 | 0 |
| Stevenson, Linda | Agniproverbs | 1973/Spring | 6 | 3 | 0 | 0 |
| Stokes Hammer, Deborah | The William B. Fagg Archive (Photo Essay) | 1994/Summer | 27 | 3 | 0 | 0 |
| Stokes Hammer, Deborah & Jeffrey S. Hammer | The Master Of The Owu Shango Shrine | 1986/Winter | 19 | 2 | 0 | 0 |
| Stokes Sims, Lowery | Individuality And Tradition: A Conversation With Three Contemporary Artists | 1998/Autumn | 31 | 4 | 0 | 0 |
| Stokes, Deborah | Documentary Observations: The African Photographs of William B. Fagg, 1949-1959 | 2003/Winter | 36 | 4 | 0 | 0 |
| Stokes, Deborah | Fish/Fetish(!?): A Note on ĂąâŹĆMami Wata: Arts for Water Spirits in Africa and Its DiasporasĂąâŹÂ. | 2010/Summer | 43 | 2 | 8 | 9 |
| Stokes, Deborah | The African Art Gallery. | 2012/Autumn | 45 | 3 | 84 | 86 |
| Stokes, Deborah | Shifting Views: People and Politics in Contemporary African Art | 2018/Summer | 51 | 2 | 83 | 85 |
| Stokes, Deborah | Museum Cooperation Between Africa and Europe: A New Field for Museum Studies edited by Thomas Laely, Marc Meyer, and Raphael Schwere Kampala: Transcript Verlag, Bielefeld and Fountain, 2019 272 pp., 25 color, 2 b/w ill. $40.00 paper | 2020/Fall | 53 | 3 |  95 | 96 |
| Stokes, Deborph | Rediscovered Treasures: African Beadwork At The Field Museum, Chicago | 1999/Autumn | 32 | 3 | 0 | 0 |
| Stoller, Paul | In Memoriam: Jean Rouch, 1917-2004 | 2004/Summer | 37 | 2 | 0 | 0 |
| Strother, Z. | First word: Iconoclash: From "Tradition" to "Heritage" in Global Africa. | 2012/Autumn | 45 | 3 | 1 | 6 |
| Strother, Z. | Looking for Africa in Carl Einstein's Negerplastik. | 2013/Winter | 46 | 4 | 8 | 21 |
| Strother, Z. S. | Gabama A Gingungu And The Secret History Of Twentieth-Century Art | 1999/Spring | 32 | 1 | 0 | 0 |
| Strother, Z.S. | Invention And Reinvention In The Traditional Arts | 1995/Spring | 28 | 2 | 0 | 0 |
| Strother, Z.S. | LĂ©on de Sousberghe, S.J.: 1903â2006 | 2007/Summer | 40 | 2 | 0 | 0 |
| Strother, Z.S. | A Dance of Assassins: Performing Early Colonial Hegemony in the Congo by Allen F. Roberts | 2015/Autumn | 48 | 3 | 95 | 96 |
| Strother, Z.S. | Authentically African: Arts and the Transnational Politics of Congolese Culture | 2018/Autumn | 51 | 3 | 92 | 93 |
| Sullivan, Elaine , Tristan Mertens, Pierre Petit, Kevin Conru, Aimé Mpane, Aimé Ntakiyica, Maxime de Formanoir, Allen F. Roberts & Dunja Hersak | AfricaMuseum reopening Tervuren, Belgium | 2020/Summer | 53 | 2 |  80 | 94 |
| Sullivan, Elaine and Nicolas Dewalque | BeautĂ© Congoâ1926â2015âCongo Kitoko Fondation Cartier pour l'art contemporain, Paris July 11, 2015-January 10, 2016 | 2016/Winter | 49 | 4 | 85 | 89 |
| Sutton, Elizabeth | African Art in Motion Minneapolis Institute of Arts Minneapolis, MN November 10, 2013âongoing | 2015/Autumn | 48 | 3 | 90 | 92 |
| Swindell,, Caitlin | Kemang Wa Lehulere: In All My Wildest Dreams: Art Institute of Chicago October 27, 2016âJanuary 16, 2017 | 2017/Winter | 50 | 4 | 78 | 80 |
| Sytsma, Janine A. | Migratory Mythopoeism: A Critical Examination of Moyo Ogundipe's Paintings | 2020/Spring | 53 | 1 | Â 50 | 65 |
| Tarsitani, Belle Asante | Revered Vessels: Custom and Innovation in Harari Basketry. Part of a special issue: Contemporary Expressive Culture in Ethiopia | 2009/Spring | 42 | 1 | 64 | 75 |
| Tattersall, Ian | Africa: Continent of Origins | 2004/Spring | 37 | 1 | 0 | 0 |
| Taylor, Richard | Purakapali | 1972/Summer | 5 | 4 | 0 | 0 |
| Teilhet-fisk, Jehanne | Djuka Women And Men'S Art | 1984/Winter | 17 | 2 | 0 | 0 |
| Teklemichael, Makda | Contemporary Women Artists in Ethiopia. Part of a special issue: Contemporary Expressive Culture in Ethiopia | 2009/Spring | 42 | 1 | 38 | 45 |
| Tervala, Kevin | Shangaa: Art of Tanzania Edited by Gary Van Wyk New York: QCC Art Gallery, 2013. 341 pages, 315 color illustrations, 45 b/w illustrations, 3 maps, bibliography, index. $95.00, cloth | 2016/Summer | 49 | 2 | 91 | 92 |
| Thackeray, J.F. | Ninth Triennial Symposium On African Art New Directions In The Study Of Southern African Rock Art (Research Note) | 1993/Winter | 26 | 1 | 0 | 0 |
| Thomas, Peter | Ride Me Memories: A Memorial Tribute To Christopher Okigbo (1932-1967) | 1968/Summer | 1 | 4 | 0 | 0 |
| Thomas, Peter | Efik Songs | 1969/Spring | 2 | 3 | 0 | 0 |
| Thomas, Tashima | Diagram of the Heart Museum of Contemporary African Diasporan Arts, Brooklyn, New York November 18, 2016âFebruary 26, 2017 | 2017/Winter | 50 | 4 | 88 | 90 |
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| Thompson Drewal, Margaret | Projections From The Top In Yoruba Art | 1977/Autumn | 11 | 1 | 0 | 0 |
| Thompson Drewal, Margaret | Art And Trance Among Yoruba Shango Devotees | 1986/Autumn | 20 | 1 | 0 | 0 |
| Thompson Drewal, Margaret | Portraiture And The Construction Of Reality In Yorubaland And Beyond | 1990/Summer | 23 | 3 | 0 | 0 |
| Thompson Drewal, Margaret & Henry John Drewal | Gelede Dance Of The Western Yoruba | 1975/Winter | 8 | 2 | 0 | 0 |
| Thompson Drewal, Margaret & Henry John Drewal | An Ifa Diviner'S Shrine In Ijebuland | 1983/Winter | 16 | 2 | 0 | 0 |
| Thompson, Barbara | The African Collection at the Hood Museum of Art | 2004/Summer | 37 | 2 | 0 | 0 |
| Thompson, Barbara | Namsifueli Nyeki: A Tanzanian Potter Extraordinaire | 2007/Spring | 40 | 1 | 0 | 0 |
| Thompson, Barbara | A Propos Macron and the Restitution of African Arts: A German Case Study | 2020/Winter | 53 | 4 | Â 1 | 7 |
| Thompson, Carol | Richard A. Long. | 2014/Spring | 47 | 1 | 6 | 9 |
| Thompson, Robert Farris | Icons Of The Mind: Yoruba Herbalism Arts In Atlantic Perspective | 1975/Spring | 8 | 3 | 0 | 0 |
| Thompson, Robert Farris | Illuminating Spirits: "Astonishment And Power" At The National Museum Of African Art (Review/Article) | 1993/Autumn | 26 | 4 | 0 | 0 |
| Thompson, Robert Farris | Face Of The Gods: The Artists And Their Altars | 1995/Winter | 28 | 1 | 0 | 0 |
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| Timothy, Bankole | Sama And The Barber | 1969/Summer | 2 | 4 | 0 | 0 |
| Tionnet, Françoise | The Mirror And The Tomb: African, Museums, And Memory | 2001/Autumn | 32 | 3 | 0 | 0 |
| Tolulope Ijisakin, Eyitayo | The Art of Life in South Africa | 2018/Autumn | 51 | 3 | 95 | 96 |
| Tournaye, Aude | IncarNations: African Art as Philosophy curated by Kendell Geers and Sindika Dokolo BOZAR, Brussels June 28âOctober 6, 2019 | 2020/Winter | 53 | 4 |  89 | 93 |
| Townsend, Phillip | Patience on a Monument | 2017/Summer | 50 | 2 | 87 | 89 |
| Tschumi, Regula | The Figurative Palanquins of the Ga: History and Significance. | 2013/Winter | 46 | 4 | 60 | 73 |
| Tselos, Susan Elizabeth | Threads Of Reflection: Costumes Of Haitian Rara | 1996/Spring | 29 | 2 | 0 | 0 |
| Tuggar, Fatimah | Methods, Making, and West African Influences in the Work of Fatimah Tuggar | 2017/Winter | 50 | 4 | 12 | 17 |
| Tumusiime, Amanda | Alex Baine's Women's Emancipation in Uganda | 2017/Summer | 50 | 2 | 58 | 67 |
| Tumusiime, Amanda | âOur Voice of Africaâ: It Is Less Than Our Voice Without a Woman's Voice | 2018/Summer | 51 | 2 | 1 | 2 |
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| Udoka, Arnold | Ekong Songs Of The Annang | 1984/Autumn | 18 | 1 | 0 | 0 |
| Ugiomoh, Francis | Art and Nationalism in Nigeria. Part of a special section: Dialogue | 2009/Summer | 42 | 2 | 7 | 7 |
| Umolu, Yesomi | Focus: African Perspectives: The Armory, New York March 3â6, 2016 | 2017/Winter | 50 | 4 | 76 | 77 |
| Underwood, Joseph | The Unfolding of a Biennale: A Timeline of the Exposition Internationale at Dak'Art 2014 | 2014/Winter | 47 | 4 | 1 | 6 |
| Underwood, Joseph L. | Art, Honor, and Ridicule: Asafo Flags from Southern Ghana | 2018/Summer | 51 | 2 | 89 | 92 |
| Underwood, Joseph L. | El Hadji Sy: Painting, Performance, Politics | 2018/Summer | 51 | 2 | 95 | 96 |
| Underwood, Joseph L. | Biennials: Who's in and Who's out? | 2019/Summer | 52 | 2 | 7 | 8 |
| Underwood, Joseph L. | Abstract Minded: Works by Six Contemporary African Artists curated by Osi Audu August Wilson Center, Pittsburgh, PA April 27âJuly 22, 2018 | 2019/Summer | 52 | 2 | 82 | 84 |
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| Uzoigwe, Joshua | Three Songs | 1974/Spring | 7 | 3 | 0 | 0 |
| van Beek, Walter EA. | Functions Of Sculpture In Dogon Religion | 1988/Summer | 21 | 4 | 0 | 0 |
| Van Beurden, Sarah | Congo Art Works: Popular Painting | 2018/Winter | 51 | 4 | 95 | 96 |
| Van Bockhaven, Vicky | Kongo across the Waters | 2017/Autumn | 50 | 3 | 91 | 92 |
| Van Damme-Linseele, Annemieke | Nkanu and Mbeko Art and Ritual | 2004/Autumn | 37 | 3 | 0 | 0 |
| Van Damme-Linseele, Annemieke | Homage to Dr. Alphonse Lema Gwete. | 2005/Spring | 38 | 1 | 10 | 10 |
| Van Damme-Linseele, Annemieke | In Memoriam: Fr. François Bontinck: 1920â2005 | 2005/Winter | 38 | 4 | 10 | 91 |
| Van Damme-Linseele, Annemieke | From Mission âAfrica Roomsâ: Frans M. Olbrechts's Rediscovered African Collection. | 2008/Summer | 41 | 2 | 38 | 49 |
| Van Der Watt, Liese | Tracing: Berni Searle | 2004/Winter | 37 | 4 | 0 | 0 |
| Van Der Watt, Liese | WITNESSING TRAUMA IN POST | 2005/Autumn | 38 | 3 | 26 | 93 |
| Van Der Watt, Liese | We Don't Need Another Hero: 10th Berlin Biennial for Contemporary Art curated by Gabi Ngcobo with Nomaduma Rose Masilela, Serubiri Moses, Thiago de Paulo Souza and Yvette Mutumba Akademie der KĂŒnste; KW Institute for Contemporary Art; ZK/U-Zentrum fĂŒr Kunst und Urbanistik; Hau Hebbel am Ufer; VolsbĂŒhne Pavillon, Berlin June 9âSeptember 9, 2018 | 2019/Fall | 52 | 3 | 72 | 74 |
| Van Dyke, Kristina | The Menil Collection: Houston, Texas | 2007/Autumn | 40 | 3 | 0 | 0 |
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| van Oven, Cootje | Music Of Sierra Leone | 1970/Summer | 3 | 4 | 0 | 0 |
| Van Rensburg, Storm Janse | Art Routes: Negotiating Dak'Art. | 2006/Winter | 39 | 4 | 66 | 67 |
| Van Robbroeck, Lize | Reimagining South African National Heritage: Two Ten-Years-of-Democracy Exhibitions | 2004/Winter | 37 | 4 | 0 | 0 |
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| Verswijver, Gustaaf | Removable Hair Caps of Karamoja (Uganda) | 2010/Winter | 43 | 4 | 60 | 71 |
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| Vogel, Susan Mullin | Known Artists But Anonymous Works: Fieldwork And Art History | 1998/Autumn | 31 | 4 | 0 | 0 |
| Vogel, Susan Mullin, Philip M. Peek, and Holland Cotter | Jerome M. Vogel 1933â2014 | 2015/Summer | 48 | 2 | 5 | 7 |
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| Volavka, Zdenka | Insignia Of The Divine Authority | 1981/Spring | 14 | 3 | 0 | 0 |
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| Wardwell, Allen | The Herbert Baker Collection | 1970/Spring | 3 | 3 | 0 | 0 |
| Wardwell, Allen | New Acquisitions Of African Art At The Art Institute Of Chicago | 1970/Autumn | 4 | 1 | 0 | 0 |
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| Wardwell, Allen | New Light On Polynesia | 1972/Autumn | 6 | 1 | 0 | 0 |
| Warren, Dennis M. | Bono Royal Regalia | 1975/Winter | 8 | 2 | 0 | 0 |
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| Warren, Lee | The Third All Nigeria Festival Of The Arts | 1973/Autumn | 7 | 1 | 0 | 0 |
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| Webb, Virginia-Lee | Fact And Fiction: Nineteenth-Century Photographs Of The Zulu | 1992/Winter | 25 | 1 | 0 | 0 |
| Wehmeyer, Stephen C, | Indian Altars Of The Spiritual Church: Kongo Echoes In New Orleans | 2000/Winter | 33 | 4 | 0 | 0 |
| Weil, Peter M. | Women'S Masks And The Power Of Gender In Mande History | 1998/Spring | 31 | 2 | 0 | 0 |
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| Weiss, Herbert F. , Richard B. Woodward, and Z.S. Strother | Art with Fight in It: Discovering that a Statue of a Colonial Officer Is a Power Object from the 1931 Pende Revolt | 2016/Spring | 49 | 1 | 56 | 69 |
| Weldon Smith, J | Religion And Art 1N Africa | 1980/Summer | 13 | 4 | 0 | 0 |
| Weldon Smith, J. | African Pragmatism | 1978/Winter | 11 | 2 | 0 | 0 |
| Wells, Jr., Louis T. | The Harley Masks Of Northeast Liberia | 1977/Winter | 10 | 2 | 0 | 0 |
| Wembah-Rashid, J.A.R. | Isinyago And Midimu: Masked Dancers Of Tanzania And Mozambique | 1971/Winter | 4 | 2 | 0 | 0 |
| Wembah-Rashid, J.A.R. | Tingatinga Of Tanzania | 1972/Summer | 5 | 4 | 0 | 0 |
| Wembah-Rashid, J.A.R. | Edward Saidi Tingatinga: In Memoriam | 1974/Winter | 7 | 2 | 0 | 0 |
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| Weston, Judith & Meryl Johnson, Judith | Benin Bronze Preservation | 1975/Summer | 8 | 4 | 0 | 0 |
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| Wilcox, Isabel Stainow | Royals & Regalia: Inside the Palaces of Nigeria's Monarchs: Recent Photographs by George Osodi Newark Museum, Newark NJ February 25âAugust 9, 2015 | 2016/Fall | 49 | 3 | 90 | 92 |
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| Willett, Frank | Ife In Nigerian Art | 1967/Autumn | 1 | 1 | 0 | 0 |
| Willett, Frank | The Benin Museum Collection | 1973/Summer | 6 | 4 | 0 | 0 |
| Willett, Frank | True Or False? The False Dichotomy | 1976/Spring | 9 | 3 | 0 | 0 |
| Willett, Frank | The Arts Of The Edo-Speaking Peoples Outside Benin City | 1976/Summer | 9 | 4 | 0 | 0 |
| Willett, Frank | An African Sculptor At Work | 1978/Winter | 11 | 2 | 0 | 0 |
| Willett, Frank | Nigerian Thorn Carvings: A Living Monument To Justus Akeredolu | 1986/Autumn | 20 | 1 | 0 | 0 |
| Willett,Frank & Ben Torsney & Mark Ritchie | Composition And Style: An Examination Of The Benin "Bronze" Heads | 1994/Summer | 27 | 3 | 0 | 0 |
| Williams, Drid | The Dance Of The Bedu Moon | 1968/Autumn | 2 | 1 | 0 | 0 |
| Williams, Drid & Reverend JS. Steemers & J. E. K. Kumah | Sokodae: Come And Dance! | 1970/Spring | 3 | 3 | 0 | 0 |
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| Willis, La | Uli Painting And The Igbo World View | 1989/Autumn | 23 | 1 | 0 | 0 |
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| Wilson, Paul | The Afrofuturist Village: Masiyaleti Mbewe curated by Aino Moongo Goethe Institute, Windhoek, Namibia February 21âMarch 2, 2018 | 2019/Fall | 52 | 3 | 83 | 85 |
| Wilson, Thomas H. | The Loss Of Cultural Heritage In Mali: A Perspective From Kenya | 1996/Winter | 29 | 1 | 0 | 0 |
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| Windmuller-Luna, Kristen | African Arts at the Princeton University Art Museum | 2019/Spring | 52 | 1 | 72 | 89 |
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| Wingert, Paul S. | Further Style Analysis In African Sculpture | 1972/Autumn | 6 | 1 | 0 | 0 |
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| Winston Blackmun, Barbara | Who Commissioned The Queen Mother Tusks? A Problem In The Chronology Of Benin Ivories | 1991/Spring | 24 | 2 | 0 | 0 |
| Winston Blackmun, Barbara | Continuity And Change The Ivories Of Ovonramwen And Eweka Ii | 1997/Summer | 30 | 3 | 0 | 0 |
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| Woets, Rhoda | "This is What Makes Sirigu Unique": Authenticating Canvas and Wall Paintings in (Inter)national Circuits of Value and Meaning | 2014/Winter | 47 | 4 | 10 | 25 |
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| Wolff, Norma H. | Egungun Costuming In Abeokuta | 1982/Spring | 15 | 3 | 0 | 0 |
| Wolff, Norma H. | A Hausa Aluminum Spoon Industry | 1986/Spring | 19 | 3 | 0 | 0 |
| Wolff, Norma H. & D. Michael Warren | The Agbeni Shango Shrine In Ibadan: A Century Of Continuity | 1998/Summer | 31 | 3 | 0 | 0 |
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| Woodhouse, H.C. | Bushman Rock Paintings | 1977/Summer | 10 | 4 | 0 | 0 |
| Woods, Willis f. | The Detroit Institute Of Arts | 1971/Summer | 4 | 4 | 0 | 0 |
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| Wooten, Stephen R. | Antelope Headresses And Champion Farmers: Negotiating Meaning And Identity Through The Bamana Ciwara Complex | 2000/Summer | 33 | 2 | 0 | 0 |
| Wright, William | Bring Beauty Back To Mali | 1995/Autumn | 28 | 4 | 0 | 0 |
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| Wylie, Diana | From the Bottom of Our Hearts: Making Art in a Time of Struggle | 2004/Winter | 37 | 4 | 0 | 0 |
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| Wysocki Gunsch, Kathryn | Reply to Jeremy Coote | 2015/Summer | 48 | 2 | 9 | 9 |
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| Zahan, Dominique | The Boat Of The World As A Pendant | 1988/Summer | 21 | 4 | 0 | 0 |
| Zahan, Dominique. Edited, translated, and annotated by Allen F. Roberts | The Two Worlds Of Ciwara | 2000/Summer | 33 | 2 | 0 | 0 |
| Zeitlyn, David | Mambila Figurines And Masquerades: Problems Of Interpretation | 1994/Autumn | 27 | 4 | 0 | 0 |
| Zewi, Meki | Adrop Ofhoney | 1972/Winter | 5 | 2 | 0 | 0 |
| Zilberg, Jonathan | African Fashion, Global Style: Histories, Innovations, and Ideas You Can Wear | 2017/Summer | 50 | 2 | 92 | 93 |
| Zilberg, Jonathan | The Silence of the Women: Bamana Mud Cloths | 2017/Autumn | 50 | 3 | 93 | 94 |
| Zimmerman, Courtnay Micots | Sense, Style, Presence. | 2006/Summer | 39 | 2 | 73 | 76 |
| Zwernemann, Jurgen | A Short Survey On African Art In The Linden-Museum, Stuttgart | 1970/Winter | 3 | 2 | 0 | 0 |
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| | African Art At Los Angeles | 1969/Winter | 2 | 2 | 0 | 0 |
| | Vitalite Du Cameroun (In French And English) | 1969/Spring | 2 | 3 | 0 | 0 |
| | Prizewinners / Laureats 1969 (In English And French) (Music): Venancio Mbande (Drama): Olawale Rotimi | 1970/Winter | 3 | 2 | 0 | 0 |
| | Tapisseries De Thies (In French And English) | 1970/Winter | 3 | 2 | 0 | 0 |
| | London Art Festival (In English And French) | 1970/Spring | 3 | 3 | 0 | 0 |
| | African Art In The Collection Of Jacques Lipchitz | 1970/Summer | 3 | 4 | 0 | 0 |
| | Drawings By Msangi | 1970/Autumn | 4 | 1 | 0 | 0 |
| | 1970 Prizewinners (Literature): Selby Ashong-Katai, Tesfaye Gessesse, Senzenjani Zeph Lukhele, Lazarus M. Motshabi, Fred Rex Quartey, Johannes Ralekiti Thage, And E.Y. Aduamah (Art): Eli Kyeyune, Jak Katerikawe, George Msimango, Mhlaba Dumile, Falaka Armide, Mamo Tessema, And Marc Mambingo | 1971/Winter | 4 | 2 | 0 | 0 |
| | African Arts Of Transformation | 1971/Spring | 4 | 3 | 0 | 0 |
| | 1971 Prizewinners(Dance): O. Akin Euba And The Nanka Atilogu Dance Group (Music): Samuel Akpabot And Thomas Masuluke (Drama): Meki Zewi, Wale Ogunyemi, And Uche Okeke | 1972/Winter | 5 | 2 | 0 | 0 |
| | The Vincent Price Collection | 1972/Winter | 5 | 2 | 0 | 0 |
| | Alatangana | 1972/Winter | 5 | 2 | 0 | 0 |
| | Nanka Atilogu Dancers | 1972/Winter | 5 | 2 | 0 | 0 |
| | 1972 Prizewinners(Art): Cyprian Shilakoe, Uzo Egonu, Tito Zungu, Louis Maqhubela, Ahmed Louardiri | 1973/Winter | 6 | 2 | 0 | 0 |
| | The Raymond Wielgus Collection | 1973/Winter | 6 | 2 | 0 | 0 |
| | The Josef Herman Collection | 1973/Spring | 6 | 3 | 0 | 0 |
| | Competition 1973 (Drama): The Mwondo Theatre | 1974/Winter | 7 | 2 | 0 | 0 |
| | Museo Delle Arti Primitive, Rimini: Delfino Dinz Rialto Collection | 1974/Autumn | 8 | 1 | 0 | 0 |
| | Competition 1974 (Art): Mohamed Omer Bushara, Mode Muntu, And Isaac Ojo Fajana (Literature): Mbuyi-Kalala Alafuele, Akinwumi Isola, Inih A, Ebong, Munganga Kimbwibi Wa Nzam'Mpung, Ikechukwu Azuonye, Kofi Anyidoho, And Tshimanga Membu Dikenia | 1975/Winter | 8 | 2 | 0 | 0 |
| | The Mwondo Theatre Since 1973 | 1975/Winter | 8 | 2 | 0 | 0 |
| | The Festival Of African Arts | 1975/Autumn | 9 | 1 | 0 | 0 |
| | George Msimang Of South Africa | 1975/Autumn | 9 | 1 | 0 | 0 |
| | Bushara At The Slade | 1979/Spring | 12 | 3 | 0 | 0 |
| | Nigerian Art At Ucla | 1981/Summer | 14 | 4 | 0 | 0 |
| | The Museum Of Cultural History: Twentieth Anniversary | 1984/Spring | 17 | 3 | 0 | 0 |
| | The National Museum Of African Art | 1984/Spring | 17 | 3 | 0 | 0 |
| | The Center For African Art | 1985/Winter | 18 | 2 | 0 | 0 |
| | An Interview With Carol Beckwith | 1985/Summer | 18 | 4 | 0 | 0 |
| | Three Cross River Puppets | 1986/Winter | 19 | 2 | 0 | 0 |
| | The National Museum Of African Art: Opening September 1987 | 1987/Summer | 20 | 4 | 0 | 0 |
| | Eighth Triennial Symposium On African Art: Acasa Awards | 1989/Autumn | 23 | 1 | 0 | 0 |
| | Memorial To Arnold Rubin, Part 1 | 1991/Spring | 24 | 2 | 0 | 0 |
| | Memorial To Arnold Rubin, Part 2 | 1991/Summer | 24 | 3 | 0 | 0 |
| | Historical Photographs Of Africa | 1991/Autumn | 24 | 4 | 0 | 0 |
| | West African Textiles | 1992/Summer | 25 | 3 | 0 | 0 |
| | 100Th Issue | 1992/Autumn | 25 | 4 | 0 | 0 |
| | Memorial To John Povey | 1994/Winter | 27 | 1 | 0 | 0 |
| | Memorial To William Fagg | 1994/Summer | 27 | 3 | 0 | 0 |
| | Mor Faye (Portfolio) | 1995/Winter | 28 | 1 | 0 | 0 |
| | Masaego Johannes Segogela (Portfolio) | 1995/Winter | 28 | 1 | 0 | 0 |
| | Africa; The Art Of A Continent: The Dilemma Of Display Royal Academy Of Arts, London | 1995/Autumn | 28 | 4 | 0 | 0 |
| | Protecting Mali'S Cultural Heritage | 1995/Autumn | 28 | 4 | 0 | 0 |
| | Arts Of Vodou | 1996/Spring | 29 | 2 | 0 | 0 |
| | Africa95 | 1996/Summer | 29 | 3 | 0 | 0 |
| | Cyprien Tokoudagba (Portfolio) | 1996/Summer | 29 | 3 | 0 | 0 |
| | The Benin Centenary, Part I | 1997/Summer | 30 | 3 | 0 | 0 |
| | Praise Songs To Oba Ovonramwen | 1997/Summer | 30 | 3 | 0 | 0 |
| | The Benin Centenary, Part 2 | 1997/Autumn | 30 | 4 | 0 | 0 |
| | Women'S Masquerades In Africa And The Diaspora | 1998/Spring | 31 | 2 | 0 | 0 |
| | Authorship In African Art, Part 1 | 1998/Autumn | 31 | 4 | 0 | 0 |
| | Authorship In African Art, Part 2 | 1999/Spring | 32 | 1 | 0 | 0 |
| | The Niger Delta and beyond | 2002/Spring | 35 | 1 | 0 | 0 |
| | Eastern Nigerian Art from the Toby and Barry Hecht Collection | 2002/Spring | 35 | 1 | 0 | 0 |
| | Roy Sieber Memorial Issues | 2002/Summer | 35 | 2 | 0 | 0 |
| | Stolen Mask | 2002/Summer | 35 | 2 | 0 | 0 |
| | Memorial to Roy Sieber, Part 1 | 2003/Spring | 36 | 1 | 0 | 0 |
| | Memorial to Roy Sieber, Part 2 | 2003/Summer | 36 | 2 | 0 | 0 |
| | Explorations of Origins | 2004/Spring | 37 | 1 | 0 | 0 |
| | Corrigendum: Jak Katarikawe: Mind the Gap | 2004/Autumn | 37 | 3 | 0 | 0 |
| | Art and Freedom: South Africa after Apartheid | 2004/Winter | 37 | 4 | 0 | 0 |
| | Fang Reliquary Figure, Byeri [art reproduction]. | 2008/Spring | 41 | 1 | 1 | 0 |
| | Zulu Pair [art reproduction]. | 2008/Spring | 41 | 1 | 1 | 1 |
| | Bakongo fetish [art reproduction]. Congo/Zaire | 2008/Autumn | 41 | 3 | 1 | 1 |
| | Bakongo fetish [art reproduction]. | 2008/Winter | 41 | 4 | 1 | 1 |
| | Campbell, Bolaji, 1958. Yeye Odo (Mother Water) [art reproduction]. | 2008/Summer | 41 | 2 | 2 | 0 |
| | Dogon figure [art reproduction]. Obituary | 2008/Summer | 41 | 2 | 2 | 0 |
| | Baule Monkey Mbra Figure [art reproduction]. | 2008/Summer | 41 | 2 | 3 | 3 |
| | Tabwa Chief's Throne [art reproduction]. | 2008/Autumn | 41 | 3 | 3 | 0 |
| | Baga Large Standing Bird [art reproduction]. | 2008/Winter | 41 | 4 | 3 | 3 |
| | Man's tunic (Jibbeh) [art reproduction]. Mahdiyya State, Sudan | 2008/Winter | 41 | 4 | 4 | 0 |
| | Bakongo maternity figure [art reproduction]. | 2008/Summer | 41 | 2 | 9 | 9 |
| | Bakongo maternity figure [art reproduction]. | 2008/Spring | 41 | 1 | 12 | 12 |
| | Special Issue: Representations of Twins in African Art. | 2008/Spring | 41 | 1 | 14 | 85 |
| | Buffalo helmut [art reproduction]. | 2008/Autumn | 41 | 3 | Front Cove | 0 |
| | Man's tunic (jibbeh) [art reproduction]. | 2008/Autumn | 41 | 3 | Inside Bac | 0 |
| | Baule Helmet Mask with Figures [art reproduction]. | 2009/Spring | 42 | 1 | 3 | 3 |
| | Dogon Fulani Maiden Cowry Shells Costume and Mask [art reproduction]. | 2009/Summer | 42 | 2 | 3 | 3 |
| | Yoruba Gelede Body Mask [art reproduction]. | 2009/Autumn | 42 | 3 | 3 | 3 |
| | Bwa Plank Mask Multiple Beaks and Figures [art reproduction]. | 2009/Winter | 42 | 4 | 3 | 3 |
| | African art in unusual places. | 2009/Winter | 42 | 4 | 96 | 96 |
| | Fan for Ăâsun [Detail] [art reproduction]. | 2009/Summer | 42 | 2 | Front Cove | 0 |
| | Ekoi Ejagham Ekpa Society Figure [art reproduction]. | 2010/Spring | 43 | 1 | 3 | 3 |
| | Gola Sande Society Mask [art reproduction]. | 2010/Summer | 43 | 2 | 3 | 3 |
| | Bongo Funerary Post [art reproduction]. | 2010/Winter | 43 | 4 | 3 | 3 |
| | Correction. To C. M. Kreamer, Impermanent by Design: The Ephemeral in Africa's Tradition | 2010/Summer | 43 | 2 | 14 | 0 |
| | Correction. | 2010/Winter | 43 | 4 | 95 | 95 |
| | Cadillac Eureka Hearse [art reproduction]. | 2010/Spring | 43 | 1 | 96 | 96 |
| | African art in unusual places. | 2010/Summer | 43 | 2 | 96 | 96 |
| | African art in unusual places. | 2010/Winter | 43 | 4 | 96 | 96 |
| | A Moba personal shrine with wooden figures suspended above [art reproduction]. | 2010/Spring | 43 | 1 | Front cove | 0 |
| | dialogue. | 2012/Spring | 45 | 1 | 14 | 14 |
| | African art in unusual places. | 2012/Autumn | 45 | 3 | 96 | 96 |
| | India Bibliography. | 2013/Spring | 46 | 1 | 26 | 29 |
| | Vintage Baggage | 2014/Autumn | 47 | 3 | 96 | 96 |
